{"title":"Featured Works","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eA curated selection of featured British and European fine art, individually chosen from across our current collection.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscover \u003cstrong\u003epaintings\u003c\/strong\u003e, \u003cstrong\u003esculpture\u003c\/strong\u003e and \u003cstrong\u003edecorative works\u003c\/strong\u003e, selected for their quality, provenance, historical interest, craftsmanship and visual appeal.\u003c\/p\u003e\n\u003cp\u003eEach work is individually researched and carefully curated by Cheshire Antiques Consultant LTD.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"vim x-item-title\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003e","products":[{"product_id":"19th-century-oil-painting-gordon-setter-with-irish-red-white-hunt-dogs-by-colin-graeme-roe","title":"19th Century Oil Painting Gordon Setter with Irish Red \u0026 White Hunt Dogs By Colin Graeme Roe","description":"\u003ch3 data-start=\"0\" data-end=\"160\"\u003e19th Century Masterpiece — Oil Painting\u003cbr data-start=\"39\" data-end=\"42\"\u003e\u003cstrong data-start=\"42\" data-end=\"117\"\u003eGordon Setter with Irish Red \u0026amp; White Gun Dogs in the Scottish Highlands \u003c\/strong\u003eBy Colin Graeme (British, fl. 1858–1910)\u003c\/h3\u003e\n\u003cp data-start=\"162\" data-end=\"226\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"228\" data-end=\"632\"\u003e\u003cstrong data-start=\"228\" data-end=\"248\"\u003eSubject \u0026amp; Medium\u003c\/strong\u003e 🎨🐾\u003cbr data-start=\"253\" data-end=\"256\"\u003eThis late-Victorian, c.1880 sporting portrait represents a refined example of gundog portraiture: a Gordon Setter and an Irish Red \u0026amp; White Setter shown half-length, in profile, poised in upland terrain and oriented toward the scent. The composition isolates the dogs’ heads and shoulders to convey the concentrated stillness and alertness characteristic of hunting practice.\u003c\/p\u003e\n\u003cp data-start=\"634\" data-end=\"952\"\u003eExecuted in oil on an original Winsor \u0026amp; Newton prepared board — a commercially produced, period-appropriate support favoured by professional British painters of the late 19th century — the work benefits from a stable, fine-grained ground suitable for detailed rendering and for transportation in commissioned practice.\u003c\/p\u003e\n\u003cp data-start=\"954\" data-end=\"1018\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"1020\" data-end=\"1478\"\u003e\u003cstrong data-start=\"1020\" data-end=\"1047\"\u003eComposition \u0026amp; Technique\u003c\/strong\u003e 🖌️🎯\u003cbr data-start=\"1053\" data-end=\"1056\"\u003eGraeme employs a deliberately economical composition: the restricted view amplifies psychological presence and directs attention to expression and physiognomy. A warm mid-tone ground unifies the picture plane; translucent glazes build volume and depth; and disciplined, directional brushwork defines coat texture and feathering. Selective impasto accents the eyes, muzzle and lips, animating the subjects without excess.\u003c\/p\u003e\n\u003cp data-start=\"1480\" data-end=\"1776\"\u003eThe Highland landscape is handled more broadly and atmospherically: rolling moorland and distant hills dissolve into cool greys and mauves to create spatial recession and to situate the sitters within authentic upland shooting country. Heather in the foreground reinforces topographical veracity.\u003c\/p\u003e\n\u003cp data-start=\"1778\" data-end=\"1842\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"2288\"\u003e\u003cstrong data-start=\"1844\" data-end=\"1864\"\u003eAbout the Breeds\u003c\/strong\u003e 🐕🐕🦺\u003cbr data-start=\"1872\" data-end=\"1875\"\u003e\u003cstrong data-start=\"1875\" data-end=\"1893\"\u003eGordon Setter:\u003c\/strong\u003e Bred for strength, endurance and dependability in Scottish uplands; here rendered with accurate anatomy and tonal depth that convey the breed’s characteristic head carriage and dense black-and-tan coat.\u003cbr data-start=\"2096\" data-end=\"2099\"\u003e\u003cstrong data-start=\"2099\" data-end=\"2128\"\u003eIrish Red \u0026amp; White Setter:\u003c\/strong\u003e A rarer, historically older setter variety, valued for stamina and nose in rough cover; its lighter coat provides chromatic balance and compositional rhythm.\u003c\/p\u003e\n\u003cp data-start=\"2290\" data-end=\"2443\"\u003eTogether the two breeds embody the Victorian ideal of the gundog as an essential, highly trained working partner rather than a merely decorative element.\u003c\/p\u003e\n\u003cp data-start=\"2445\" data-end=\"2509\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"2511\" data-end=\"3069\"\u003e\u003cstrong data-start=\"2511\" data-end=\"2531\"\u003eAbout the Artist\u003c\/strong\u003e 🎨\u003cbr data-start=\"2539\" data-end=\"2542\"\u003eColin Graeme specialised in sporting subjects and gundog portraiture. Born into a prominent artistic family and initially signing works as Colin Graeme Roe, he later abbreviated his name professionally. His practice combined anatomical precision with painterly refinement. Examples of his work appear in regional public collections (notably Sheffield and Dudley), and his market record includes notable auction results (including a reported sale above $14,000 USD at Christie’s London), indicating continued collector interest.\u003c\/p\u003e\n\u003cp data-start=\"3071\" data-end=\"3135\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3137\" data-end=\"3337\"\u003e\u003cstrong data-start=\"3137\" data-end=\"3147\"\u003eSigned\u003c\/strong\u003e ✍️\u003cbr data-start=\"3150\" data-end=\"3153\"\u003eSigned lower corner: \u003cem data-start=\"3174\" data-end=\"3188\"\u003eColin Graeme\u003c\/em\u003e. The verso bears a Winsor \u0026amp; Newton prepared-panel label consistent with late-19th-century manufacture, supporting the painting’s period attribution.\u003c\/p\u003e\n\u003cp data-start=\"3339\" data-end=\"3403\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3405\" data-end=\"3927\"\u003e\u003cstrong data-start=\"3405\" data-end=\"3432\"\u003eHistorical Significance\u003c\/strong\u003e 📜🏰\u003cbr data-start=\"3437\" data-end=\"3440\"\u003eThis painting belongs to the golden age of British sporting art, when field sports were integral to country-house identity. Gundog portraits functioned as documentary records of prized stock and as symbols of sporting status; they were typically displayed in gun rooms, libraries and shooting lodges. Paired setter portraits with Highland settings are particularly desirable for combining breed portraiture with landscape and for reinforcing the prestige associated with upland shooting.\u003c\/p\u003e\n\u003cp data-start=\"3929\" data-end=\"3993\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3995\" data-end=\"4068\"\u003e\u003cstrong data-start=\"3995\" data-end=\"4018\"\u003eDimensions (Framed)\u003c\/strong\u003e 📏\u003cbr data-start=\"4021\" data-end=\"4024\"\u003eHeight: 36 cm\u003cbr data-start=\"4037\" data-end=\"4040\"\u003eWidth: 31 cm\u003cbr data-start=\"4052\" data-end=\"4055\"\u003eDepth: 5 cm\u003c\/p\u003e\n\u003cp data-start=\"4070\" data-end=\"4175\"\u003eAn intimate, cabinet scale that reads strongly at close range and integrates well into curated interiors.\u003c\/p\u003e\n\u003cp data-start=\"4177\" data-end=\"4241\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"4243\" data-end=\"4542\"\u003e\u003cstrong data-start=\"4243\" data-end=\"4253\"\u003eFramed\u003c\/strong\u003e 🖼️\u003cbr data-start=\"4257\" data-end=\"4260\"\u003ePresented in a later gilt gesso decorative frame chosen to complement the painting’s Victorian character. The work is ready to hang (hanging cord attached verso). The frame enhances visual presence and may be sympathetically conserved or replaced to suit the purchaser’s preference.\u003c\/p\u003e\n\u003cp data-start=\"4544\" data-end=\"4608\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"4610\" data-end=\"5091\"\u003e\u003cstrong data-start=\"4610\" data-end=\"4657\"\u003eCollecting Context — Hunting \u0026amp; Sporting Art\u003c\/strong\u003e 🏰🐾\u003cbr data-start=\"4662\" data-end=\"4665\"\u003eLate 19th–early 20th century sporting paintings were avidly collected by landed gentry, Masters of Hounds and shooting patrons. Prominent private collections and country houses — including those associated with families such as the Rothschilds and estates like Badminton — shaped taste and established benchmarks for gundog portraiture. High-quality, well-preserved cabinet-scale examples such as this are increasingly scarce.\u003c\/p\u003e\n\u003cp data-start=\"5093\" data-end=\"5157\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"5159\" data-end=\"5752\"\u003e\u003cstrong data-start=\"5159\" data-end=\"5173\"\u003eProvenance\u003c\/strong\u003e 🗂️\u003cbr data-start=\"5177\" data-end=\"5180\"\u003eAcquired from Hartleys Auction (Yorkshire), Lot 427.\u003cbr data-start=\"5232\" data-end=\"5235\"\u003ePreviously in a private Yorkshire vendor collection — a region historically associated with sporting estates and hunting culture.\u003cbr data-start=\"5364\" data-end=\"5367\"\u003eCurated and catalogued by Cheshire Antiques Consultant Ltd.\u003cbr data-start=\"5426\" data-end=\"5429\"\u003eExhibited: \u003cem data-start=\"5440\" data-end=\"5495\"\u003eVictorian Sporting Art: Dogs, Field, and Country Life\u003c\/em\u003e, Famous Lord Hill Museum, January 2026.\u003cbr data-start=\"5535\" data-end=\"5538\"\u003ePublic market appearances recorded on LiveAuctioneers (listing and auction provenance). Archival documentation (auction catalogue page, museum catalogue entry) is being assembled to complete the documentary record.\u003c\/p\u003e\n\u003cp data-start=\"5754\" data-end=\"5818\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"5820\" data-end=\"6296\"\u003e\u003cstrong data-start=\"5820\" data-end=\"5840\"\u003eCondition Report\u003c\/strong\u003e 📋\u003cbr data-start=\"5843\" data-end=\"5846\"\u003eOffered in good, used condition consistent with age and original materials. The paint film is stable overall; there is minor surface foxing and small, localized paint losses visible on close inspection. No active flaking observed at time of examination. The panel support appears sound with no obvious modern structural intervention from surface inspection. Frame exhibits age-related wear including surface abrasion, craquelure and minor gesso loss.\u003c\/p\u003e\n\u003cp data-start=\"6298\" data-end=\"6362\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6364\" data-end=\"6599\"\u003e\u003cstrong data-start=\"6364\" data-end=\"6394\"\u003eWhy You’ll Value This Work\u003c\/strong\u003e ⭐\u003cbr data-start=\"6396\" data-end=\"6399\"\u003e• Museum-quality subject in an elegant cabinet scale.\u003cbr data-start=\"6452\" data-end=\"6455\"\u003e• Rare paired-setter composition with authentic Highland landscape.\u003cbr data-start=\"6522\" data-end=\"6525\"\u003e• Strong provenance, exhibition history and established market visibility.\u003c\/p\u003e\n\u003cp data-start=\"6601\" data-end=\"6665\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6667\" data-end=\"6922\"\u003e\u003cstrong data-start=\"6667\" data-end=\"6697\"\u003eDisplay \u0026amp; Placement Advice\u003c\/strong\u003e 💡\u003cbr data-start=\"6700\" data-end=\"6703\"\u003eRecommended for a study, gun room, library or country-house interior, or as part of a curated sporting salon hang. Display under low-glare directional lighting with UV filtering to preserve colour and surface integrity.\u003c\/p\u003e\n\u003cp data-start=\"6924\" data-end=\"6988\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6990\" data-end=\"7217\"\u003e\u003cstrong data-start=\"6990\" data-end=\"7023\"\u003eWorldwide Shipping \u0026amp; Purchase\u003c\/strong\u003e 📦\u003cbr data-start=\"7026\" data-end=\"7029\"\u003eProfessionally packed and fully insured for international delivery. The painting is ready for immediate installation. Click “Buy It Now” to proceed with purchase and shipping arrangements.\u003c\/p\u003e\n\u003cp data-start=\"7219\" data-end=\"7283\"\u003e─────────────────────────────────────────\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":43985928192253,"sku":"k10025","price":4900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/victorian-hunting-2-setter-gun-dogs-oil-painting-by-colin-graeme-roe-664579.jpg?v=1687788068"},{"product_id":"beautiful-antique-austrian-bronze-sculpture-bay-hunter-horse-by-franz-bergman","title":"Victorian Austrian Bronze Sculpture – Bay Hunter Horse by Franz Bergman","description":"\u003chr data-end=\"209\" data-start=\"206\"\u003e\n\u003ch1 data-end=\"316\" data-start=\"211\"\u003eBeautiful Antique Victorian Collectible Austrian Bronze Sculpture – Bay Hunter Horse by Franz Bergman\u003c\/h1\u003e\n\u003cp data-end=\"529\" data-start=\"318\"\u003eWe are delighted to offer for sale this \u003cstrong data-end=\"405\" data-start=\"358\"\u003eexquisite antique Austrian bronze sculpture\u003c\/strong\u003e, an exceptional \u003cstrong data-end=\"442\" data-start=\"422\"\u003eBay Hunter Horse\u003c\/strong\u003eattributed to the celebrated Viennese sculptor \u003cstrong data-end=\"526\" data-start=\"490\"\u003eFranz Xavier Bergman (1861–1936)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"534\" data-start=\"531\"\u003e\n\u003ch3 data-end=\"569\" data-start=\"536\"\u003eA True Collector’s Treasure\u003c\/h3\u003e\n\u003cp data-end=\"734\" data-start=\"570\"\u003eThis \u003cstrong data-end=\"614\" data-start=\"575\"\u003efinely cast and cold-painted bronze\u003c\/strong\u003e, dating to \u003cstrong data-end=\"640\" data-start=\"626\"\u003ecirca 1900\u003c\/strong\u003e, captures the majestic form of a \u003cstrong data-end=\"694\" data-start=\"674\"\u003ebay hunter horse\u003c\/strong\u003e with remarkable realism and artistry.\u003c\/p\u003e\n\u003cp data-end=\"844\" data-start=\"736\"\u003eThe sculpture radiates both \u003cstrong data-end=\"789\" data-start=\"764\"\u003estrength and elegance\u003c\/strong\u003e, displaying Bergman’s signature attention to detail.\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"846\"\u003eThe anatomical precision is striking — you can clearly see the \u003cstrong data-end=\"939\" data-start=\"909\"\u003emuscles, reins, and saddle\u003c\/strong\u003e, each meticulously modelled and finished with great care.\u003c\/p\u003e\n\u003cp data-end=\"1151\" data-start=\"1001\"\u003eOne of the most outstanding features is its \u003cstrong data-end=\"1083\" data-start=\"1045\"\u003evibrant, richly painted brown coat\u003c\/strong\u003e, achieved through Bergman’s renowned \u003cstrong data-end=\"1148\" data-start=\"1121\"\u003ecold-painting technique\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1282\" data-start=\"1279\"\u003e\n\u003ch3 data-end=\"1313\" data-start=\"1284\"\u003eMarkings\u003c\/h3\u003e\n\u003cul data-end=\"1451\" data-start=\"1314\"\u003e\n\u003cli data-end=\"1408\" data-start=\"1314\"\u003e\n\u003cp data-end=\"1408\" data-start=\"1316\"\u003e\u003cstrong data-end=\"1374\" data-start=\"1316\"\u003eStamped with the letter “B” in an urn-shaped cartouche\u003c\/strong\u003e, confirming its Bergman origin.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1451\" data-start=\"1409\"\u003e\n\u003cp data-end=\"1451\" data-start=\"1411\"\u003eNumbered \u003cstrong data-end=\"1428\" data-start=\"1420\"\u003e3125\u003c\/strong\u003e underneath the base.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1548\" data-start=\"1453\"\u003eBergman often signed his works with either this “B” mark or the reversed name \u003cstrong data-end=\"1546\" data-start=\"1531\"\u003e“Nam Greb.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1680\" data-start=\"1550\"\u003eHis pieces remain some of the most collectible Viennese bronzes, prized for their \u003cstrong data-end=\"1677\" data-start=\"1632\"\u003echarm, quality, and historic significance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1685\" data-start=\"1682\"\u003e\n\u003ch3 data-end=\"1712\" data-start=\"1687\"\u003eDimensions \u0026amp; Weight\u003c\/h3\u003e\n\u003cul data-end=\"1810\" data-start=\"1713\"\u003e\n\u003cli data-end=\"1736\" data-start=\"1713\"\u003e\n\u003cp data-end=\"1736\" data-start=\"1715\"\u003e\u003cstrong data-end=\"1726\" data-start=\"1715\"\u003eHeight:\u003c\/strong\u003e 18.8 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1756\" data-start=\"1737\"\u003e\n\u003cp data-end=\"1756\" data-start=\"1739\"\u003e\u003cstrong data-end=\"1749\" data-start=\"1739\"\u003eWidth:\u003c\/strong\u003e 5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1777\" data-start=\"1757\"\u003e\n\u003cp data-end=\"1777\" data-start=\"1759\"\u003e\u003cstrong data-end=\"1769\" data-start=\"1759\"\u003eDepth:\u003c\/strong\u003e 23 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1810\" data-start=\"1778\"\u003e\n\u003cp data-end=\"1810\" data-start=\"1780\"\u003e\u003cstrong data-end=\"1791\" data-start=\"1780\"\u003eWeight:\u003c\/strong\u003e just over 1.4 kg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1943\" data-start=\"1812\"\u003eA \u003cstrong data-end=\"1840\" data-start=\"1814\"\u003echarming, compact size\u003c\/strong\u003e that displays beautifully in any interior — whether on a \u003cstrong data-end=\"1940\" data-start=\"1898\"\u003edesk, shelf, or cabinet of curiosities\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1948\" data-start=\"1945\"\u003e\n\u003ch3 data-end=\"1977\" data-start=\"1950\"\u003eHistorical Background\u003c\/h3\u003e\n\u003cp data-end=\"2116\" data-start=\"1978\"\u003eFranz Xavier Bergman inherited his father’s bronze foundry in Vienna and became renowned for his \u003cstrong data-end=\"2113\" data-start=\"2075\"\u003epatinated and cold-painted bronzes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2277\" data-start=\"2118\"\u003eHis works often depicted \u003cstrong data-end=\"2204\" data-start=\"2143\"\u003eanimals, whimsical figures, and exotic Orientalist themes\u003c\/strong\u003e, each piece reflecting fine \u003cstrong data-end=\"2274\" data-start=\"2233\"\u003ecraftsmanship and playful imagination\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2352\" data-start=\"2279\"\u003eToday, Bergman bronzes are \u003cstrong data-end=\"2349\" data-start=\"2306\"\u003ecoveted by serious collectors worldwide\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"2357\" data-start=\"2354\"\u003e\n\u003ch3 data-end=\"2381\" data-start=\"2359\"\u003eCondition Report\u003c\/h3\u003e\n\u003cp data-end=\"2448\" data-start=\"2382\"\u003eThis sculpture is presented in \u003cstrong data-end=\"2439\" data-start=\"2413\"\u003efine antique condition\u003c\/strong\u003e, with:\u003c\/p\u003e\n\u003cul data-end=\"2630\" data-start=\"2450\"\u003e\n\u003cli data-end=\"2528\" data-start=\"2450\"\u003e\n\u003cp data-end=\"2528\" data-start=\"2452\"\u003ePatina wear, scuffs, scratches, and touch-ups consistent with age and use.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2589\" data-start=\"2529\"\u003e\n\u003cp data-end=\"2589\" data-start=\"2531\"\u003eRetouching mainly to the \u003cstrong data-end=\"2586\" data-start=\"2556\"\u003elower legs, tail, and ears\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2630\" data-start=\"2590\"\u003e\n\u003cp data-end=\"2630\" data-start=\"2592\"\u003eOne \u003cstrong data-end=\"2615\" data-start=\"2596\"\u003estirrup missing\u003c\/strong\u003e on one side.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"2771\" data-start=\"2768\"\u003e\n\u003ch3 data-end=\"2802\" data-start=\"2773\"\u003eWhy Collect This Piece?\u003c\/h3\u003e\n\u003cp data-end=\"3135\" data-start=\"2803\"\u003e✔ Rare\u003cstrong data-end=\"2838\" data-start=\"2810\"\u003e Bergman bronze\u003c\/strong\u003e from the \u003cstrong data-end=\"2876\" data-start=\"2848\"\u003eend of the Victorian era\u003c\/strong\u003e\u003cbr data-end=\"2879\" data-start=\"2876\"\u003e✔ \u003cstrong data-end=\"2919\" data-start=\"2881\"\u003eBeautifully modelled horse subject\u003c\/strong\u003e with superb detail\u003cbr data-end=\"2941\" data-start=\"2938\"\u003e✔ Rich in \u003cstrong data-end=\"2993\" data-start=\"2951\"\u003eAustrian art history and craftsmanship\u003c\/strong\u003e\u003cbr data-end=\"2996\" data-start=\"2993\"\u003e✔ Ideal for collectors of \u003cstrong data-end=\"3073\" data-start=\"3022\"\u003ebronzes, equestrian art, or decorative antiques\u003c\/strong\u003e\u003cbr data-end=\"3076\" data-start=\"3073\"\u003e✔ Makes a truly \u003cstrong data-end=\"3110\" data-start=\"3092\"\u003ememorable gift\u003c\/strong\u003e for an art connoisseur\u003c\/p\u003e\n\u003chr data-end=\"3140\" data-start=\"3137\"\u003e\n\u003ch3 data-end=\"3175\" data-start=\"3142\"\u003eCustomer Service \u0026amp; Shipping\u003c\/h3\u003e\n\u003cp data-end=\"3255\" data-start=\"3176\"\u003eWe pride ourselves on offering \u003cstrong data-end=\"3252\" data-start=\"3207\"\u003eexceptional professional customer service\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cul data-end=\"3418\" data-start=\"3257\"\u003e\n\u003cli data-end=\"3336\" data-start=\"3257\"\u003e\n\u003cp data-end=\"3336\" data-start=\"3259\"\u003eWorldwide shipping available \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3556\" data-start=\"3420\"\u003eBrowse our other \u003cstrong data-end=\"3477\" data-start=\"3437\"\u003efine art, antiques, and collectibles\u003c\/strong\u003e in our gallery – we are confident you’ll discover more intriguing treasures.\u003c\/p\u003e\n\u003chr data-end=\"3561\" data-start=\"3558\"\u003e\n\u003cp data-end=\"3702\" data-start=\"3563\"\u003e📌 \u003cstrong data-end=\"3700\" data-start=\"3566\"\u003eOwn a piece of Austrian art history today – a superb Franz Bergman bronze that embodies beauty, craftsmanship, and collectability.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":44011629609213,"sku":"k10041","price":3395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/victorian-austrian-bronze-sculpture-bay-hunter-horse-by-franz-bergman-681519.jpg?v=1689799706"},{"product_id":"🐂-commanding-presence-french-bronze-prized-standing-bull-by-isidore-jules-bonheur","title":"Commanding Presence French Bronze Prized Standing Bull by Isidore Jules Bonheur","description":"\u003ch2\u003e\u003cem\u003eCommanding Presence: 19th-Century French Bronze “Prized Standing Bull” by Isidore Jules Bonheur\u003c\/em\u003e\u003c\/h2\u003e\n\u003chr\u003e\n\u003ch3\u003e🏞 \u003cstrong\u003eSubject \u0026amp; Medium\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eElevate your space with this \u003cstrong\u003eexceptional 19th-century French bronze sculpture\u003c\/strong\u003e titled \u003cstrong\u003e“Prized Standing Bull”\u003c\/strong\u003e by renowned animalier master \u003cstrong\u003eIsidore Jules Bonheur\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis striking artwork presents a \u003cstrong\u003epowerful bull\u003c\/strong\u003e standing majestically in side profile, its head slightly lifted and turned left, front right hoof raised in a bold, confident stance. The piece is cast in the finest bronze, finished with a \u003cstrong\u003erich, deep brown patina\u003c\/strong\u003e that beautifully highlights the detailed muscular form, textured hide, and lifelike posture. Resting atop an integral naturalistic base, this sculpture commands attention and admiration from every angle.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e🎨 \u003cstrong\u003eComposition \u0026amp; Technique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eBonheur’s mastery shines through in this piece, perfectly capturing \u003cstrong\u003erealism and vitality\u003c\/strong\u003e without exaggeration. The bull’s anatomy is sculpted with stunning \u003cstrong\u003enaturalistic detail\u003c\/strong\u003e — from the rippling muscles and tense skin to the poised, alert stance, conveying both raw strength and graceful dignity.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003edark, glowing patina\u003c\/strong\u003e adds visual depth, reflecting light across the raised surfaces and enhancing the sculpture’s dimensionality. Bonheur’s style — combining academic precision with a keen observation of the natural world — results in a work that feels \u003cstrong\u003ealive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e✍️ \u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eBorn in Bordeaux in 1827, \u003cstrong\u003eIsidore Jules Bonheur\u003c\/strong\u003e became one of the most celebrated \u003cstrong\u003eFrench animalier sculptors\u003c\/strong\u003e of the 19th century. Trained in painting under his father and alongside his famous sister, Rosa Bonheur, Isidore transitioned early to sculpture and made his mark at the Paris Salon, where he exhibited regularly from 1848 to 1899.\u003c\/p\u003e\n\u003cp\u003eBonheur’s sculptures won prestigious gold and silver medals at major European exhibitions, including the Exposition Universelle and the Royal Academy in London. His bronzes, often cast by the top-tier Peyrol foundry, are admired today for their technical brilliance and artistic beauty.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📏 \u003cstrong\u003e📏 Dimensions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHeight: 31 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLength: 35 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWidth (base): 14.5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eApproximate weight: 7.25 kg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA superb \u003cstrong\u003edisplay size\u003c\/strong\u003e — impressive yet versatile, ideal for a mantelpiece, study, library, or executive office.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📜 \u003cstrong\u003eProvenance\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eFrom a \u003cstrong\u003eprivate collection\u003c\/strong\u003e, acquired via a reputable auction house John Nicholson (label underneath) and \u003cstrong\u003ecurated by Cheshire Antiques Consultant LTD\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e💖 \u003cstrong\u003eWhy You’ll Love It\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e✅ Rare, highly collectible \u003cstrong\u003e19th-century French bronze sculpture\u003c\/strong\u003e\u003cbr\u003e✅ Signed by \u003cstrong\u003eIsidore Jules Bonheur\u003c\/strong\u003e, a master of the animalier school\u003cbr\u003e✅ Beautiful, deep brown patina with crisp, naturalistic details\u003cbr\u003e✅ A true \u003cstrong\u003estatement piece\u003c\/strong\u003e ready for elegant home or office display\u003cbr\u003e✅ Sought after by discerning collectors and fine art connoisseurs\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e🔍 \u003cstrong\u003eCondition Report\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eOffered in \u003cstrong\u003efine used condition\u003c\/strong\u003e\u003cbr\u003eCharming aged patina with minor wear, light scratches, and surface marks \u003cstrong\u003econsistent with age and handling\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e🌍 \u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eWorldwide \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eShipping \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAvailable\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eProfessionally \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003epackaged \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efully \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003einsured \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efor \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003esafe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003einternational \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edelivery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e🖼️ \u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAvailable \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eexclusively \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethrough \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eCheshire \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAntiques \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eConsultant \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eLTD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e📩 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cem\u003eInquire now to secure this unique piece\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":44595966050557,"sku":"k1198","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/19th-century-bronze-animal-sculpture-prized-bull-by-isidore-jules-bonheur-971872.jpg?v=1709591250"},{"product_id":"austrian-art-deco-sculpture-dancing-lady-closed-eyes-with-elegant-legs-lorenzl","title":"Art Deco Sculpture Dancing Ballerina Lady Signed By Josef Lorenzl","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eJosef Lorenzl (Austrian, 1892–1950)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAustrian Art Deco Gilt Bronze Ballerina On Onyx, Circa 1925\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn exquisite signed gilt bronze ballerina by Josef Lorenzl, capturing the refined elegance and stylised movement of 1920s Viennese Art Deco, with documented provenance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal Austrian Art Deco gilt bronze ballerina by Josef Lorenzl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDating to circa 1925\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSigned \u003cstrong\u003e“Lorenzl”\u003c\/strong\u003e to the reverse of the raised circular bronze base\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBeautifully poised ballerina balancing upon one leg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDistinctive elongated legs, closed eyes and elegant Art Deco silhouette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFine gilt bronze casting with attractive period patination\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePresented upon an architectural onyx plinth with bronze fittings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eLyon \u0026amp; Turnbull, Edinburgh, 16 October 2024, Lot 461\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrom \u003cem\u003eAn Aesthetic Interior: The Contents of a London Apartment\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSubsequently curated by Cheshire Antiques Consultant LTD®\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSupplied with a Certificate of Sale \u0026amp; Dealer Attribution from Cheshire Antiques Consultant LTD®\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn exquisite Austrian Art Deco gilt bronze ballerina by the celebrated Viennese sculptor \u003cstrong\u003eJosef Lorenzl (1892–1950)\u003c\/strong\u003e, dating to circa 1925 and embodying the elegance, glamour and sophisticated modernity of the Jazz Age.\u003c\/p\u003e\n\u003cp\u003eThe ballerina is captured at a moment of beautifully controlled movement, balancing upon one leg while her elongated body rises into an elegant, sweeping silhouette. Her head is raised and her eyes gently closed, lending the composition an atmosphere of serenity and graceful concentration.\u003c\/p\u003e\n\u003cp\u003eLorenzl's distinctive treatment of the female form is particularly evident in the figure's exceptionally slender proportions, long elegant legs and stylised pose. The curling drapery provides a flowing counterpoint to the verticality of the body and reinforces the impression of movement.\u003c\/p\u003e\n\u003cp\u003eFinely cast in gilt bronze, the figure is raised upon a circular bronze platform above an architectural onyx plinth with bronze fittings. The combination of warm gilt bronze and polished stone gives the sculpture a luxurious material presence characteristic of sophisticated European Art Deco interiors.\u003c\/p\u003e\n\u003cp\u003eSigned \u003cstrong\u003e“Lorenzl”\u003c\/strong\u003e to the reverse of the raised circular bronze base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Josef Lorenzl (Austrian, 1892–1950)\u003c\/p\u003e\n\u003cp\u003eTitle: \u003cem\u003eAustrian Art Deco Gilt Bronze Ballerina On Onyx\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1925\u003c\/p\u003e\n\u003cp\u003ePeriod: Early 20th Century \/ Art Deco\u003c\/p\u003e\n\u003cp\u003eCountry of Origin: Austria\u003c\/p\u003e\n\u003cp\u003eMedium: Gilt bronze\u003c\/p\u003e\n\u003cp\u003eBase: Onyx with bronze fittings\u003c\/p\u003e\n\u003cp\u003eSignature: Signed “Lorenzl” to the reverse of the raised circular bronze base\u003c\/p\u003e\n\u003cp\u003eSubject: Ballerina\u003c\/p\u003e\n\u003cp\u003eStyle: Austrian Art Deco\u003c\/p\u003e\n\u003cp\u003eAuction History: Lyon \u0026amp; Turnbull, Edinburgh, 16 October 2024, Lot 461\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJosef Lorenzl's elegant female figures rank among the distinctive sculptural expressions of Austrian Art Deco.\u003c\/p\u003e\n\u003cp\u003eHis celebrated figures are characterised by elongated limbs, slender silhouettes and sophisticated poses that translate the energy and glamour of the interwar period into sculptural form.\u003c\/p\u003e\n\u003cp\u003eThe present ballerina is particularly evocative of this aesthetic. Her carefully balanced stance creates a compelling sense of suspended movement, while the upward inclination of her head and closed eyes introduce a quieter sense of elegance and introspection.\u003c\/p\u003e\n\u003cp\u003eThe sweeping drapery provides a contrasting curve to the elongated body and gives the composition additional rhythm. Viewed in profile, the figure assumes an especially striking silhouette, demonstrating Lorenzl's ability to combine anatomical stylisation with decorative movement.\u003c\/p\u003e\n\u003cp\u003eThe gilt bronze surface accentuates the sculptural modelling as light moves across the figure, while the architectural onyx plinth provides a sophisticated material contrast characteristic of high-quality Art Deco decorative sculpture.\u003c\/p\u003e\n\u003cp\u003eThe work also possesses documented modern auction provenance. On \u003cstrong\u003e16 October 2024\u003c\/strong\u003e, it appeared at \u003cstrong\u003eLyon \u0026amp; Turnbull, Edinburgh\u003c\/strong\u003e, as \u003cstrong\u003eLot 461\u003c\/strong\u003e in \u003cem\u003eDESIGN Since 1860 ft. An Aesthetic Interior: The Contents of a London Apartment\u003c\/em\u003e, where it was catalogued as \u003cstrong\u003eJosef Lorenzl (1892–1950)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCombining a recognisable Lorenzl aesthetic with an artist's signature, elegant period materials and documented auction history, the sculpture presents an attractive opportunity for collectors of Austrian Art Deco and European decorative sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJosef Lorenzl (1892–1950) was an Austrian sculptor and ceramic designer whose elegant female figures became closely associated with the glamour and modernity of the Art Deco period.\u003c\/p\u003e\n\u003cp\u003eBorn in Vienna, Lorenzl developed his knowledge of bronze casting through his employment at the Vienna Arsenal. His subsequent sculptural career became particularly associated with fashionable female subjects characterised by slender proportions, elongated legs and graceful, theatrical poses.\u003c\/p\u003e\n\u003cp\u003eLorenzl worked extensively in bronze and also produced chryselephantine sculpture combining bronze with ivory. His sculptural works can be encountered bearing his surname as well as abbreviated signatures associated with his name.\u003c\/p\u003e\n\u003cp\u003eHis artistic practice extended beyond bronze sculpture. Lorenzl became an accomplished ceramic designer and worked with the renowned Viennese manufacturer Goldscheider, producing fashionable figurative designs that became internationally recognised expressions of Austrian Art Deco.\u003c\/p\u003e\n\u003cp\u003eHe was additionally associated with other ceramic manufacturers, including Keramos.\u003c\/p\u003e\n\u003cp\u003eFollowing Lorenzl's death in Vienna in 1950, his widow Anna is reported to have destroyed a considerable number of his models.\u003c\/p\u003e\n\u003cp\u003eLorenzl's surviving female figures are now internationally collected and remain highly recognisable expressions of the elegance, movement and sophisticated modernity of interwar Austrian decorative art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate collection, London.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyon \u0026amp; Turnbull, Edinburgh\u003c\/strong\u003e, \u003cem\u003eDESIGN Since 1860 ft. An Aesthetic Interior: The Contents of a London Apartment\u003c\/em\u003e, 16 October 2024, \u003cstrong\u003eLot 461\u003c\/strong\u003e, catalogued as \u003cstrong\u003eJosef Lorenzl (1892–1950)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAcquired from the above sale and subsequently curated and held in the collection of \u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Lyon \u0026amp; Turnbull purchase documentation forms part of the recorded provenance history of the sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeight: 29.5 cm\u003c\/p\u003e\n\u003cp\u003eWidth of ballerina: 16 cm\u003c\/p\u003e\n\u003cp\u003eWidth of base: 12 cm\u003c\/p\u003e\n\u003cp\u003eDepth of base: 7 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented in fine used period condition with attractive age-related patination.\u003c\/p\u003e\n\u003cp\u003eGeneral surface wear, minor rubbing and scuffing are present commensurate with age and previous handling, including natural age-related variation and wear to the gilt surface.\u003c\/p\u003e\n\u003cp\u003eThere is a very small chip to the lower onyx base.\u003c\/p\u003e\n\u003cp\u003eThese characteristics are consistent with the age and previous use of an original Art Deco sculpture dating from approximately a century ago.\u003c\/p\u003e\n\u003cp\u003ePlease refer to the accompanying photographs, which form an integral part of the condition assessment.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further condition information are available upon request.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eThe sculpture will be professionally packed for transit, with particular attention given to protecting both the gilt bronze ballerina and onyx plinth.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for further information regarding international delivery.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":51811521626490,"sku":"CAC-SK-0300","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/Austrian_Art_Deco_Sculpture_Dancing_Lady_Closed_Eyes_With_Elegant_Legs_Lorenzl.jpg?v=1786986329"},{"product_id":"bronze-bust-sculpture-of-rev-thomas-guthrie-frse-signed-sir-john-robert-steell-rsa","title":"Bronze Bust Sculpture of Rev Thomas Guthrie FRSE Signed Sir John Robert Steell RSA","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-2\" data-turn-id=\"3d4adbdf-9110-402e-ba3f-115b091e9e66\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"acd7df01-aef1-4caf-b012-ca1c52946713\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003ch1 data-end=\"191\" data-start=\"50\"\u003e\u003cstrong data-end=\"191\" data-start=\"50\"\u003eHistorical Scottish Victorian Bronze Bust of Rev. Thomas Guthrie FRSE (1803–1873) 🏛️ By Sir John Robert Steell RSA (1804–1891) \u003c\/strong\u003e\u003c\/h1\u003e\n\u003chr data-end=\"196\" data-start=\"193\"\u003e\n\u003ch2 data-end=\"219\" data-start=\"198\"\u003eSubject \u0026amp; Medium\u003c\/h2\u003e\n\u003cp data-end=\"806\" data-start=\"220\"\u003eA highly impressive Scottish Victorian portrait bust of \u003cstrong data-end=\"304\" data-start=\"276\"\u003eRev. Thomas Guthrie FRSE\u003c\/strong\u003e, presented as a quarter-length, front-facing composition designed to project authority in a professional or formal interior. The work is \u003cstrong data-end=\"467\" data-start=\"442\"\u003efinely cast in bronze\u003c\/strong\u003eand mounted on a fitted base with \u003cstrong data-end=\"540\" data-start=\"502\"\u003eoriginal red velvet lining beneath\u003c\/strong\u003e, giving it the correct period finish and a strong presentation-quality appearance. ✨\u003cbr data-end=\"628\" data-start=\"625\"\u003e\u003cstrong data-end=\"639\" data-start=\"628\"\u003eOrigin:\u003c\/strong\u003e Scotland 🏴\u003cbr data-end=\"654\" data-start=\"651\"\u003e\u003cstrong data-end=\"665\" data-start=\"654\"\u003ePeriod:\u003c\/strong\u003e Mid-19th century, Victorian era (circa 1856) ⏳\u003cbr data-end=\"715\" data-start=\"712\"\u003e\u003cstrong data-end=\"726\" data-start=\"715\"\u003eWeight:\u003c\/strong\u003e approx. \u003cstrong data-end=\"744\" data-start=\"735\"\u003e25 kg\u003c\/strong\u003e (estimate)—notably substantial and “anchored” in display ⚖️\u003c\/p\u003e\n\u003chr data-end=\"811\" data-start=\"808\"\u003e\n\u003ch2 data-end=\"841\" data-start=\"813\"\u003eComposition \u0026amp; Technique\u003c\/h2\u003e\n\u003cp data-end=\"1304\" data-start=\"842\"\u003eThe sculptural language is direct and confident: Guthrie is shown looking straight at the viewer, his expression sober and intent. The modelling is crisp, with an architectural build to the face—prominent brow, clearly defined orbital structure, and a disciplined mouth and jawline that read cleanly even at distance. Forehead lines and hair texture are particularly well handled, with thick locks described in a way that catches highlights and enhances depth.\u003c\/p\u003e\n\u003cp data-end=\"1729\" data-start=\"1306\"\u003eThe drapery is treated with restraint, forming a weighty, robe-like fall that supports the portrait without theatricality—exactly what one expects in a serious Victorian commemorative likeness. The surface carries a rich, mature patina, with natural brightening on high points (forehead, nose, cheekbones, and collar contours) and deeper tones in recesses, producing a convincing “museum” presence under ambient light. 🎭\u003c\/p\u003e\n\u003chr data-end=\"1734\" data-start=\"1731\"\u003e\n\u003ch2 data-end=\"1769\" data-start=\"1736\"\u003eDimensions in centimetres 📏\u003c\/h2\u003e\n\u003cp data-end=\"1897\" data-start=\"1770\"\u003e\u003cstrong data-end=\"1781\" data-start=\"1770\"\u003eHeight:\u003c\/strong\u003e 52.5 cm\u003cbr data-end=\"1792\" data-start=\"1789\"\u003e\u003cstrong data-end=\"1810\" data-start=\"1792\"\u003eWidth of base:\u003c\/strong\u003e 25.5 cm\u003cbr data-end=\"1821\" data-start=\"1818\"\u003e\u003cstrong data-end=\"1848\" data-start=\"1821\"\u003eLength \/ depth of base:\u003c\/strong\u003e 23 cm\u003cbr data-end=\"1857\" data-start=\"1854\"\u003e\u003cstrong data-end=\"1889\" data-start=\"1857\"\u003eDepth (head, deepest point):\u003c\/strong\u003e 26 cm\u003c\/p\u003e\n\u003chr data-end=\"1902\" data-start=\"1899\"\u003e\n\u003ch2 data-end=\"1919\" data-start=\"1904\"\u003eThe Sitter\u003c\/h2\u003e\n\u003cp data-end=\"2427\" data-start=\"1920\"\u003e\u003cstrong data-end=\"1955\" data-start=\"1920\"\u003eThomas Guthrie FRSE (1803–1873)\u003c\/strong\u003e was born in \u003cstrong data-end=\"1986\" data-start=\"1968\"\u003eBrechin, Angus\u003c\/strong\u003e, and became one of Scotland’s most recognised preachers of his time. His influence extended well beyond the pulpit: he is especially associated with philanthropic and social reform activity, including the \u003cstrong data-end=\"2219\" data-start=\"2192\"\u003eRagged Schools movement\u003c\/strong\u003e and broader civic welfare initiatives. Portrait sculpture of Guthrie belongs to a Victorian culture of honouring public virtue—objects intended to communicate character, leadership, and moral authority. 📚\u003c\/p\u003e\n\u003chr data-end=\"2432\" data-start=\"2429\"\u003e\n\u003ch2 data-end=\"2462\" data-start=\"2434\"\u003eHistorical Significance\u003c\/h2\u003e\n\u003cp data-end=\"2951\" data-start=\"2463\"\u003eThis is not presented as a casual “named bust” association. The portrait type is supported by recognised institutional and scholarly reference points. A bronze bust of \u003cstrong data-end=\"2654\" data-start=\"2631\"\u003eRev. Thomas Guthrie\u003c\/strong\u003e by \u003cstrong data-end=\"2677\" data-start=\"2658\"\u003eSir John Steell\u003c\/strong\u003e is held in the \u003cstrong data-end=\"2727\" data-start=\"2693\"\u003eNational Galleries of Scotland\u003c\/strong\u003e (Accession \u003cstrong data-end=\"2749\" data-start=\"2739\"\u003ePG 805\u003c\/strong\u003e), recorded as “Given by Lord Guthrie 1912.” That level of institutional documentation materially strengthens confidence in the historical standing of the subject and the established sculptural model.\u003c\/p\u003e\n\u003cp data-end=\"3176\" data-start=\"2953\"\u003eAdditionally, the University of Glasgow’s \u003cstrong data-end=\"3047\" data-start=\"2995\"\u003eMapping the Practice and Profession of Sculpture\u003c\/strong\u003e database records \u003cstrong data-end=\"3094\" data-start=\"3065\"\u003e“The Rev. Thomas Guthrie”\u003c\/strong\u003e as a bronze bust by Steell and notes relevant historical exhibition references.\u003c\/p\u003e\n\u003chr data-end=\"3181\" data-start=\"3178\"\u003e\n\u003ch2 data-end=\"3200\" data-start=\"3183\"\u003eThe Sculptor\u003c\/h2\u003e\n\u003cp data-end=\"3524\" data-start=\"3201\"\u003e\u003cstrong data-end=\"3243\" data-start=\"3201\"\u003eSir John Robert Steell RSA (1804–1891)\u003c\/strong\u003e is a major figure in Scottish 19th-century sculpture, closely associated with civic portraiture and public monuments. The presence of Guthrie’s bust in national and scholarly records under Steell’s name reinforces the importance of this portrait type within his wider output. 🗿\u003c\/p\u003e\n\u003chr data-end=\"3529\" data-start=\"3526\"\u003e\n\u003ch2 data-end=\"3542\" data-start=\"3531\"\u003eSigned\u003c\/h2\u003e\n\u003cp data-end=\"3762\" data-start=\"3543\"\u003eThe bust is \u003cstrong data-end=\"3603\" data-start=\"3555\"\u003edescribed as signed and dated to the reverse\u003c\/strong\u003e. ✍️\u003cbr data-end=\"3610\" data-start=\"3607\"\u003e\u003cstrong data-end=\"3633\" data-start=\"3610\"\u003eBest practice note:\u003c\/strong\u003e at this level, a clear close-up of the inscription and any foundry\/impressed marks should form part of the supporting dossier.\u003c\/p\u003e\n\u003chr data-end=\"3767\" data-start=\"3764\"\u003e\n\u003ch2 data-end=\"3784\" data-start=\"3769\"\u003eProvenance\u003c\/h2\u003e\n\u003cp data-end=\"4007\" data-start=\"3785\"\u003e\u003cstrong data-end=\"3818\" data-start=\"3785\"\u003ePrivate collection by descent\u003c\/strong\u003e, acquired via a notable \u003cstrong data-end=\"3897\" data-start=\"3843\"\u003esouthern-shire auction house (Dominic Winter sale)\u003c\/strong\u003e, subsequently curated by \u003cstrong data-end=\"3959\" data-start=\"3923\"\u003eCheshire Antiques Consultant LTD\u003c\/strong\u003e and retained within the company collection. ✅\u003c\/p\u003e\n\u003chr data-end=\"4012\" data-start=\"4009\"\u003e\n\u003ch2 data-end=\"4028\" data-start=\"4014\"\u003eExhibited\u003c\/h2\u003e\n\u003cul data-end=\"4275\" data-start=\"4029\"\u003e\n\u003cli data-end=\"4213\" data-start=\"4029\"\u003e\n\u003cp data-end=\"4213\" data-start=\"4031\"\u003e\u003cstrong data-end=\"4064\" data-start=\"4031\"\u003eRoyal Academy of Arts, London\u003c\/strong\u003e, \u003cem data-end=\"4098\" data-start=\"4066\"\u003eThe Exhibition of Scottish Art\u003c\/em\u003e, \u003cstrong data-end=\"4108\" data-start=\"4100\"\u003e1939\u003c\/strong\u003e, catalogue reference \u003cstrong data-end=\"4150\" data-start=\"4130\"\u003ep. 101 (no. 226)\u003c\/strong\u003e (as cited and consistent with the Mapping Sculpture record).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4275\" data-start=\"4214\"\u003e\n\u003cp data-end=\"4275\" data-start=\"4216\"\u003e\u003cstrong data-end=\"4236\" data-start=\"4216\"\u003eFamous Lord Hill Museum\u003c\/strong\u003e, \u003cstrong data-end=\"4253\" data-start=\"4238\"\u003eAutumn 2025\u003c\/strong\u003e (owner records). 🍂\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"4280\" data-start=\"4277\"\u003e\n\u003ch2 data-end=\"4305\" data-start=\"4282\"\u003eWhy You’ll Love It\u003c\/h2\u003e\n\u003cp data-end=\"5033\" data-start=\"4306\"\u003e✅ \u003cstrong data-end=\"4331\" data-start=\"4308\"\u003eExecutive presence:\u003c\/strong\u003e immediately elevates an office, library, reception space, or serious private collection—commanding, formal, and unmistakably Victorian.\u003cbr data-end=\"4470\" data-start=\"4467\"\u003e✅ \u003cstrong data-end=\"4499\" data-start=\"4472\"\u003eMuseum-grade detailing:\u003c\/strong\u003e crisp facial modelling (notably the brow, forehead lines, and hair) reads as high quality at first glance and rewards close inspection.\u003cbr data-end=\"4638\" data-start=\"4635\"\u003e✅ \u003cstrong data-end=\"4666\" data-start=\"4640\"\u003ePatina with integrity:\u003c\/strong\u003e a mature tonal range with natural highlights—exactly what collectors look for in a period bronze.\u003cbr data-end=\"4767\" data-start=\"4764\"\u003e✅ \u003cstrong data-end=\"4797\" data-start=\"4769\"\u003eInstitutional resonance:\u003c\/strong\u003e supported by major collection and scholarly records, strengthening confidence for collectors and clients.\u003cbr data-end=\"4906\" data-start=\"4903\"\u003e✅ \u003cstrong data-end=\"4934\" data-start=\"4908\"\u003eA true display object:\u003c\/strong\u003e substantial scale and weight give it gravitas; it feels important rather than merely decorative.\u003c\/p\u003e\n\u003chr data-end=\"5038\" data-start=\"5035\"\u003e\n\u003ch2 data-end=\"5061\" data-start=\"5040\"\u003eCondition Report\u003c\/h2\u003e\n\u003cp data-end=\"5480\" data-start=\"5062\"\u003eOffered in fine used condition. The bronze shows age-related wear including minor scratches, small surface marks, and handling evidence commensurate with age. The \u003cstrong data-end=\"5255\" data-start=\"5225\"\u003eoriginal red velvet lining\u003c\/strong\u003e beneath the base is present; it is noted as having loosened historically and having been stabilised\/reattached. Overall, the bust presents extremely well, with patina and surface character adding to the period presence. 🧾\u003c\/p\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"cde53e37-bf08-4d06-961b-09bec3cdfbee\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-1-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cdiv class=\"group\/thread-bottom-container relative isolate z-10 w-full basis-auto has-data-has-thread-error:pt-2 has-data-has-thread-error:[box-shadow:var(--sharp-edge-bottom-shadow)] md:border-transparent md:pt-0 dark:border-white\/20 md:dark:border-transparent content-fade single-line flex flex-col\" id=\"thread-bottom-container\"\u003e\n\u003cdiv class=\"text-token-text-secondary relative mt-auto flex min-h-8 w-full items-center justify-center p-2 text-center text-xs md:px-[60px]\"\u003e\n\u003chr data-end=\"5339\" data-start=\"5336\"\u003e\n\u003ch2 data-end=\"3622\" data-start=\"3609\"\u003eShipping\u003c\/h2\u003e\n\u003cp data-end=\"3732\" data-start=\"3623\"\u003eWorldwide Shipping Available — Professionally packaged and fully insured for secure international delivery.\u003c\/p\u003e\n\u003cp data-end=\"3864\" data-start=\"3734\"\u003e\u003cstrong data-end=\"3862\" data-start=\"3734\"\u003eAvailable exclusively through Cheshire Antiques Consultant LTD — Inquire now to secure this unique piece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"5557\" data-end=\"5560\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":51881686335866,"sku":"CAC-SK-0297","price":8750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/scottish-19th-century-bronze-sculpture-bust-of-thomas-guthrie-philanthropist-985705.jpg?v=1730632150"},{"product_id":"victorian-oil-painting-wiscombe-park-ship-enroute-to-australia-john-blumer-co","title":"Attributed Reginald Arthur Borstel Oil Painting Ship Square Rigger Wiscombe Park c1910–1917","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eReginald Arthur Borstel Attributed Wiscombe Park Marine Painting c.1910–1917\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA compelling early 20th-century maritime painting of the historic British sailing ship \u003cem\u003eWiscombe Park\u003c\/em\u003e, combining imposing decorative presence with an extensively researched connection to Australian marine painter Reginald Arthur Borstel (1875–1922).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Cautiously attributed to Reginald Arthur Borstel\u003cbr\u003e• Circa 1910–1917\u003cbr\u003e• Oil on canvas, unsigned\u003cbr\u003e• Canvas approximately 59 × 90 cm\u003cbr\u003e• Depicts the historic steel square rigger \u003cem\u003eWiscombe Park\u003c\/em\u003e\u003cbr\u003e• Approximately 281 ft long and 2,228 tons\u003cbr\u003e• John Blumer \u0026amp; Co., Sunderland, yard no. 117\u003cbr\u003e• Original G. Windram \u0026amp; Co. management connection\u003cbr\u003e• Probable “GW\u0026amp;Co” house flag visible in the painting\u003cbr\u003e• Documented Australian trading history\u003cbr\u003e• Separate Borstel \u003cem\u003eWiscombe Park\u003c\/em\u003e portrait recorded in 1917\u003cbr\u003e• Later Larson-Juhl gilt frame\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis substantial oil-on-canvas ship portrait captures \u003cem\u003eWiscombe Park\u003c\/em\u003e driving through a rolling sea beneath a broad expanse of sail, her tall three-masted rig filling the composition.\u003c\/p\u003e\n\u003cp\u003eFine documentary details distinguish the work: sailors are visible on deck, the ship's complex standing and running rigging is carefully described, distant sailing vessels occupy the horizon and \u003cem\u003eWISCOMBE PARK\u003c\/em\u003e is clearly legible upon the bow.\u003c\/p\u003e\n\u003cp\u003eA prominent red house flag appears to carry reversed lettering consistent with “GW\u0026amp;Co”, providing a possible visual link to G. Windram \u0026amp; Co. of Liverpool. Research has additionally identified a separate \u003cem\u003eWiscombe Park\u003c\/em\u003e portrait under Reginald Arthur Borstel's name dated 1917, leading to the present cautious attribution and circa 1910–1917 dating.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist \/ Attribution: Attributed to Reginald Arthur Borstel (Australian, 1875–1922)\u003c\/p\u003e\n\u003cp\u003eTitle: \u003cem\u003ePortrait of the Three-Masted Square Rigger Wiscombe Park\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1910–1917\u003c\/p\u003e\n\u003cp\u003eMedium: Oil on canvas\u003c\/p\u003e\n\u003cp\u003eSignature: Unsigned\u003c\/p\u003e\n\u003cp\u003eGenre: Maritime \/ ship portrait\u003c\/p\u003e\n\u003cp\u003eShip: \u003cem\u003eWiscombe Park\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConstruction: Steel\u003c\/p\u003e\n\u003cp\u003eRig: Three-masted full-rigged ship\u003c\/p\u003e\n\u003cp\u003ePurpose: Ocean-going general cargo vessel\u003c\/p\u003e\n\u003cp\u003eBuilder: John Blumer \u0026amp; Co., Sunderland\u003c\/p\u003e\n\u003cp\u003eYard: No. 117\u003c\/p\u003e\n\u003cp\u003eLaunch: 4 November 1891\u003c\/p\u003e\n\u003cp\u003eCompletion: 1892\u003c\/p\u003e\n\u003cp\u003eOriginal Owning Company: Ship “Wiscombe Park” Co. Ltd.\u003c\/p\u003e\n\u003cp\u003eManagement: G. Windram \u0026amp; Co., Liverpool\u003c\/p\u003e\n\u003cp\u003eRegistry: Liverpool\u003c\/p\u003e\n\u003cp\u003eOfficial Number: 99361\u003c\/p\u003e\n\u003cp\u003eSignal Letters: WLBP\u003c\/p\u003e\n\u003cp\u003eTonnage: Approximately 2,228 tons\u003c\/p\u003e\n\u003cp\u003eLength: Approximately 281 ft\u003c\/p\u003e\n\u003cp\u003eBreadth: Approximately 42.2 ft\u003c\/p\u003e\n\u003cp\u003ePainted Flags: Red Ensign; Union Flag; probable G. Windram \u0026amp; Co. house flag\u003c\/p\u003e\n\u003cp\u003eCanvas Size: Approximately 59 × 90 cm\u003c\/p\u003e\n\u003cp\u003eOverall Framed Size: Approximately 74.5 × 105.5 × 1.5 cm\u003c\/p\u003e\n\u003cp\u003eFrame: Later Larson-Juhl moulded gilt frame\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen previously offered at auction, the painting was conservatively described as English School, early 20th century. Our subsequent research has considerably expanded the historical context surrounding both its subject and potential authorship.\u003c\/p\u003e\n\u003cp\u003eA separately recorded \u003cem\u003eWiscombe Park\u003c\/em\u003e by Reginald Arthur Borstel dates from 1917. Although distinctly different from the present painting, that work establishes the vessel itself as part of Borstel's documented maritime subject matter.\u003c\/p\u003e\n\u003cp\u003eThe apparent “GW\u0026amp;Co” house flag potentially provides another important clue. G. Windram \u0026amp; Co. managed \u003cem\u003eWiscombe Park\u003c\/em\u003e during her earlier career, and the vessel changed ownership in 1911. The painting may therefore portray an earlier configuration of the ship even if the canvas itself was executed subsequently from photographic material.\u003c\/p\u003e\n\u003cp\u003eFor these reasons, and while recognising the absence of a signature or direct documentary commission, the present work is catalogued cautiously as attributed to Reginald Arthur Borstel, circa 1910–1917.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Wiscombe Park Matters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeasuring approximately 281 feet in length and around 2,228 tons, \u003cem\u003eWiscombe Park\u003c\/em\u003e belonged to the great ocean-going merchant sailing fleet rather than the world of smaller coastal craft.\u003c\/p\u003e\n\u003cp\u003eHer size makes the painting particularly impressive when understood in context: the ship represented was more than 85 metres long.\u003c\/p\u003e\n\u003cp\u003eShe was also unusual. Although large commercial sailing vessels increasingly adopted four-masted barque configurations, \u003cem\u003eWiscombe Park\u003c\/em\u003e retained an imposing three-masted full-rigged arrangement.\u003c\/p\u003e\n\u003cp\u003eThe painting consequently records a distinctive survivor from the transitional period between the great age of commercial sail and the dominance of steam.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Reginald Arthur Borstel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReginald Arthur Borstel was born in Sydney in 1875 and became one of Australia's specialist painters of commercial sailing ships.\u003c\/p\u003e\n\u003cp\u003eHis maritime portraiture concentrated on identifiable vessels rather than imaginary marine subjects. Hull form, rig, flags, ship names and other documentary features play an important role in his surviving work.\u003c\/p\u003e\n\u003cp\u003eBorstel's known maritime subjects include \u003cem\u003eJohn Ena\u003c\/em\u003e, \u003cem\u003eSpeedonia\u003c\/em\u003e, \u003cem\u003ePort Jackson\u003c\/em\u003e, \u003cem\u003eWest Lothian\u003c\/em\u003e and \u003cem\u003eWiscombe Park\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe connection between maritime painting and photography within his practice is particularly relevant when considering whether an artist might have represented an earlier appearance of a vessel from a photographic source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for the Deep-Sea Trade\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Blumer \u0026amp; Co. constructed \u003cem\u003eWiscombe Park\u003c\/em\u003e at Sunderland as yard no. 117.\u003c\/p\u003e\n\u003cp\u003eLaunched in November 1891 and completed in 1892, she was built in steel for long-distance cargo work and registered at Liverpool.\u003c\/p\u003e\n\u003cp\u003eThe original owning concern was Ship “Wiscombe Park” Co. Ltd., with G. Windram \u0026amp; Co. acting as managers.\u003c\/p\u003e\n\u003cp\u003eA surviving historic photograph by F. C. Gould \u0026amp; Son records the actual vessel and provides an important visual reference for her distinctive hull and rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Liverpool to Australia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWiscombe Park's\u003c\/em\u003e working life connected British shipping with international ports, including Australia.\u003c\/p\u003e\n\u003cp\u003eContemporary evidence documents Australian-bound activity during the 1910s, including an account associated with the vessel's mate Walter Chamberlin.\u003c\/p\u003e\n\u003cp\u003eThe ship is later documented in Australian waters during 1917 — the same year associated with the separately recorded Borstel portrait.\u003c\/p\u003e\n\u003cp\u003eThis does not prove authorship of the present painting, but it adds meaningful historical context to the proposed attribution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Flags as Historical Evidence\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlags are not merely decorative elements in a traditional ship portrait; they can provide evidence about nationality and commercial identity.\u003c\/p\u003e\n\u003cp\u003eThe painting depicts a Red Ensign and Union Flag, together with a conspicuous red house flag.\u003c\/p\u003e\n\u003cp\u003eThe latter appears to show “GW\u0026amp;Co” in reverse, consistent with the flag being viewed from its reverse side and potentially identifying G. Windram \u0026amp; Co.\u003c\/p\u003e\n\u003cp\u003eIf correct, this suggests that the artist represented \u003cem\u003eWiscombe Park\u003c\/em\u003e in her earlier Windram-associated guise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Separate Borstel Portrait\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA separate painting titled for \u003cem\u003eWiscombe Park\u003c\/em\u003e is recorded under Borstel's name and dated 1917.\u003c\/p\u003e\n\u003cp\u003eIt is not the present painting.\u003c\/p\u003e\n\u003cp\u003eThe two compositions must therefore be treated as separate works, but the documented example is highly relevant because it demonstrates Borstel's specific artistic interest in this vessel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDating — Circa 1910–1917\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe present canvas is cautiously placed within circa 1910–1917.\u003c\/p\u003e\n\u003cp\u003eThe apparent Windram house flag may point towards a pre-1911 appearance of the ship. Conversely, the painting could have been executed somewhat later from an earlier photograph.\u003c\/p\u003e\n\u003cp\u003eThe separate Borstel \u003cem\u003eWiscombe Park\u003c\/em\u003e of 1917 establishes an important upper contextual reference without proving an exact 1917 execution date for the present work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Remarkable Later Career\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter passing from British ownership, \u003cem\u003eWiscombe Park\u003c\/em\u003e became \u003cem\u003eEdouard Bureau\u003c\/em\u003e under French ownership and later entered German service.\u003c\/p\u003e\n\u003cp\u003eShe was eventually adapted as a sail-training vessel, giving this already long-lived commercial sailing ship another distinct chapter in her career.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Last Voyage from Australia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1927 the vessel sailed from Port Pirie in South Australia with a cargo of wheat bound for Europe.\u003c\/p\u003e\n\u003cp\u003eAfter a difficult Cape Horn passage, she reached Falmouth before being ordered towards Belfast.\u003c\/p\u003e\n\u003cp\u003eShe grounded on Twin Rocks in the Irish Sea. Although salvaged from the rocks, the cost of repairing the ageing vessel was uneconomic and she was subsequently broken up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn Artist's Ship\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWiscombe Park\u003c\/em\u003e was sufficiently distinctive to attract the attention of another significant marine painter.\u003c\/p\u003e\n\u003cp\u003eHerbert Barnard John Everett boarded her at Ipswich in 1921 and sketched aboard the ship.\u003c\/p\u003e\n\u003cp\u003eSeveral Everett works relating directly to \u003cem\u003eWiscombe Park\u003c\/em\u003e are preserved by Royal Museums Greenwich, creating a remarkable surviving artistic record of the vessel alongside the Borstel connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eResearch Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe attribution remains under continuing research.\u003c\/p\u003e\n\u003cp\u003eAreas of particular interest include definitive identification of the house flag, locating any surviving photograph corresponding closely with this composition and further investigation of the physical canvas.\u003c\/p\u003e\n\u003cp\u003eThe separate 1917 Borstel painting is a comparative source and should not be confused with the present work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate collection, Northern England.\u003c\/p\u003e\n\u003cp\u003eDavid Duggleby Auctioneers \u0026amp; Valuers, Scarborough, 16 January 2025, Lot 4020.\u003c\/p\u003e\n\u003cp\u003eSubsequently acquired by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003eEarlier provenance remains under investigation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFramed: 74.5 × 105.5 × 1.5 cm\u003c\/p\u003e\n\u003cp\u003eCanvas: Approximately 59 × 90 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painting is offered in historic condition consistent with its age.\u003c\/p\u003e\n\u003cp\u003eThere is extensive craquelure together with surface wear, staining, abrasion and localised paint disturbance.\u003c\/p\u003e\n\u003cp\u003eHistoric canvas repairs and patches are visible verso, corresponding with repaired tears and areas of restoration and retouching.\u003c\/p\u003e\n\u003cp\u003eFurther localised paint loss, historic intervention and stretcher impressions are present.\u003c\/p\u003e\n\u003cp\u003eThe later Larson-Juhl gilt frame displays minor age and handling wear.\u003c\/p\u003e\n\u003cp\u003ePlease review the photographs carefully as part of the condition assessment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Research Sources\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRoyal Museums Greenwich \/ National Maritime Museum — historic \u003cem\u003eWiscombe Park\u003c\/em\u003e photography, vessel history and Herbert Barnard John Everett material.\u003c\/p\u003e\n\u003cp\u003eDesign \u0026amp; Art Australia Online — Reginald Arthur Borstel biographical research.\u003c\/p\u003e\n\u003cp\u003eNaval Historical Society of Australia — Borstel and Australian maritime painting.\u003c\/p\u003e\n\u003cp\u003eNeville Pamment — “Reginald Arthur Henry Borstel (1875–1922): An Australian Pierhead Painter”, \u003cem\u003eThe Great Circle\u003c\/em\u003e, 2018.\u003c\/p\u003e\n\u003cp\u003eDaina Fletcher — research concerning Australian maritime art and photography.\u003c\/p\u003e\n\u003cp\u003eNSW Shipping Master's Office \/ \u003cem\u003eMariners and Ships in Australian Waters\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFalkland Islands National Archives — historical shipping documentation.\u003c\/p\u003e\n\u003cp\u003eContemporary maritime press — Walter Chamberlin \/ \u003cem\u003eWiscombe Park\u003c\/em\u003e material.\u003c\/p\u003e\n\u003cp\u003eHistorical 1917 Borstel \u003cem\u003eWiscombe Park\u003c\/em\u003e record.\u003c\/p\u003e\n\u003cp\u003eChristie's — documented Borstel \u003cem\u003eWest Lothian\u003c\/em\u003e comparator.\u003c\/p\u003e\n\u003cp\u003eBonhams — documented Borstel \u003cem\u003eJohn Ena\u003c\/em\u003e and \u003cem\u003ePort Jackson\u003c\/em\u003e comparators.\u003c\/p\u003e\n\u003cp\u003eAmgueddfa Cymru – Museum Wales — Borstel, \u003cem\u003eSpeedonia\u003c\/em\u003e, 1915.\u003c\/p\u003e\n\u003cp\u003eSunderland \/ John Blumer \u0026amp; Co. shipbuilding research.\u003c\/p\u003e\n\u003cp\u003eDavid Duggleby Auctioneers \u0026amp; Valuers — previous catalogue record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eResearch Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe documented 1917 Borstel \u003cem\u003eWiscombe Park\u003c\/em\u003e is a separate composition and is used as subject-specific comparative evidence rather than proof of authorship.\u003c\/p\u003e\n\u003cp\u003eThe proposed identification of the “GW\u0026amp;Co” house flag likewise represents an informed visual interpretation.\u003c\/p\u003e\n\u003cp\u003eAccordingly, both the Borstel attribution and circa 1910–1917 date are presented as considered professional research opinions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eOwing to the substantial dimensions and weight of the framed painting, it will be professionally packaged using appropriate protective materials and dispatched fully insured.\u003c\/p\u003e\n\u003cp\u003eInternational buyers are welcome. Please contact us for a destination-specific delivery quotation or to discuss any particular shipping requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":55073240973690,"sku":"CAC-SK-0330","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/Wiscombe.jpg?v=1740132688"},{"product_id":"alfred-fontville-de-breanski-jr-1877-1957-lake-windermere-british-oil-landscape","title":"Alfred Fontville de Breanski Jr. (1877–1957) Lake Windermere British Oil Landscape","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAlfred Fontville de Breanski Jr. (1877–1957) Lake Windermere British Landscape Oil Painting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn atmospheric early 20th-century Lake District landscape, signed “A. Fontville” and further signed and titled “Lake Windermere” on the reverse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Alfred Fontville de Breanski Jr. (British, 1877–1957)\u003cbr\u003e• \u003cem\u003eLake Windermere\u003c\/em\u003e\u003cbr\u003e• Early 20th century\u003cbr\u003e• Oil on canvas\u003cbr\u003e• Signed “A. FONTVILLE” lower right\u003cbr\u003e• Further signed and inscribed “Lake Windermere \/ A. FONTVILLE” verso\u003cbr\u003e• Expansive Lake District landscape with cattle and a solitary figure\u003cbr\u003e• Dramatic warm evening illumination across the distant fells\u003cbr\u003e• Substantial decorative gilt frame\u003cbr\u003e• Documented UK auction provenance\u003cbr\u003e• Extensive attribution research undertaken\u003cbr\u003e• Certificate of Sale \u0026amp; Dealer Attribution included\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn evocative and luminous view of Lake Windermere by British landscape painter \u003cstrong\u003eAlfred Fontville de Breanski Jr. (1877–1957)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAcross this expansive composition, the tranquillity of Windermere is contrasted with the grandeur of the surrounding mountains. Cattle stand quietly in the shallows beside a solitary figure, while the lake leads the eye towards successive ranges of distant fells softened by atmospheric haze.\u003c\/p\u003e\n\u003cp\u003eThe principal mountain provides the painting’s dramatic focus. Its slopes catch warm evening light in passages of russet, ochre, rose and glowing orange, emerging strikingly from the cooler mauves, greens and blue-grey tones surrounding it.\u003c\/p\u003e\n\u003cp\u003eOf particular significance is the artist’s signature. The painting is signed \u003cstrong\u003e“A. FONTVILLE”\u003c\/strong\u003e lower right and further signed and inscribed on the reverse:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Lake Windermere\u003cbr\u003eA. FONTVILLE”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePublished specialist research records “A. Fontville” as an alternative signature used by Alfred Fontville de Breanski Jr., providing important supporting evidence for the attribution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Alfred Fontville de Breanski Jr.\u003cbr\u003eNationality: British\u003cbr\u003eDates: 1877–1957\u003cbr\u003eTitle: \u003cem\u003eLake Windermere\u003c\/em\u003e\u003cbr\u003eDate: Early 20th century\u003cbr\u003eMedium: Oil on canvas\u003cbr\u003eSignature: Signed “A. FONTVILLE” lower right\u003cbr\u003eVerso: Further signed and inscribed “Lake Windermere \/ A. FONTVILLE”\u003cbr\u003eSubject: Lake Windermere, Lake District, Cumbria, England\u003cbr\u003eFrame: Substantial decorative gilt frame\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLight and atmosphere provide the principal drama within this Lake District composition.\u003c\/p\u003e\n\u003cp\u003eThe immediate foreground is deliberately subdued. Rocks, reeds, grasses and vegetation establish the near shore, where cattle wade quietly through the shallow water. A solitary standing figure introduces a human presence and sense of scale while remaining subordinate to the surrounding landscape.\u003c\/p\u003e\n\u003cp\u003eBeyond, Windermere creates a broad reflective interval before the landscape rises through successive ranges of mountains. The more distant fells are handled in restrained mauve, violet and blue-grey tonalities, allowing them gradually to dissolve into atmospheric distance.\u003c\/p\u003e\n\u003cp\u003eAgainst these cooler passages, the principal illuminated mountain becomes the visual focus of the painting as warm evening light catches its slopes.\u003c\/p\u003e\n\u003cp\u003eClose examination reveals considerable variation in the handling of the paint. The sky, distant landscape and areas of water are comparatively smoothly worked, whereas the illuminated mountainside, rocks, vegetation and foreground contain more vigorous broken brushwork and passages of pronounced texture.\u003c\/p\u003e\n\u003cp\u003eThis combination of naturalistic observation, atmospheric recession and heightened colour transforms the scene from a straightforward topographical view into a study of transient light across the English landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlfred Fontville de Breanski Jr. was born in London in 1877 into an established artistic family.\u003c\/p\u003e\n\u003cp\u003eHis father, Alfred de Breanski Sr., became particularly associated with mountainous landscapes of Scotland and Wales. His mother, Annie Roberts, was also an artist. The younger Alfred therefore grew up within an unusually concentrated artistic environment before undertaking formal study at St Martin’s School of Art in London.\u003c\/p\u003e\n\u003cp\u003eHis subsequent development included time in France, and his mature landscapes demonstrate an increasing interest in colour, changing illumination and atmospheric effects while retaining the mountainous and waterside subjects closely associated with the de Breanski tradition.\u003c\/p\u003e\n\u003cp\u003eDe Breanski Jr. exhibited at the \u003cstrong\u003eRoyal Academy\u003c\/strong\u003e and the \u003cstrong\u003eRoyal Society of British Artists\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDocumented Royal Academy exhibits include \u003cem\u003eA Cottage Garden\u003c\/em\u003e (1907), \u003cem\u003eSummer\u003c\/em\u003e (1912), \u003cem\u003eWillows\u003c\/em\u003e (1914) and \u003cem\u003eAutumn Gold\u003c\/em\u003e (1917).\u003c\/p\u003e\n\u003cp\u003eHis work is also represented in institutional collections. The UK Government Art Collection holds \u003cem\u003eThe Borders of Loch Fyne\u003c\/em\u003e, an oil on canvas depicting cattle within a mountainous waterside landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe “A. Fontville” Signature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe signature is an important element in the attribution of the present painting.\u003c\/p\u003e\n\u003cp\u003eAlfred Fontville de Breanski Jr. is documented as having used several forms of signature during his career. Specialist biographical research records that, in addition to variants of the de Breanski surname, he occasionally signed paintings \u003cstrong\u003e“A. Fontville.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is particularly relevant because the present painting carries that signature clearly at lower right.\u003c\/p\u003e\n\u003cp\u003eAn important documented comparison is \u003cem\u003eLlyn Ogwen, North Wales\u003c\/em\u003e, catalogued by Christie’s as a work by Alfred Fontville de Breanski. That painting is likewise signed \u003cstrong\u003e“A. FONTVILLE”\u003c\/strong\u003e and further signed and identified on the reverse.\u003c\/p\u003e\n\u003cp\u003eThe present work follows the same significant pattern:\u003c\/p\u003e\n\u003cp\u003eFront: \u003cstrong\u003e“A. FONTVILLE”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReverse: \u003cstrong\u003e“Lake Windermere \/ A. FONTVILLE”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOther documented works demonstrate de Breanski Jr.’s broader practice of signing and identifying landscapes on the reverse.\u003c\/p\u003e\n\u003cp\u003eTaken together, the signature, corresponding verso inscription, subject matter, technique, comparative documented works and established auction provenance provide a substantial body of evidence supporting the attribution to Alfred Fontville de Breanski Jr.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibition History of the Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlfred Fontville de Breanski Jr. exhibited at important London venues including the Royal Academy and Royal Society of British Artists.\u003c\/p\u003e\n\u003cp\u003eDocumented Royal Academy exhibits include:\u003c\/p\u003e\n\u003cp\u003e1907 – \u003cem\u003eA Cottage Garden\u003c\/em\u003e\u003cbr\u003e1912 – \u003cem\u003eSummer\u003c\/em\u003e\u003cbr\u003e1914 – \u003cem\u003eWillows\u003c\/em\u003e\u003cbr\u003e1917 – \u003cem\u003eAutumn Gold\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis exhibition history relates to the artist generally. No claim is made that the present \u003cem\u003eLake Windermere\u003c\/em\u003e was itself exhibited at the Royal Academy or Royal Society of British Artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLake Windermere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWindermere has occupied an important position within British landscape culture for generations. Its long expanse of water, surrounding fells and rapidly changing weather provide an exceptional range of atmospheric effects.\u003c\/p\u003e\n\u003cp\u003eIn the present work, architecture and obvious signs of modern life have been almost entirely removed. Instead, de Breanski concentrates upon water, mountains, cattle and illumination.\u003c\/p\u003e\n\u003cp\u003eThe small pastoral elements provide scale, but the dominant subject remains the natural landscape and the fleeting moment when warm light strikes the distant mountains.\u003c\/p\u003e\n\u003cp\u003eImportantly, the identification of the location does not depend upon modern interpretation: the artist’s own verso inscription identifies the subject specifically as \u003cstrong\u003e“Lake Windermere.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate collection, United Kingdom.\u003c\/p\u003e\n\u003cp\u003eBFA Auctioneers Ltd, trading as Bigwood Auctioneers, Tiddington, Stratford-upon-Avon, 10 January 2025, Lot 89.\u003c\/p\u003e\n\u003cp\u003eThe auction house catalogued Lot 89 as a pair of oil paintings on canvas by \u003cstrong\u003eAlfred Fontville de Breanski Jnr (1877–1957)\u003c\/strong\u003e, including \u003cem\u003eLake Windermere\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003eAcquired from the above by Cheshire Antiques Consultant LTD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOverall framed:\u003c\/p\u003e\n\u003cp\u003eHeight: 71.5 cm\u003cbr\u003eWidth: 92 cm\u003cbr\u003eDepth: 10 cm\u003c\/p\u003e\n\u003cp\u003eHanging fitting present to the reverse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painting presents well overall for its age.\u003c\/p\u003e\n\u003cp\u003eThe canvas displays age-related craquelure, variations in surface tonality and minor surface marks consistent with an antique oil painting. Areas of pronounced paint texture and broken brushwork are visible particularly across the illuminated mountain, vegetation, rocks and foreground.\u003c\/p\u003e\n\u003cp\u003eThe substantial decorative gilt frame displays expected age-related wear, including rubbing, cracking, small decorative losses and areas of historic retouching to the gilt surface. Visible age-related cracking and separation are present to portions of the applied ornament.\u003c\/p\u003e\n\u003cp\u003eThe frame is considered complementary to the painting; no claim is made that it is conclusively the artist’s original frame without documentary evidence establishing this.\u003c\/p\u003e\n\u003cp\u003ePlease study all photographs carefully, as they form an integral part of the condition report and include detailed views of the painted surface, signature, verso, canvas, inscription and frame.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eOwing to the substantial dimensions and weight of the framed painting, it will be professionally packaged using appropriate protective materials and dispatched fully insured.\u003c\/p\u003e\n\u003cp\u003eInternational buyers are welcome. Please contact us for a destination-specific delivery quotation or to discuss any particular shipping requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":55076472062330,"sku":"k2050","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/Windermeresunset.jpg?v=1740235793"},{"product_id":"equine-oil-masterpiece-the-hunting-stud-after-john-frederick-herring-snr","title":"Equine Oil Masterpiece The Hunting Stud after John Frederick Herring Snr","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Hunting Stud — British Equestrian Stable Painting After John Frederick Herring Senior, Circa 1900 \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFour Hunters\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWorking Grooms and Scarlet-Coated Huntsmen in a Traditional Country Stable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Characterful late Victorian–Edwardian sporting oil painting.\u003c\/p\u003e\n\u003cp\u003e• Based upon John Frederick Herring Senior’s The Hunting Stud of 1845.\u003c\/p\u003e\n\u003cp\u003e• Four carefully observed horses comprising one grey and three bay hunters.\u003c\/p\u003e\n\u003cp\u003e• Working stable narrative with grooms examining hooves, bridles and tack.\u003c\/p\u003e\n\u003cp\u003e• Two scarlet-coated huntsmen introduce colour and aristocratic sporting character.\u003c\/p\u003e\n\u003cp\u003e• Beautifully mellowed palette with warm varnish and established surface patina.\u003c\/p\u003e\n\u003cp\u003e• Detailed treatment of horses, saddlery, timber beams and straw bedding.\u003c\/p\u003e\n\u003cp\u003e• Unsigned British School interpretation dating to approximately 1900.\u003c\/p\u003e\n\u003cp\u003e• Strong private, auction and exhibition history.\u003c\/p\u003e\n\u003cp\u003e• Recently presented in a decorative Larson-Juhl gilt frame.\u003c\/p\u003e\n\u003cp\u003e• AR70 anti-reflective glazing improves clarity and provides approximately 70% UV protection.\u003c\/p\u003e\n\u003cp\u003e• Ready to hang within a country-house, sporting or equestrian collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn Intimate View of the Hunting Stable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis richly atmospheric oil painting invites the viewer into the working heart of a traditional British hunting establishment.\u003c\/p\u003e\n\u003cp\u003eFour hunters stand beneath the stable’s substantial timber beams while their grooms carry out the careful preparations required before a day in the field. One horse quietly yields its hoof for inspection, another is attended around its tack, and a third is held steadily by the bridle.\u003c\/p\u003e\n\u003cp\u003eThe practical activity of the grooms is balanced by two scarlet-coated huntsmen conversing in the background. Their presence introduces the ceremonial world of the hunt into an otherwise intimate scene of equine care and preparation.\u003c\/p\u003e\n\u003cp\u003ePainted around 1900, the work belongs to the final years of the Victorian period or the opening of the Edwardian age—a moment when sporting traditions remained central to British country-house identity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Unidentified British School artist\u003c\/p\u003e\n\u003cp\u003eTitle: The Hunting Stud\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1900\u003c\/p\u003e\n\u003cp\u003eAttribution: After John Frederick Herring Senior\u003c\/p\u003e\n\u003cp\u003eMedium: Oil on canvas\u003c\/p\u003e\n\u003cp\u003eGenre: British sporting and equestrian painting\u003c\/p\u003e\n\u003cp\u003eSubject: Four hunters with grooms and huntsmen in a stable\u003c\/p\u003e\n\u003cp\u003eSignature: No visible signature\u003c\/p\u003e\n\u003cp\u003eOriginal design: The Hunting Stud, painted by Herring in 1845\u003c\/p\u003e\n\u003cp\u003eFrame: Larson-Juhl gilt moulded frame\u003c\/p\u003e\n\u003cp\u003eGlazing: AR70 low-reflection protective glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Stable Narrative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painter arranges the horses across the width of the canvas, creating a carefully balanced rhythm of heads, bodies and working figures.\u003c\/p\u003e\n\u003cp\u003eThe pale grey hunter immediately attracts the eye and provides a tonal counterpoint to the three richly coloured bays. Each horse is given an individual pose, yet all four remain connected through the activity of the surrounding grooms.\u003c\/p\u003e\n\u003cp\u003eRather than depicting the speed and drama of the hunt itself, the composition celebrates discipline, preparation and care. It recognises the knowledge of the stable staff and the close working relationship between people and horses.\u003c\/p\u003e\n\u003cp\u003eThe scene therefore possesses both sporting grandeur and an appealing sense of everyday country life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour, Light and Brushwork\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLight entering the stable falls gently across the horses’ coats, revealing the modelling of their shoulders, necks and hindquarters.\u003c\/p\u003e\n\u003cp\u003eWarm chestnuts, deep bays, ochres and siennas define the principal group. Soft cream highlights enliven the grey horse, manes, tails and straw, while the intense crimson of the hunting coats draws attention into the background.\u003c\/p\u003e\n\u003cp\u003eThe artist employs relatively precise brushwork for the horses’ anatomy and equipment, becoming broader and softer across the timber, bedding and shadowed stable interior.\u003c\/p\u003e\n\u003cp\u003eA mellow, evenly toned varnish has softened the colours over time and contributes to the painting’s established historic appearance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerring’s The Hunting Stud\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe composition derives from The Hunting Stud, painted by John Frederick Herring Senior in 1845 and now held in Tate’s collection.\u003c\/p\u003e\n\u003cp\u003eHerring’s design also became known through prints belonging to Fores’s Stable Scenes. These published versions enabled his compositions to reach a wide audience of sporting patrons and encouraged later artists to reproduce them in both paint and print.\u003c\/p\u003e\n\u003cp\u003eThis circa 1900 interpretation demonstrates the continuing popularity of Herring’s imagery more than half a century after the original was created.\u003c\/p\u003e\n\u003cp\u003eThe catalogue term “after John Frederick Herring Senior” means that the composition is derived from his recognised work. It does not claim that Herring painted, supervised or authorised the present canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Frederick Herring Senior\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Frederick Herring Senior, who lived from 1795 to 1865, was among the most successful equestrian painters working in Victorian Britain.\u003c\/p\u003e\n\u003cp\u003eHis early employment as a coach driver brought him into sustained contact with horses and earned him the familiar title “the artist coachman.” That practical experience informed the convincing anatomy, alert expressions and individual character found throughout his sporting paintings.\u003c\/p\u003e\n\u003cp\u003eHerring became especially admired for portraits of racehorses and hunters, as well as scenes involving coaching, farms, stables and rural animals.\u003c\/p\u003e\n\u003cp\u003eHis accessible narratives and technical understanding made his compositions highly desirable among sporting patrons. Their continued reproduction after his death demonstrates the enduring strength of his reputation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance and Exhibition History\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate equine collection in the Midlands, United Kingdom.\u003c\/p\u003e\n\u003cp\u003eMidlands auction-house Trevanion label attached verso.\u003c\/p\u003e\n\u003cp\u003eProfessionally researched and catalogued by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003ePrivately loaned and exhibited at the Famous Lord Hill Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Collect This Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• A classic British sporting subject associated with Herring’s most admired stable imagery.\u003c\/p\u003e\n\u003cp\u003e• Four individual horses create considerable equestrian and decorative interest.\u003c\/p\u003e\n\u003cp\u003e• Combines the ceremony of the hunt with the quieter working life of the stable.\u003c\/p\u003e\n\u003cp\u003e• Rich proportions suitable for display above a desk, console, fireplace or library cabinet.\u003c\/p\u003e\n\u003cp\u003e• Particularly appropriate for a country house, sporting lodge or equestrian interior.\u003c\/p\u003e\n\u003cp\u003e• Historical auction and exhibition associations support its catalogue record.\u003c\/p\u003e\n\u003cp\u003e• Recently reframed and ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFramed height: 59 cm\u003c\/p\u003e\n\u003cp\u003eFramed width: 80.5 cm\u003c\/p\u003e\n\u003cp\u003eFramed depth: 4.5 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painting is in good overall condition for its age.\u003c\/p\u003e\n\u003cp\u003eThe original canvas is securely stretched and remains structurally stable. Fine craquelure is visible across parts of the painted surface, consistent with age and the natural behaviour of oil paint.\u003c\/p\u003e\n\u003cp\u003eMinor paint losses, historic touch-ups and localised overpainting are present, particularly around the outer background edges. Scattered foxing-type spotting or staining is also visible in places.\u003c\/p\u003e\n\u003cp\u003eThe varnish remains even but has mellowed with age, giving the composition its warm tonal character.\u003c\/p\u003e\n\u003cp\u003eThe recently fitted gilt Larson-Juhl frame is in excellent presentation condition and incorporates AR70 low-reflection glass. The painting is ready to hang.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessionally packaged and fully insured worldwide delivery is available.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for additional photographs, further condition information or a delivery quotation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":55989714649466,"sku":"CAC-SK-0407","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/TheHuntingStud.jpg?v=1759660390"},{"product_id":"grisette-grey-important-british-sporting-oil-painting-by-herbert-st-john-jones","title":"Grisette Grey Important British Sporting Oil Painting by Herbert St. John Jones","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eHerbert St. John Jones (1872–1939)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eGrisette (1925)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal Signed British Sporting Oil on Canvas | Painted from Life at Nantwich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e• Original signed oil on canvas by Herbert St. John Jones (1872–1939).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Painted from life at Nantwich and dated 19 February 1925.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Depicts the celebrated hunter mare Grisette in full profile.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Retains the artist's original handwritten inscription to the reverse.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Original \"The Windsor Canvas – Made in England\" manufacturer's stamp.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extensive documented provenance with corrected historical identification.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Strong historical associations with the Cheshire Hunt and the Grosvenor sporting sphere.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• A museum-quality example of early twentieth-century British sporting art.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAn exceptional original British sporting oil on canvas by the renowned Cheshire equestrian painter Herbert St. John Jones, depicting the hunter mare Grisette standing proudly in full profile.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePainted from life at Nantwich on 19 February 1925, the work represents one of the finest surviving examples of Jones's accomplished equestrian portraiture. Executed with remarkable anatomical precision and a refined understanding of equine movement, balance and conformation, the painting beautifully captures both the physical elegance and quiet intelligence of this accomplished hunter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe mare's distinctive flea-bitten grey coat is rendered through subtle layers of silver, cream and charcoal, while the restrained landscape background allows the animal to command the composition with dignity and presence. Jones's sensitive handling of light and colour reflects the observational skill that established him amongst the leading sporting artists of North-West England during the early twentieth century.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eParticularly significant is the original inscription preserved on the reverse of the canvas:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Painted from Life at Nantwich — H. Herbert St. John Jones — Feb. 19th, 1925.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis rare documentary evidence confirms that the portrait was executed directly from observation rather than produced later in the studio, greatly enhancing both its historical and scholarly importance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFurther research has restored the painting's correct title following a later cataloguing error. Earlier auction records identify the horse correctly as Grisette, rather than Griselle, reuniting the painting with its documented auction history and strengthening its provenance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtist: Herbert St. John Jones (1872–1939)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTitle: Grisette\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDate: 19 February 1925\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMedium: Oil on canvas\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSchool: British Sporting School\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSubject: Portrait of the hunter mare Grisette\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSignature: Signed lower left\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInscription: Titled lower right and fully inscribed verso\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCanvas Stamp: Original \"The Windsor Canvas – Made in England\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrame: Later giltwood gallery frame\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisplay: Ready for display\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHerbert St. John Jones portrays Grisette with all the qualities expected of an accomplished British hunter. The mare possesses a deep chest suggesting stamina, powerful hindquarters for athletic performance, clean well-defined limbs suited to demanding hunting country and a refined, intelligent head that conveys both alertness and character. Her traditionally docked tail reflects accepted sporting presentation during the period.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe artist's careful study of equine anatomy is matched by his subtle treatment of colour, with the distinctive flea-bitten grey coat built through delicate tonal transitions rather than heavy impasto. This restrained technique gives the portrait exceptional realism while preserving an elegance entirely appropriate to a commissioned sporting portrait.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCompleted during the height of the 1925 Cheshire hunting season, the painting belongs to one of Britain's most distinguished equestrian traditions. During this period, Eaton Hall, seat of the Grosvenor family, stood at the centre of Cheshire's hunting culture and was recognised nationally for its horse breeding and sporting excellence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHistorical records confirm Herbert St. John Jones enjoyed patronage from the Duke and Duchess of Westminster, firmly placing him within the artistic circle surrounding one of Britain's foremost sporting families. Whilst no surviving documentary evidence presently confirms Grisette as a Grosvenor-owned horse, the painting's date, location, quality of commission and Jones's documented association with the Westminster family position it convincingly within the wider Grosvenor sporting sphere and the historic Cheshire Hunt.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe restoration of the correct title, supported by comparison with earlier auction records and the artist's original copperplate inscription, further enhances the painting's documentary significance and provides an important contribution to the artist's catalogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHerbert St. John Jones (1872–1939) worked from his respected studio on Hospital Street, Nantwich, where he established himself as one of North-West England's foremost painters of horses, livestock and rural sporting life.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWorking almost exclusively from direct observation, Jones earned an outstanding reputation for his faithful portrayals of horses belonging to Cheshire's leading landowners and sporting families. Historical records confirm commissions from the Duke and Duchess of Westminster at Eaton Hall, reinforcing his position amongst the most respected provincial sporting artists of the early twentieth century.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday his paintings are admired for their technical accuracy, refined draughtsmanship and remarkable ability to capture the individual character and presence of each animal. Works by Jones remain highly desirable amongst collectors of British sporting art, equestrian portraiture and regional Cheshire history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePrivate Collection.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDreweatts Neate, 29 May 2002.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginally catalogued correctly as Grisette and offered together with its companion portrait, Silverbank.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSubsequently re-entered the market under the transcription error Griselle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComparative examination of the artist's original inscription confirms the correct reading as Grisette, reuniting the painting with its documented auction history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCurated by Cheshire Antiques Consultant LTD®.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCanvas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight: 27.7 cm (10.9 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 33.3 cm (13.1 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrame\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHeight: 42 cm (16.5 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 49.7 cm (19.6 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDepth: 4.5 cm (1.8 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePresented in good overall exhibition condition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe original canvas remains structurally sound with stable age-related craquelure and scattered foxing consistent with a work over one hundred years old. There is evidence of a historic professionally executed reverse canvas repair which is secure and does not materially affect the painted surface or overall presentation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe later giltwood gallery frame displays light age-related wear and minor losses commensurate with age and handling.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlease study all photographs carefully, as they form an important part of the description and condition report.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWorldwide shipping is available. The painting will be professionally packaged using high-quality conservation materials and dispatched fully insured for secure international delivery.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlease contact us for a personalised shipping quotation where required.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":57026210398586,"sku":"CAC-SK-0503","price":9000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/XcRCav6BOrDEpMYPvaLGoAo_0_gps_generated.png?v=1782760557"},{"product_id":"17th-century-period-oil-portrait-of-elizabeth-cavendish-countess-of-devonshire","title":"17th Century Period Oil Portrait of Elizabeth Cavendish Countess of Devonshire","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePortrait of Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eEnglish School, Mid-17th Century In the Manner of Sir Peter Lely (1618–1680)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOil on Original Oak Panel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Mid-17th century English cabinet portrait painted on its original oak panel.\u003cbr\u003e• Traditionally identified as Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689).\u003cbr\u003e• Painted in the manner of Sir Peter Lely (1618–1680).\u003cbr\u003e• Richly painted cobalt-blue silk drapery with finely rendered pearl jewellery.\u003cbr\u003e• Excellent provenance, including Lindsay Burns \u0026amp; Company, Perth.\u003cbr\u003e• Privately exhibited at the Famous Lord Hill Museum, Shropshire.\u003cbr\u003e• Ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn English School cabinet portrait dating from the mid-seventeenth century, painted in the manner of Sir Peter Lely (1618–1680), traditionally identified as Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689), wife of William Cavendish, 3rd Earl of Devonshire.\u003c\/p\u003e\n\u003cp\u003ePainted in oil on its original oak panel, the sitter is portrayed in an elegant three-quarter pose wearing a sumptuous cobalt-blue silk mantle secured with an ornate jewelled clasp. A necklace and matching pearl earrings quietly proclaim her aristocratic status, while her composed expression conveys dignity, intelligence and refinement.\u003c\/p\u003e\n\u003cp\u003eThe portrait survives as a distinguished example of English cabinet portraiture from one of the most important periods in British art. Combining refined technique with intimate scale, it reflects the elegance and sophistication associated with portraits commissioned for England's highest-ranking noble families during the seventeenth century.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: English School\u003c\/p\u003e\n\u003cp\u003eTitle: Portrait of Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689)\u003c\/p\u003e\n\u003cp\u003eDate: Mid-17th Century\u003c\/p\u003e\n\u003cp\u003eAttribution: In the Manner of Sir Peter Lely (1618–1680)\u003c\/p\u003e\n\u003cp\u003eMedium: Oil on panel\u003c\/p\u003e\n\u003cp\u003eSupport: Original oak panel\u003c\/p\u003e\n\u003cp\u003eSchool: English School\u003c\/p\u003e\n\u003cp\u003eSignature: Unsigned\u003c\/p\u003e\n\u003cp\u003eFrame: Carved and gilded frame\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition\u003c\/p\u003e\n\u003cp\u003eDisplay: Ready to hang\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecuted with considerable refinement, this portrait exemplifies the sophisticated naturalism associated with English court portraiture during the middle decades of the seventeenth century. Delicate translucent glazes create remarkable luminosity across the sitter's complexion, while carefully placed highlights animate the pearls, silk drapery and jewelled ornament with understated brilliance.\u003c\/p\u003e\n\u003cp\u003eThe sitter's abundant chestnut ringlets, broad aristocratic forehead, almond-shaped hazel eyes and finely modelled features reflect the ideals of feminine beauty cultivated during the Caroline and early Restoration periods. The restrained palette of warm flesh tones, rich cobalt blue and softly illuminated pearls demonstrates an accomplished understanding of colour and tonal harmony associated with the portrait tradition established by Sir Anthony van Dyck and later perfected by Sir Peter Lely.\u003c\/p\u003e\n\u003cp\u003eAlthough the identification remains traditional rather than documentary, the sitter's costume, physiognomy, apparent age and noble presentation are broadly consistent with contemporary representations of Elizabeth Cavendish, Countess of Devonshire. As with many seventeenth-century portraits, the proposed identification should therefore be regarded as a well-supported scholarly opinion rather than a definitive conclusion.\u003c\/p\u003e\n\u003cp\u003ePainted on its original oak panel, the work remains an engaging example of English cabinet portraiture, combining decorative appeal with considerable historical significance and reflecting the enduring elegance of seventeenth-century aristocratic portraiture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis portrait is offered as the work of an accomplished English School artist working in the manner of Sir Peter Lely (1618–1680).\u003c\/p\u003e\n\u003cp\u003eFollowing the death of Sir Anthony van Dyck, Lely became Principal Painter to the English Crown and the leading portraitist of the Restoration Court. His graceful compositions, luminous flesh tones and refined treatment of silk, satin and jewellery established a style that profoundly influenced English portraiture throughout the second half of the seventeenth century.\u003c\/p\u003e\n\u003cp\u003eThe present work reflects many of these celebrated qualities through its poised composition, harmonious palette and restrained psychological presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate Scottish Collection\u003c\/p\u003e\n\u003cp\u003eLindsay Burns \u0026amp; Company, Perth, Scotland\u003c\/p\u003e\n\u003cp\u003eLot 735 — Catalogued as:\u003cbr\u003e\"Manner of Peter Lely – Half-Length Portrait of a Lady\"\u003c\/p\u003e\n\u003cp\u003eCurated by Cheshire Antiques Consultant LTD\u003c\/p\u003e\n\u003cp\u003ePrivately exhibited at the Famous Lord Hill Museum, Shropshire\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePanel\u003c\/p\u003e\n\u003cp\u003eHeight: 38 cm (14.96 inches)\u003c\/p\u003e\n\u003cp\u003eWidth: 28.5 cm (11.22 inches)\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eHeight: 51 cm (20.08 inches)\u003c\/p\u003e\n\u003cp\u003eWidth: 42 cm (16.54 inches)\u003c\/p\u003e\n\u003cp\u003eDepth: 5.5 cm (2.17 inches)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented in good antique condition, commensurate with its considerable age.\u003c\/p\u003e\n\u003cp\u003eThe original oak panel remains structurally sound and displays the naturally developed craquelure and mellow surface patination expected of a seventeenth-century painting. The paint surface exhibits age-related varnish crackle together with areas of historic overpainting and minor paint losses, principally affecting the mid to lower area of the sitter's face. A layer of surface dirt together with historic varnish layers and scattered white paint specks are visible under close inspection.\u003c\/p\u003e\n\u003cp\u003eDespite these age-related characteristics, the colours remain rich and vibrant, particularly within the striking cobalt-blue drapery, while the sitter's features retain impressive clarity, elegance and refinement. The carved and gilded frame displays age-related wear, minor losses and historic repairs consistent with its age, complementing the historic character of the painting.\u003c\/p\u003e\n\u003cp\u003eOverall, this is a highly decorative and historically significant example of seventeenth-century English portraiture that presents beautifully and is ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be professionally packed using quality packing materials and dispatched fully insured for safe worldwide delivery.\u003c\/p\u003e\n\u003cp\u003eInternational buyers are welcome. Please contact us for a personalised shipping quotation where required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":57054713348474,"sku":"CAK-SK-0505","price":9500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/FaJPasrrO7uHpMYP57DhoAk_0_gps_generated.png?v=1783603753"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/collections\/RenaissanceKnightEquestrianOilPainting_CircleofSirJohnGilbertRA.jpg?v=1785573154","url":"https:\/\/cheshireantiquesconsultantltd.com\/collections\/featured-fine-art.oembed","provider":"Cheshire Antiques Consultant LTD","version":"1.0","type":"link"}