{"title":"Featured Works","description":"\u003cp\u003eNew arrivals! Don't miss out! I Collect \u0026amp; Buy today before they are sold!         \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"vim x-item-title\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003e","products":[{"product_id":"19th-century-oil-painting-gordon-setter-with-irish-red-white-hunt-dogs-by-colin-graeme-roe","title":"19th Century Oil Painting Gordon Setter with Irish Red \u0026 White Hunt Dogs By Colin Graeme Roe","description":"\u003ch3 data-start=\"0\" data-end=\"160\"\u003e19th Century Masterpiece — Oil Painting\u003cbr data-start=\"39\" data-end=\"42\"\u003e\u003cstrong data-start=\"42\" data-end=\"117\"\u003eGordon Setter with Irish Red \u0026amp; White Gun Dogs in the Scottish Highlands \u003c\/strong\u003eBy Colin Graeme (British, fl. 1858–1910)\u003c\/h3\u003e\n\u003cp data-start=\"162\" data-end=\"226\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"228\" data-end=\"632\"\u003e\u003cstrong data-start=\"228\" data-end=\"248\"\u003eSubject \u0026amp; Medium\u003c\/strong\u003e 🎨🐾\u003cbr data-start=\"253\" data-end=\"256\"\u003eThis late-Victorian, c.1880 sporting portrait represents a refined example of gundog portraiture: a Gordon Setter and an Irish Red \u0026amp; White Setter shown half-length, in profile, poised in upland terrain and oriented toward the scent. The composition isolates the dogs’ heads and shoulders to convey the concentrated stillness and alertness characteristic of hunting practice.\u003c\/p\u003e\n\u003cp data-start=\"634\" data-end=\"952\"\u003eExecuted in oil on an original Winsor \u0026amp; Newton prepared board — a commercially produced, period-appropriate support favoured by professional British painters of the late 19th century — the work benefits from a stable, fine-grained ground suitable for detailed rendering and for transportation in commissioned practice.\u003c\/p\u003e\n\u003cp data-start=\"954\" data-end=\"1018\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"1020\" data-end=\"1478\"\u003e\u003cstrong data-start=\"1020\" data-end=\"1047\"\u003eComposition \u0026amp; Technique\u003c\/strong\u003e 🖌️🎯\u003cbr data-start=\"1053\" data-end=\"1056\"\u003eGraeme employs a deliberately economical composition: the restricted view amplifies psychological presence and directs attention to expression and physiognomy. A warm mid-tone ground unifies the picture plane; translucent glazes build volume and depth; and disciplined, directional brushwork defines coat texture and feathering. Selective impasto accents the eyes, muzzle and lips, animating the subjects without excess.\u003c\/p\u003e\n\u003cp data-start=\"1480\" data-end=\"1776\"\u003eThe Highland landscape is handled more broadly and atmospherically: rolling moorland and distant hills dissolve into cool greys and mauves to create spatial recession and to situate the sitters within authentic upland shooting country. Heather in the foreground reinforces topographical veracity.\u003c\/p\u003e\n\u003cp data-start=\"1778\" data-end=\"1842\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"1844\" data-end=\"2288\"\u003e\u003cstrong data-start=\"1844\" data-end=\"1864\"\u003eAbout the Breeds\u003c\/strong\u003e 🐕🐕🦺\u003cbr data-start=\"1872\" data-end=\"1875\"\u003e\u003cstrong data-start=\"1875\" data-end=\"1893\"\u003eGordon Setter:\u003c\/strong\u003e Bred for strength, endurance and dependability in Scottish uplands; here rendered with accurate anatomy and tonal depth that convey the breed’s characteristic head carriage and dense black-and-tan coat.\u003cbr data-start=\"2096\" data-end=\"2099\"\u003e\u003cstrong data-start=\"2099\" data-end=\"2128\"\u003eIrish Red \u0026amp; White Setter:\u003c\/strong\u003e A rarer, historically older setter variety, valued for stamina and nose in rough cover; its lighter coat provides chromatic balance and compositional rhythm.\u003c\/p\u003e\n\u003cp data-start=\"2290\" data-end=\"2443\"\u003eTogether the two breeds embody the Victorian ideal of the gundog as an essential, highly trained working partner rather than a merely decorative element.\u003c\/p\u003e\n\u003cp data-start=\"2445\" data-end=\"2509\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"2511\" data-end=\"3069\"\u003e\u003cstrong data-start=\"2511\" data-end=\"2531\"\u003eAbout the Artist\u003c\/strong\u003e 🎨\u003cbr data-start=\"2539\" data-end=\"2542\"\u003eColin Graeme specialised in sporting subjects and gundog portraiture. Born into a prominent artistic family and initially signing works as Colin Graeme Roe, he later abbreviated his name professionally. His practice combined anatomical precision with painterly refinement. Examples of his work appear in regional public collections (notably Sheffield and Dudley), and his market record includes notable auction results (including a reported sale above $14,000 USD at Christie’s London), indicating continued collector interest.\u003c\/p\u003e\n\u003cp data-start=\"3071\" data-end=\"3135\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3137\" data-end=\"3337\"\u003e\u003cstrong data-start=\"3137\" data-end=\"3147\"\u003eSigned\u003c\/strong\u003e ✍️\u003cbr data-start=\"3150\" data-end=\"3153\"\u003eSigned lower corner: \u003cem data-start=\"3174\" data-end=\"3188\"\u003eColin Graeme\u003c\/em\u003e. The verso bears a Winsor \u0026amp; Newton prepared-panel label consistent with late-19th-century manufacture, supporting the painting’s period attribution.\u003c\/p\u003e\n\u003cp data-start=\"3339\" data-end=\"3403\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3405\" data-end=\"3927\"\u003e\u003cstrong data-start=\"3405\" data-end=\"3432\"\u003eHistorical Significance\u003c\/strong\u003e 📜🏰\u003cbr data-start=\"3437\" data-end=\"3440\"\u003eThis painting belongs to the golden age of British sporting art, when field sports were integral to country-house identity. Gundog portraits functioned as documentary records of prized stock and as symbols of sporting status; they were typically displayed in gun rooms, libraries and shooting lodges. Paired setter portraits with Highland settings are particularly desirable for combining breed portraiture with landscape and for reinforcing the prestige associated with upland shooting.\u003c\/p\u003e\n\u003cp data-start=\"3929\" data-end=\"3993\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"3995\" data-end=\"4068\"\u003e\u003cstrong data-start=\"3995\" data-end=\"4018\"\u003eDimensions (Framed)\u003c\/strong\u003e 📏\u003cbr data-start=\"4021\" data-end=\"4024\"\u003eHeight: 36 cm\u003cbr data-start=\"4037\" data-end=\"4040\"\u003eWidth: 31 cm\u003cbr data-start=\"4052\" data-end=\"4055\"\u003eDepth: 5 cm\u003c\/p\u003e\n\u003cp data-start=\"4070\" data-end=\"4175\"\u003eAn intimate, cabinet scale that reads strongly at close range and integrates well into curated interiors.\u003c\/p\u003e\n\u003cp data-start=\"4177\" data-end=\"4241\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"4243\" data-end=\"4542\"\u003e\u003cstrong data-start=\"4243\" data-end=\"4253\"\u003eFramed\u003c\/strong\u003e 🖼️\u003cbr data-start=\"4257\" data-end=\"4260\"\u003ePresented in a later gilt gesso decorative frame chosen to complement the painting’s Victorian character. The work is ready to hang (hanging cord attached verso). The frame enhances visual presence and may be sympathetically conserved or replaced to suit the purchaser’s preference.\u003c\/p\u003e\n\u003cp data-start=\"4544\" data-end=\"4608\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"4610\" data-end=\"5091\"\u003e\u003cstrong data-start=\"4610\" data-end=\"4657\"\u003eCollecting Context — Hunting \u0026amp; Sporting Art\u003c\/strong\u003e 🏰🐾\u003cbr data-start=\"4662\" data-end=\"4665\"\u003eLate 19th–early 20th century sporting paintings were avidly collected by landed gentry, Masters of Hounds and shooting patrons. Prominent private collections and country houses — including those associated with families such as the Rothschilds and estates like Badminton — shaped taste and established benchmarks for gundog portraiture. High-quality, well-preserved cabinet-scale examples such as this are increasingly scarce.\u003c\/p\u003e\n\u003cp data-start=\"5093\" data-end=\"5157\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"5159\" data-end=\"5752\"\u003e\u003cstrong data-start=\"5159\" data-end=\"5173\"\u003eProvenance\u003c\/strong\u003e 🗂️\u003cbr data-start=\"5177\" data-end=\"5180\"\u003eAcquired from Hartleys Auction (Yorkshire), Lot 427.\u003cbr data-start=\"5232\" data-end=\"5235\"\u003ePreviously in a private Yorkshire vendor collection — a region historically associated with sporting estates and hunting culture.\u003cbr data-start=\"5364\" data-end=\"5367\"\u003eCurated and catalogued by Cheshire Antiques Consultant Ltd.\u003cbr data-start=\"5426\" data-end=\"5429\"\u003eExhibited: \u003cem data-start=\"5440\" data-end=\"5495\"\u003eVictorian Sporting Art: Dogs, Field, and Country Life\u003c\/em\u003e, Famous Lord Hill Museum, January 2026.\u003cbr data-start=\"5535\" data-end=\"5538\"\u003ePublic market appearances recorded on LiveAuctioneers (listing and auction provenance). Archival documentation (auction catalogue page, museum catalogue entry) is being assembled to complete the documentary record.\u003c\/p\u003e\n\u003cp data-start=\"5754\" data-end=\"5818\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"5820\" data-end=\"6296\"\u003e\u003cstrong data-start=\"5820\" data-end=\"5840\"\u003eCondition Report\u003c\/strong\u003e 📋\u003cbr data-start=\"5843\" data-end=\"5846\"\u003eOffered in good, used condition consistent with age and original materials. The paint film is stable overall; there is minor surface foxing and small, localized paint losses visible on close inspection. No active flaking observed at time of examination. The panel support appears sound with no obvious modern structural intervention from surface inspection. Frame exhibits age-related wear including surface abrasion, craquelure and minor gesso loss.\u003c\/p\u003e\n\u003cp data-start=\"6298\" data-end=\"6362\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6364\" data-end=\"6599\"\u003e\u003cstrong data-start=\"6364\" data-end=\"6394\"\u003eWhy You’ll Value This Work\u003c\/strong\u003e ⭐\u003cbr data-start=\"6396\" data-end=\"6399\"\u003e• Museum-quality subject in an elegant cabinet scale.\u003cbr data-start=\"6452\" data-end=\"6455\"\u003e• Rare paired-setter composition with authentic Highland landscape.\u003cbr data-start=\"6522\" data-end=\"6525\"\u003e• Strong provenance, exhibition history and established market visibility.\u003c\/p\u003e\n\u003cp data-start=\"6601\" data-end=\"6665\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6667\" data-end=\"6922\"\u003e\u003cstrong data-start=\"6667\" data-end=\"6697\"\u003eDisplay \u0026amp; Placement Advice\u003c\/strong\u003e 💡\u003cbr data-start=\"6700\" data-end=\"6703\"\u003eRecommended for a study, gun room, library or country-house interior, or as part of a curated sporting salon hang. Display under low-glare directional lighting with UV filtering to preserve colour and surface integrity.\u003c\/p\u003e\n\u003cp data-start=\"6924\" data-end=\"6988\"\u003e─────────────────────────────────────────\u003c\/p\u003e\n\u003cp data-start=\"6990\" data-end=\"7217\"\u003e\u003cstrong data-start=\"6990\" data-end=\"7023\"\u003eWorldwide Shipping \u0026amp; Purchase\u003c\/strong\u003e 📦\u003cbr data-start=\"7026\" data-end=\"7029\"\u003eProfessionally packed and fully insured for international delivery. The painting is ready for immediate installation. Click “Buy It Now” to proceed with purchase and shipping arrangements.\u003c\/p\u003e\n\u003cp data-start=\"7219\" data-end=\"7283\"\u003e─────────────────────────────────────────\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":43985928192253,"sku":"k10025","price":4900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/victorian-hunting-2-setter-gun-dogs-oil-painting-by-colin-graeme-roe-664579.jpg?v=1687788068"},{"product_id":"beautiful-antique-austrian-bronze-sculpture-bay-hunter-horse-by-franz-bergman","title":"Victorian Austrian Bronze Sculpture – Bay Hunter Horse by Franz Bergman","description":"\u003chr data-end=\"209\" data-start=\"206\"\u003e\n\u003ch1 data-end=\"316\" data-start=\"211\"\u003eBeautiful Antique Victorian Collectible Austrian Bronze Sculpture – Bay Hunter Horse by Franz Bergman\u003c\/h1\u003e\n\u003cp data-end=\"529\" data-start=\"318\"\u003eWe are delighted to offer for sale this \u003cstrong data-end=\"405\" data-start=\"358\"\u003eexquisite antique Austrian bronze sculpture\u003c\/strong\u003e, an exceptional \u003cstrong data-end=\"442\" data-start=\"422\"\u003eBay Hunter Horse\u003c\/strong\u003eattributed to the celebrated Viennese sculptor \u003cstrong data-end=\"526\" data-start=\"490\"\u003eFranz Xavier Bergman (1861–1936)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"534\" data-start=\"531\"\u003e\n\u003ch3 data-end=\"569\" data-start=\"536\"\u003eA True Collector’s Treasure\u003c\/h3\u003e\n\u003cp data-end=\"734\" data-start=\"570\"\u003eThis \u003cstrong data-end=\"614\" data-start=\"575\"\u003efinely cast and cold-painted bronze\u003c\/strong\u003e, dating to \u003cstrong data-end=\"640\" data-start=\"626\"\u003ecirca 1900\u003c\/strong\u003e, captures the majestic form of a \u003cstrong data-end=\"694\" data-start=\"674\"\u003ebay hunter horse\u003c\/strong\u003e with remarkable realism and artistry.\u003c\/p\u003e\n\u003cp data-end=\"844\" data-start=\"736\"\u003eThe sculpture radiates both \u003cstrong data-end=\"789\" data-start=\"764\"\u003estrength and elegance\u003c\/strong\u003e, displaying Bergman’s signature attention to detail.\u003c\/p\u003e\n\u003cp data-end=\"999\" data-start=\"846\"\u003eThe anatomical precision is striking — you can clearly see the \u003cstrong data-end=\"939\" data-start=\"909\"\u003emuscles, reins, and saddle\u003c\/strong\u003e, each meticulously modelled and finished with great care.\u003c\/p\u003e\n\u003cp data-end=\"1151\" data-start=\"1001\"\u003eOne of the most outstanding features is its \u003cstrong data-end=\"1083\" data-start=\"1045\"\u003evibrant, richly painted brown coat\u003c\/strong\u003e, achieved through Bergman’s renowned \u003cstrong data-end=\"1148\" data-start=\"1121\"\u003ecold-painting technique\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1282\" data-start=\"1279\"\u003e\n\u003ch3 data-end=\"1313\" data-start=\"1284\"\u003eMarkings\u003c\/h3\u003e\n\u003cul data-end=\"1451\" data-start=\"1314\"\u003e\n\u003cli data-end=\"1408\" data-start=\"1314\"\u003e\n\u003cp data-end=\"1408\" data-start=\"1316\"\u003e\u003cstrong data-end=\"1374\" data-start=\"1316\"\u003eStamped with the letter “B” in an urn-shaped cartouche\u003c\/strong\u003e, confirming its Bergman origin.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1451\" data-start=\"1409\"\u003e\n\u003cp data-end=\"1451\" data-start=\"1411\"\u003eNumbered \u003cstrong data-end=\"1428\" data-start=\"1420\"\u003e3125\u003c\/strong\u003e underneath the base.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1548\" data-start=\"1453\"\u003eBergman often signed his works with either this “B” mark or the reversed name \u003cstrong data-end=\"1546\" data-start=\"1531\"\u003e“Nam Greb.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1680\" data-start=\"1550\"\u003eHis pieces remain some of the most collectible Viennese bronzes, prized for their \u003cstrong data-end=\"1677\" data-start=\"1632\"\u003echarm, quality, and historic significance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1685\" data-start=\"1682\"\u003e\n\u003ch3 data-end=\"1712\" data-start=\"1687\"\u003eDimensions \u0026amp; Weight\u003c\/h3\u003e\n\u003cul data-end=\"1810\" data-start=\"1713\"\u003e\n\u003cli data-end=\"1736\" data-start=\"1713\"\u003e\n\u003cp data-end=\"1736\" data-start=\"1715\"\u003e\u003cstrong data-end=\"1726\" data-start=\"1715\"\u003eHeight:\u003c\/strong\u003e 18.8 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1756\" data-start=\"1737\"\u003e\n\u003cp data-end=\"1756\" data-start=\"1739\"\u003e\u003cstrong data-end=\"1749\" data-start=\"1739\"\u003eWidth:\u003c\/strong\u003e 5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1777\" data-start=\"1757\"\u003e\n\u003cp data-end=\"1777\" data-start=\"1759\"\u003e\u003cstrong data-end=\"1769\" data-start=\"1759\"\u003eDepth:\u003c\/strong\u003e 23 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1810\" data-start=\"1778\"\u003e\n\u003cp data-end=\"1810\" data-start=\"1780\"\u003e\u003cstrong data-end=\"1791\" data-start=\"1780\"\u003eWeight:\u003c\/strong\u003e just over 1.4 kg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1943\" data-start=\"1812\"\u003eA \u003cstrong data-end=\"1840\" data-start=\"1814\"\u003echarming, compact size\u003c\/strong\u003e that displays beautifully in any interior — whether on a \u003cstrong data-end=\"1940\" data-start=\"1898\"\u003edesk, shelf, or cabinet of curiosities\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1948\" data-start=\"1945\"\u003e\n\u003ch3 data-end=\"1977\" data-start=\"1950\"\u003eHistorical Background\u003c\/h3\u003e\n\u003cp data-end=\"2116\" data-start=\"1978\"\u003eFranz Xavier Bergman inherited his father’s bronze foundry in Vienna and became renowned for his \u003cstrong data-end=\"2113\" data-start=\"2075\"\u003epatinated and cold-painted bronzes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2277\" data-start=\"2118\"\u003eHis works often depicted \u003cstrong data-end=\"2204\" data-start=\"2143\"\u003eanimals, whimsical figures, and exotic Orientalist themes\u003c\/strong\u003e, each piece reflecting fine \u003cstrong data-end=\"2274\" data-start=\"2233\"\u003ecraftsmanship and playful imagination\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"2352\" data-start=\"2279\"\u003eToday, Bergman bronzes are \u003cstrong data-end=\"2349\" data-start=\"2306\"\u003ecoveted by serious collectors worldwide\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"2357\" data-start=\"2354\"\u003e\n\u003ch3 data-end=\"2381\" data-start=\"2359\"\u003eCondition Report\u003c\/h3\u003e\n\u003cp data-end=\"2448\" data-start=\"2382\"\u003eThis sculpture is presented in \u003cstrong data-end=\"2439\" data-start=\"2413\"\u003efine antique condition\u003c\/strong\u003e, with:\u003c\/p\u003e\n\u003cul data-end=\"2630\" data-start=\"2450\"\u003e\n\u003cli data-end=\"2528\" data-start=\"2450\"\u003e\n\u003cp data-end=\"2528\" data-start=\"2452\"\u003ePatina wear, scuffs, scratches, and touch-ups consistent with age and use.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2589\" data-start=\"2529\"\u003e\n\u003cp data-end=\"2589\" data-start=\"2531\"\u003eRetouching mainly to the \u003cstrong data-end=\"2586\" data-start=\"2556\"\u003elower legs, tail, and ears\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2630\" data-start=\"2590\"\u003e\n\u003cp data-end=\"2630\" data-start=\"2592\"\u003eOne \u003cstrong data-end=\"2615\" data-start=\"2596\"\u003estirrup missing\u003c\/strong\u003e on one side.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"2771\" data-start=\"2768\"\u003e\n\u003ch3 data-end=\"2802\" data-start=\"2773\"\u003eWhy Collect This Piece?\u003c\/h3\u003e\n\u003cp data-end=\"3135\" data-start=\"2803\"\u003e✔ Rare\u003cstrong data-end=\"2838\" data-start=\"2810\"\u003e Bergman bronze\u003c\/strong\u003e from the \u003cstrong data-end=\"2876\" data-start=\"2848\"\u003eend of the Victorian era\u003c\/strong\u003e\u003cbr data-end=\"2879\" data-start=\"2876\"\u003e✔ \u003cstrong data-end=\"2919\" data-start=\"2881\"\u003eBeautifully modelled horse subject\u003c\/strong\u003e with superb detail\u003cbr data-end=\"2941\" data-start=\"2938\"\u003e✔ Rich in \u003cstrong data-end=\"2993\" data-start=\"2951\"\u003eAustrian art history and craftsmanship\u003c\/strong\u003e\u003cbr data-end=\"2996\" data-start=\"2993\"\u003e✔ Ideal for collectors of \u003cstrong data-end=\"3073\" data-start=\"3022\"\u003ebronzes, equestrian art, or decorative antiques\u003c\/strong\u003e\u003cbr data-end=\"3076\" data-start=\"3073\"\u003e✔ Makes a truly \u003cstrong data-end=\"3110\" data-start=\"3092\"\u003ememorable gift\u003c\/strong\u003e for an art connoisseur\u003c\/p\u003e\n\u003chr data-end=\"3140\" data-start=\"3137\"\u003e\n\u003ch3 data-end=\"3175\" data-start=\"3142\"\u003eCustomer Service \u0026amp; Shipping\u003c\/h3\u003e\n\u003cp data-end=\"3255\" data-start=\"3176\"\u003eWe pride ourselves on offering \u003cstrong data-end=\"3252\" data-start=\"3207\"\u003eexceptional professional customer service\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cul data-end=\"3418\" data-start=\"3257\"\u003e\n\u003cli data-end=\"3336\" data-start=\"3257\"\u003e\n\u003cp data-end=\"3336\" data-start=\"3259\"\u003eWorldwide shipping available \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3556\" data-start=\"3420\"\u003eBrowse our other \u003cstrong data-end=\"3477\" data-start=\"3437\"\u003efine art, antiques, and collectibles\u003c\/strong\u003e in our gallery – we are confident you’ll discover more intriguing treasures.\u003c\/p\u003e\n\u003chr data-end=\"3561\" data-start=\"3558\"\u003e\n\u003cp data-end=\"3702\" data-start=\"3563\"\u003e📌 \u003cstrong data-end=\"3700\" data-start=\"3566\"\u003eOwn a piece of Austrian art history today – a superb Franz Bergman bronze that embodies beauty, craftsmanship, and collectability.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":44011629609213,"sku":"k10041","price":3395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/victorian-austrian-bronze-sculpture-bay-hunter-horse-by-franz-bergman-681519.jpg?v=1689799706"},{"product_id":"captain-sir-gamaliel-nightingale-oil-portrait-attributed-to-john-simmons-the-younger-nailsea-1715-1780","title":"Captain Sir Gamaliel Nightingale — Oil Portrait Attributed to John Simmons the Younger (Nailsea 1715–1780)","description":"\u003ch2 data-end=\"108\" data-start=\"0\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e⚓ Captain Sir Gamaliel Nightingale — Oil Portrait Attributed to John Simmons the Younger (Nailsea 1715–1780)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"563\" data-start=\"110\"\u003eA Masterpiece of Georgian Naval Portraiture\u003cbr data-end=\"156\" data-start=\"153\"\u003eA rare and historically rich mid-18th-century British oil portrait of a distinguished Royal Navy officer and baronet, combining verifiable naval service, aristocratic lineage, geographic exploration and archival corroboration. This work’s technical qualities, regional attribution and documentary ties make it an important acquisition for collectors of maritime, military and provincial English portraiture.\u003c\/p\u003e\n\u003chr data-end=\"645\" data-start=\"565\"\u003e\n\u003cp data-end=\"1407\" data-start=\"647\"\u003e🖼 Subject \u0026amp; Medium\u003c\/p\u003e\n\u003cp data-end=\"1407\" data-start=\"647\"\u003e\u003cbr data-end=\"669\" data-start=\"666\"\u003eTitle: Portrait of Captain Sir Gamaliel Nightingale — attributed to John Simmons the Younger (Nailsea 1715–1780)\u003cbr data-end=\"784\" data-start=\"781\"\u003eMedium: Oil on canvas, single-plank stretcher support (probable later replacement).\u003cbr data-end=\"870\" data-start=\"867\"\u003eSitter depiction: Male in his prime years, three-quarter length (bust to mid-torso), wearing formal Royal Navy coat with white linen facings, gilt buttons and visible epaulettes\/trim appropriate to mid-18th-century lieutenant\/captain dress. Expression: controlled, slightly turned pose with direct gaze — typical of commissioned officer portraiture that balances individuality with public rank.\u003cbr data-end=\"1256\" data-start=\"1253\"\u003eDating: Circa 1755–1765 on stylistic grounds (dress, handling and palette), consistent with the sitter’s active independent commands between 1757–1763.\u003c\/p\u003e\n\u003chr data-end=\"1489\" data-start=\"1409\"\u003e\n\u003cp data-end=\"3065\" data-start=\"1491\"\u003e🎨 Composition, \u0026amp; Technique \u003c\/p\u003e\n\u003cp data-end=\"3065\" data-start=\"1491\"\u003e\u003cbr data-end=\"1542\" data-start=\"1539\"\u003ePalette \u0026amp; Pigments: Dominant deep ultramarine\/Prussian-blue range for coat (likely azurite\/indigo mix or early Prussian blue substitute), lead white highlights in linen, lead\/tin yellow for gilt accents and bone black for underpainting and shadows.\u003cbr data-end=\"1793\" data-start=\"1790\"\u003eGround \u0026amp; Support: Ground layer appears to be a warm off-white\/lead-based priming (typical oil grounds of the period). Canvas weave is medium-coarse, likely hand-woven linen; tacking edge remnants visible on verso. The stretcher shows secondary mortise joints—indicative of a later re-stretch.\u003cbr data-end=\"2088\" data-start=\"2085\"\u003eUnderpainting \u0026amp; Pentimenti: Under raking-light and X-radiography (recommended), expect to find underdrawing in brown\/black bole and alterations to sleeve\/hand placement consistent with workshop adjustment. Reported absence of a signature on the face of the canvas but presence of a Bonhams label on the verso (see Provenance).\u003cbr data-end=\"2417\" data-start=\"2414\"\u003eBrushwork \u0026amp; Handling: Layered modelling of flesh with thin scumbled glazes over opaque imprimatura; more impastoed handling in metallic braid and buttonwork to catch light. Edges between figure and ground softly worked—Simmons’ provincial manner aimed for dignified presence rather than highly finished studio polish.\u003cbr data-end=\"2737\" data-start=\"2734\"\u003eConservation Observations: Historic craquelure consistent with age; inpaint confined to localized retouching (face and cloak edges). The varnish is slightly yellowed but even; a professional varnish clean and consolidation is recommended, followed by reversible retouching and a conservation grade synthetic varnish application.\u003c\/p\u003e\n\u003chr data-end=\"3147\" data-start=\"3067\"\u003e\n\u003cp data-end=\"4174\" data-start=\"3149\"\u003e🖌 About the Artist — John Simmons the Younger \u003c\/p\u003e\n\u003cp data-end=\"4174\" data-start=\"3149\"\u003e\u003cbr data-end=\"3209\" data-start=\"3206\"\u003eCareer \u0026amp; Locale: Active in the West Country (Somerset\/Bristol) during the mid-18th century; known from provincial commissions for gentry and local dignitaries. Auction and sale records record works attributed to Simmons appearing through the 19th and 20th centuries; his hand is recognised by recurring treatment of fabric folds, cheek modelling and a particular approach to metallic highlights.\u003cbr data-end=\"3607\" data-start=\"3604\"\u003eWorkshop Practice \u0026amp; Attribution Notes: Simmons occasionally employed workshop assistants for drapery and backdrops; unsigned works are common. Attribution rests on stylistic comparanda (button treatment, paint handling), known Bonhams\/Christie’s catalogue entries, and regional provenance. For institutional or catalogue-raisonné certainty, the following are recommended: pigment analysis (to confirm period materials), infrared reflectography (to detect underdrawing), and comparison with securely attributed Simmons works in public collections and auction archives.\u003c\/p\u003e\n\u003chr data-end=\"4256\" data-start=\"4176\"\u003e\n\u003cp data-end=\"5807\" data-start=\"4258\"\u003e👤 About the Sitter — Captain Sir Gamaliel Nightingale, 9th Baronet (1731–1791) \u003c\/p\u003e\n\u003cp data-end=\"5807\" data-start=\"4258\"\u003e\u003cbr data-end=\"4351\" data-start=\"4348\"\u003eVital Dates \u0026amp; Family Origins: Born 15 February 1731, Kneesworth Hall, Cambridgeshire; inherited the Nightingale baronetcy in 1782 on his elder brother’s death. Married Maria Clossen (1739–1789); primary heir Sir Edward Nightingale (b.1760). Kneesworth Hall anchored family landholdings and local influence.\u003cbr data-end=\"4660\" data-start=\"4657\"\u003eNaval Education \u0026amp; Early Service: Entered Royal Naval Academy (academy training giving formal instruction in navigation, seamanship and gunnery). Early sea service as midshipman on rated and unrated warships (HMS Rippon, HMS Porcupine) provided practical experience prior to lieutenant’s examination (passed 1752).\u003cbr data-end=\"4976\" data-start=\"4973\"\u003eIndependent Commands \u0026amp; Actions (expanded):\u003cbr data-end=\"5021\" data-start=\"5018\"\u003e• Commander, HMS Badger (10 guns, 1757–1758) — first independent command, shore patrol and convoy duties typical of vessels of this size.\u003cbr data-end=\"5161\" data-start=\"5158\"\u003e• Captain, HMS Vengeance (28 guns, 1758–1761) — captured French privateer Entreprenant (13 March 1761 near Land’s End) — documented in contemporary prize lists and Admiralty prize money distributions (source: Admiralty prize rolls; further verification recommended by consulting Admiralty records and prize lists at The National Archives, Kew).\u003cbr data-end=\"5508\" data-start=\"5505\"\u003e• Captain, HMS Flora (32 guns, 1759–1763) — employed in squadron and commerce protection duties.\u003cbr data-end=\"5607\" data-start=\"5604\"\u003eHalf-pay \u0026amp; Later Life: Placed on half-pay (retired from active sea command) in 1779; thereafter involved in estate stewardship and local county affairs, culminating in succession to baronetcy in 1782.\u003c\/p\u003e\n\u003chr data-end=\"5889\" data-start=\"5809\"\u003e\n\u003cp data-end=\"6439\" data-start=\"5891\"\u003e🧠 Strategic \u0026amp; Tactical Importance \u003c\/p\u003e\n\u003cp data-end=\"6439\" data-start=\"5891\"\u003e\u003cbr data-end=\"5939\" data-start=\"5936\"\u003eFrigate \u0026amp; Third-Rate Officer Role: Nightingale’s service illustrates the mid-century shift toward professionalised officer corps: frigate and small-ship captains were essential for independent sea control, privateer suppression, convoy protection and reconnaissance — strategic tasks that underpinned fleet operations and economic warfare. His independent capture demonstrates tactical acumen and contributes to prize income records which often underwrote officers’ wealth and later landed influence.\u003c\/p\u003e\n\u003chr data-end=\"6521\" data-start=\"6441\"\u003e\n\u003cp data-end=\"7147\" data-start=\"6523\"\u003e🌍 Exploration Legacy — Nightingale Island \u003c\/p\u003e\n\u003cp data-end=\"7147\" data-start=\"6523\"\u003e\u003cbr data-end=\"6579\" data-start=\"6576\"\u003eCharting \u0026amp; Naming: During South Atlantic service c.1760, Nightingale is associated with the observation\/landing on a volcanic isle near the Tristan da Cunha group, later naming it Nightingale Island. The island subsequently attained recognition in charts and naturalist accounts; today it is noted for its seabird colonies (Important Bird Area status). Corroborating sources include 18th-century Admiralty charts and later navigational reports — consulting historic Admiralty charts and contemporary geographic journals will further document the exact voyage and date.\u003c\/p\u003e\n\u003chr data-end=\"7229\" data-start=\"7149\"\u003e\n\u003cp data-end=\"7966\" data-start=\"7231\"\u003e🏰 Lineage, Heraldry \u0026amp; Estate\u003c\/p\u003e\n\u003cp data-end=\"7966\" data-start=\"7231\"\u003e\u003cbr data-end=\"7274\" data-start=\"7271\"\u003eBaronetcy \u0026amp; Arms: Nightingale Baronetcy of Newport Pond (created 1 September 1628). Arms described: \u003cem data-end=\"7424\" data-start=\"7374\"\u003ePer pale ermine and gules, a rose counterchanged\u003c\/em\u003e; crest: \u003cem data-end=\"7475\" data-start=\"7433\"\u003ean ibex sejant argent armed and maned or\u003c\/em\u003e; motto: \u003cem data-end=\"7504\" data-start=\"7484\"\u003ePro Rege et Patria\u003c\/em\u003e. These heraldic devices appear on family memorials, bookplates and some contemporary seals — useful corroboration when tracing provenance or matching labels and inscriptions on paper ephemera.\u003cbr data-end=\"7700\" data-start=\"7697\"\u003eKneesworth Hall: Estate inventory, tithe maps and local manorial records in Cambridgeshire archives document land tenure and transactions — the Chesterton terrier (1768) evidences land disposals by Nightingale in 1772 that later linked to St John’s College holdings.\u003c\/p\u003e\n\u003chr data-end=\"8048\" data-start=\"7968\"\u003e\n\u003cp data-end=\"8648\" data-start=\"8050\"\u003e👨👩👧 Family, Descendants \u0026amp; Extended Legacy\u003c\/p\u003e\n\u003cp data-end=\"8648\" data-start=\"8050\"\u003eIntermarriage \u0026amp; Alliances: Marriage to Maria Clossen signifies mercantile\/gentry continental ties (Hamburg connections) which were common for landed families seeking capital and trade alliances. Descendants intermarried with landed and professional families; several served in the Army, Royal Marines and colonial postings across the 19th century. Memorial inscriptions and parish registers (St Peter \u0026amp; St Paul’s Church, Bassingbourn cum Kneesworth) provide genealogical confirmation and are recommended sources for pedigree verification.\u003c\/p\u003e\n\u003chr data-end=\"8730\" data-start=\"8650\"\u003e\n\u003cp data-end=\"9028\" data-start=\"8732\"\u003e📏 Dimensions (confirmed)\u003cbr data-end=\"8760\" data-start=\"8757\"\u003eCanvas: approx. 76.7 cm (H) × 63.6 cm (W)\u003cbr data-end=\"8804\" data-start=\"8801\"\u003eFramed: 92.75 cm (H) × 79.0 cm (W) × 5.5 cm (D)\u003cbr data-end=\"8854\" data-start=\"8851\"\u003eMounting \u0026amp; Hanging: Refastened brass D-rings and wall bracket suitable for 360–420 N static load; recommend professional wall anchor and cradle support for permanent display.\u003c\/p\u003e\n\u003chr data-end=\"9110\" data-start=\"9030\"\u003e\n\u003cp data-end=\"9669\" data-start=\"9112\"\u003e🖼 Frame Description: Substantial giltwood frame, late-Georgian\/early-Regency profile with inner egg-and-dart and acanthus leaf moulding banding. Evidence of historical French polish or oil gilding overlay; small discrete repairs to inner cornice and replaced gilt bole in two areas on reverse. Frame may be period or early 19th-century replacement consistent with fashion for re-framing portraits in that period. Recommended: specialist frame conservation to stabilise gilt loss, consolidate losses with reversible fill and in-kind retouching.\u003c\/p\u003e\n\u003chr data-end=\"9751\" data-start=\"9671\"\u003e\n\u003cp data-end=\"10437\" data-start=\"9753\"\u003e🖋 Signed \/ Artist Attribution \u003c\/p\u003e\n\u003cp data-end=\"10437\" data-start=\"9753\"\u003e\u003cbr data-end=\"9797\" data-start=\"9794\"\u003eSignature: No autograph signature on face. Bonhams verso label and comparative catalogue entries underpin attribution. Attribution rationale: cloth and costume treatment, modelling of lower cheek and eyelid handling, and characteristic highlights on buttons mirror other attributions to Simmons. Strengthening attribution: request a technical report (pigment cross-sectioning, FTIR, XRF for elemental mapping), high-resolution imaging and archival comparison with secure Simmons works (museum\/auction catalogue images). If desired, we can prepare a brief technical brief suitable for submission to a regional specialist or conservation lab.\u003c\/p\u003e\n\u003chr data-end=\"10519\" data-start=\"10439\"\u003e\n\u003cp data-end=\"11455\" data-start=\"10521\"\u003e📜 Provenance \u0026amp; Archival Documentation \u003c\/p\u003e\n\u003cp data-end=\"11455\" data-start=\"10521\"\u003e\u003cbr data-end=\"10573\" data-start=\"10570\"\u003ePublic sale: Bonhams London, Old Master sale, Feb 2024, lot 9 — catalogue states “Private Collection, Europe, since at least 1990.” Cheshire Antiques Consultant LTD curated the offering (Bonhams label present on verso).\u003cbr data-end=\"10795\" data-start=\"10792\"\u003eArchival links: Chesterton terrier (1768) in Cambridgeshire Archives records sale\/transfer activity involving Nightingale c.1772, tying sitter to tangible estate records. Suggested archival follow-ups: The National Archives (Admiralty service \u0026amp; prize lists), local parish registers (Bassingbourn cum Kneesworth), and Bonhams sale dossier (condition reports, consignment paperwork) for chain-of-custody documentation.\u003cbr data-end=\"11214\" data-start=\"11211\"\u003eProvenance research steps we recommend: obtain Bonhams lot file (condition report, photographs, consignment notes), search county deeds and wills for 18th\/19th-century transfers, check private collection inventories (pre-1990) if accessible.\u003c\/p\u003e\n\u003chr data-end=\"11537\" data-start=\"11457\"\u003e\n\u003cp data-end=\"12405\" data-start=\"11539\"\u003e🧾 Condition Report \u003c\/p\u003e\n\u003cp data-end=\"12405\" data-start=\"11539\"\u003e\u003cbr data-end=\"11584\" data-start=\"11581\"\u003eOverall: Good, age-appropriate with stable support and historic craquelure.\u003cbr data-end=\"11662\" data-start=\"11659\"\u003eCanvas \u0026amp; Paint: No significant losses to ground or paint film; localized inpaint and consolidation in face\/coat edges visible in UV. Varnish: discoloured but stable; desalination not required. Some lifting at stretcher edges—recommend consolidation.\u003cbr data-end=\"11914\" data-start=\"11911\"\u003eFrame: Good structural integrity, gilt abrasion and small losses on high points; insect damage absent.\u003cbr data-end=\"12019\" data-start=\"12016\"\u003eRecommended conservation program (priority): 1) full documentation (photography, microscopy), 2) surface cleaning and varnish reduction, 3) consolidation of flaking paint, 4) reversible inpainting where visually necessary, 5) revarnish with synthetic varnish, 6) frame conservation and rehousing. Estimated hours: lab dependent; request formal quote from accredited conservation studio.\u003c\/p\u003e\n\u003chr data-end=\"12487\" data-start=\"12407\"\u003e\n\u003cp data-end=\"13168\" data-start=\"12489\"\u003e💛 Market \u0026amp; Collecting Appeal \u003cbr data-end=\"12532\" data-start=\"12529\"\u003eAttraction points: named naval sitter with a documented independent prize action; strong genealogical connectivity; named geographic legacy (Nightingale Island) that broadens appeal beyond fine art buyers to maritime historians and naturalists; regional artistic attribution to a West Country portraitist strengthens provenance narratives for UK collectors.\u003cbr data-end=\"12892\" data-start=\"12889\"\u003eExhibition potential: Maritime and regional history displays, university\/regional museum loans, and themed exhibitions on naval officers of the Seven Years’ War era. Institutional interest increases if technical report confirms 18th-century materials and regional attribution.\u003c\/p\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-1-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"cde53e37-bf08-4d06-961b-09bec3cdfbee\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cdiv id=\"thread-bottom-container\" class=\"group\/thread-bottom-container relative isolate z-10 w-full basis-auto has-data-has-thread-error:pt-2 has-data-has-thread-error:[box-shadow:var(--sharp-edge-bottom-shadow)] md:border-transparent md:pt-0 dark:border-white\/20 md:dark:border-transparent content-fade single-line flex flex-col\"\u003e\n\u003cdiv class=\"text-token-text-secondary relative mt-auto flex min-h-8 w-full items-center justify-center p-2 text-center text-xs md:px-[60px]\"\u003e\n\u003chr data-start=\"5336\" data-end=\"5339\"\u003e\n\u003ch2 data-start=\"3609\" data-end=\"3622\"\u003eShipping\u003c\/h2\u003e\n\u003cp data-start=\"3623\" data-end=\"3732\"\u003eWorldwide Shipping Available — Professionally packaged and fully insured for secure international delivery.\u003c\/p\u003e\n\u003cp data-start=\"3734\" data-end=\"3864\"\u003e\u003cstrong data-start=\"3734\" data-end=\"3862\"\u003eAvailable exclusively through Cheshire Antiques Consultant LTD — Inquire now to secure this unique piece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\u003chr data-end=\"5560\" data-start=\"5557\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"7783\" data-start=\"7541\"\u003e \u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":44587368546557,"sku":"k1196","price":15000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/18th-century-naval-military-portrait-captain-gamaliel-nightingale-by-john-simmons-1715-1780-441069.jpg?v=1709466549"},{"product_id":"🐂-commanding-presence-french-bronze-prized-standing-bull-by-isidore-jules-bonheur","title":"🐂 Commanding Presence French Bronze Prized Standing Bull by Isidore Jules Bonheur","description":"\u003ch2 data-end=\"224\" data-start=\"118\"\u003e🐂 \u003cem data-end=\"222\" data-start=\"125\"\u003eCommanding Presence: 19th-Century French Bronze “Prized Standing Bull” by Isidore Jules Bonheur\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003chr data-end=\"229\" data-start=\"226\"\u003e\n\u003ch3 data-end=\"260\" data-start=\"231\"\u003e🏞 \u003cstrong data-end=\"258\" data-start=\"238\"\u003eSubject \u0026amp; Medium\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"434\" data-start=\"261\"\u003eElevate your space with this \u003cstrong data-end=\"342\" data-start=\"290\"\u003eexceptional 19th-century French bronze sculpture\u003c\/strong\u003e titled \u003cstrong data-end=\"376\" data-start=\"350\"\u003e“Prized Standing Bull”\u003c\/strong\u003e by renowned animalier master \u003cstrong data-end=\"431\" data-start=\"406\"\u003eIsidore Jules Bonheur\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"910\" data-start=\"436\"\u003eThis striking artwork presents a \u003cstrong data-end=\"486\" data-start=\"469\"\u003epowerful bull\u003c\/strong\u003e standing majestically in side profile, its head slightly lifted and turned left, front right hoof raised in a bold, confident stance. The piece is cast in the finest bronze, finished with a \u003cstrong data-end=\"704\" data-start=\"677\"\u003erich, deep brown patina\u003c\/strong\u003e that beautifully highlights the detailed muscular form, textured hide, and lifelike posture. Resting atop an integral naturalistic base, this sculpture commands attention and admiration from every angle.\u003c\/p\u003e\n\u003chr data-end=\"915\" data-start=\"912\"\u003e\n\u003ch3 data-end=\"953\" data-start=\"917\"\u003e🎨 \u003cstrong data-end=\"951\" data-start=\"924\"\u003eComposition \u0026amp; Technique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"1261\" data-start=\"954\"\u003eBonheur’s mastery shines through in this piece, perfectly capturing \u003cstrong data-end=\"1046\" data-start=\"1022\"\u003erealism and vitality\u003c\/strong\u003e without exaggeration. The bull’s anatomy is sculpted with stunning \u003cstrong data-end=\"1137\" data-start=\"1114\"\u003enaturalistic detail\u003c\/strong\u003e — from the rippling muscles and tense skin to the poised, alert stance, conveying both raw strength and graceful dignity.\u003c\/p\u003e\n\u003cp data-end=\"1565\" data-start=\"1263\"\u003eThe \u003cstrong data-end=\"1291\" data-start=\"1267\"\u003edark, glowing patina\u003c\/strong\u003e adds visual depth, reflecting light across the raised surfaces and enhancing the sculpture’s dimensionality. Bonheur’s style — combining academic precision with a keen observation of the natural world — results in a work that feels \u003cstrong data-end=\"1562\" data-start=\"1524\"\u003ealive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr data-end=\"1570\" data-start=\"1567\"\u003e\n\u003ch3 data-end=\"1601\" data-start=\"1572\"\u003e✍️ \u003cstrong data-end=\"1599\" data-start=\"1579\"\u003eAbout the Artist\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"1951\" data-start=\"1602\"\u003eBorn in Bordeaux in 1827, \u003cstrong data-end=\"1653\" data-start=\"1628\"\u003eIsidore Jules Bonheur\u003c\/strong\u003e became one of the most celebrated \u003cstrong data-end=\"1718\" data-start=\"1688\"\u003eFrench animalier sculptors\u003c\/strong\u003e of the 19th century. Trained in painting under his father and alongside his famous sister, Rosa Bonheur, Isidore transitioned early to sculpture and made his mark at the Paris Salon, where he exhibited regularly from 1848 to 1899.\u003c\/p\u003e\n\u003cp data-end=\"2294\" data-start=\"1953\"\u003eBonheur’s sculptures won prestigious gold and silver medals at major European exhibitions, including the Exposition Universelle and the Royal Academy in London. His bronzes, often cast by the top-tier Peyrol foundry, are admired today for their technical brilliance and artistic beauty.\u003c\/p\u003e\n\u003chr data-end=\"2299\" data-start=\"2296\"\u003e\n\u003ch3 data-end=\"2327\" data-start=\"2301\"\u003e📏 \u003cstrong data-end=\"2325\" data-start=\"2308\"\u003e📏 Dimensions\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul data-end=\"2421\" data-start=\"2328\"\u003e\n\u003cli data-end=\"2345\" data-start=\"2328\"\u003e\n\u003cp data-end=\"2345\" data-start=\"2330\"\u003eHeight: 31 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2363\" data-start=\"2346\"\u003e\n\u003cp data-end=\"2363\" data-start=\"2348\"\u003eLength: 35 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2389\" data-start=\"2364\"\u003e\n\u003cp data-end=\"2389\" data-start=\"2366\"\u003eWidth (base): 14.5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2421\" data-start=\"2390\"\u003e\n\u003cp data-end=\"2421\" data-start=\"2392\"\u003eApproximate weight: 7.25 kg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2540\" data-start=\"2423\"\u003eA superb \u003cstrong data-end=\"2448\" data-start=\"2432\"\u003edisplay size\u003c\/strong\u003e — impressive yet versatile, ideal for a mantelpiece, study, library, or executive office.\u003c\/p\u003e\n\u003chr data-end=\"2545\" data-start=\"2542\"\u003e\n\u003ch3 data-end=\"2570\" data-start=\"2547\"\u003e📜 \u003cstrong data-end=\"2568\" data-start=\"2554\"\u003eProvenance\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"2747\" data-start=\"2571\"\u003eFrom a \u003cstrong data-end=\"2600\" data-start=\"2578\"\u003eprivate collection\u003c\/strong\u003e, acquired via a reputable auction house John Nicholson (label underneath) and \u003cstrong data-end=\"2711\" data-start=\"2664\"\u003ecurated by Cheshire Antiques Consultant LTD\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr data-end=\"2752\" data-start=\"2749\"\u003e\n\u003ch3 data-end=\"2785\" data-start=\"2754\"\u003e💖 \u003cstrong data-end=\"2783\" data-start=\"2761\"\u003eWhy You’ll Love It\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3135\" data-start=\"2786\"\u003e✅ Rare, highly collectible \u003cstrong data-end=\"2853\" data-start=\"2813\"\u003e19th-century French bronze sculpture\u003c\/strong\u003e\u003cbr data-end=\"2856\" data-start=\"2853\"\u003e✅ Signed by \u003cstrong data-end=\"2893\" data-start=\"2868\"\u003eIsidore Jules Bonheur\u003c\/strong\u003e, a master of the animalier school\u003cbr data-end=\"2930\" data-start=\"2927\"\u003e✅ Beautiful, deep brown patina with crisp, naturalistic details\u003cbr data-end=\"2996\" data-start=\"2993\"\u003e✅ A true \u003cstrong data-end=\"3024\" data-start=\"3005\"\u003estatement piece\u003c\/strong\u003e ready for elegant home or office display\u003cbr data-end=\"3068\" data-start=\"3065\"\u003e✅ Sought after by discerning collectors and fine art connoisseurs\u003c\/p\u003e\n\u003chr data-end=\"3140\" data-start=\"3137\"\u003e\n\u003ch3 data-end=\"3171\" data-start=\"3142\"\u003e🔍 \u003cstrong data-end=\"3169\" data-start=\"3149\"\u003eCondition Report\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"3320\" data-start=\"3172\"\u003eOffered in \u003cstrong data-end=\"3206\" data-start=\"3183\"\u003efine used condition\u003c\/strong\u003e\u003cbr data-end=\"3209\" data-start=\"3206\"\u003eCharming aged patina with minor wear, light scratches, and surface marks \u003cstrong data-end=\"3318\" data-start=\"3282\"\u003econsistent with age and handling\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr data-start=\"3552\" data-end=\"3555\"\u003e\n\u003cp data-start=\"3557\" data-end=\"3669\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e🌍 \u003c\/span\u003e\u003cstrong data-start=\"3560\" data-end=\"3592\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eWorldwide \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eShipping \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAvailable\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"3592\" data-end=\"3595\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eProfessionally \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003epackaged \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eand \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efully \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003einsured \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003efor \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003esafe \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003einternational \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003edelivery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3496\" data-end=\"3560\" class=\"\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e🖼️ \u003c\/span\u003e\u003cstrong data-end=\"3361\" data-start=\"3294\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAvailable \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eexclusively \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003ethrough \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eCheshire \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eAntiques \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eConsultant \u003c\/span\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003eLTD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3496\" data-end=\"3560\" class=\"\"\u003e\u003cstrong data-end=\"3361\" data-start=\"3294\"\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e📩 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"_fadeIn_m1hgl_8\"\u003e\u003cem\u003eInquire now to secure this unique piece\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":44595966050557,"sku":"k1198","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/products\/19th-century-bronze-animal-sculpture-prized-bull-by-isidore-jules-bonheur-971872.jpg?v=1709591250"},{"product_id":"antoine-bofill-art-deco-pelican-mascot-sculpture-on-stand","title":"Antoine Bofill — Signed Art Deco Pelican Automobile Mascot, Circa 1920s","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAntoine Bofill — Signed Art Deco Pelican Automobile Mascot, Circa 1920s\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn evocative Spanish Art Deco motoring sculpture depicting a pelican, signed Bofill and retaining traces of its historic plated surface.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSigned “Bofill” for Antoine Bofill\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpanish Art Deco automobile radiator mascot\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDating to circa the 1920s\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDistinctive pelican modelled with dramatically opened beak\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCast brass retaining traces of original plating\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStepped brass mount with later display plinth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDocumented Charterhouse Auctioneers provenance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFormerly in a West Country collection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAn appealing intersection of sculpture, animalier art and early motoring history\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSupplied with a Certificate of Sale \u0026amp; Dealer Attribution from Cheshire Antiques Consultant LTD®\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn engaging signed Art Deco automobile mascot by the Spanish sculptor Antoine Bofill, representing a pelican with its characteristic elongated beak dramatically opened.\u003c\/p\u003e\n\u003cp\u003eDating to circa the 1920s, the work belongs to the fascinating early motoring tradition in which sculptors and manufacturers transformed functional radiator caps into miniature works of decorative sculpture.\u003c\/p\u003e\n\u003cp\u003eBofill's unusual choice of the pelican gives the mascot considerable personality. Viewed in profile, the sweeping line of the bird's bill creates a particularly effective silhouette, while the compact proportions and richly aged surface give the sculpture considerable decorative presence.\u003c\/p\u003e\n\u003cp\u003eOriginally intended for mounting upon an automobile, the mascot has subsequently been positioned upon a stepped brass base and later resin display plinth, presenting it today as an independent sculptural object.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Antoine Bofill\u003c\/p\u003e\n\u003cp\u003eNationality: Spanish\u003c\/p\u003e\n\u003cp\u003eSubject: Pelican\u003c\/p\u003e\n\u003cp\u003eClassification: Automobile radiator mascot \/ decorative sculpture\u003c\/p\u003e\n\u003cp\u003ePeriod: Art Deco\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1920s\u003c\/p\u003e\n\u003cp\u003eMedium: Cast brass with traces of original plating\u003c\/p\u003e\n\u003cp\u003eMount: Stepped brass base with later resin display plinth\u003c\/p\u003e\n\u003cp\u003eSignature: Signed “Bofill” to the pelican\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe emergence of the automobile during the opening decades of the twentieth century created an entirely new arena for decorative sculpture. Radiator mascots — sometimes referred to as hood or bonnet ornaments — allowed manufacturers and individual motorists to personalise their vehicles with miniature sculptural emblems.\u003c\/p\u003e\n\u003cp\u003eAnimal subjects proved especially popular, their movement, character and instantly recognisable silhouettes translating naturally into this new form.\u003c\/p\u003e\n\u003cp\u003eThe present pelican is particularly appealing for the sculptural treatment of its most distinctive anatomical feature. Its long bill is held dramatically open, creating an expressive profile and giving the relatively small work an unexpectedly commanding presence.\u003c\/p\u003e\n\u003cp\u003eThe surviving traces of plating are consistent with the work's historic function as a motor-car mascot. Rather than disguising the sculpture's age, these areas of wear contribute to its authenticity as an object that has passed from the world of inter-war motoring into that of modern collecting.\u003c\/p\u003e\n\u003cp\u003eIts later display mounting allows the mascot to be appreciated independently as a piece of small-scale Art Deco sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAntoine Bofill, also known as Antonio Bofill-Conill, was a Spanish sculptor whose career bridged the artistic worlds of Barcelona and Paris during the late nineteenth and early twentieth centuries.\u003c\/p\u003e\n\u003cp\u003eAssociated particularly with small-scale decorative sculpture, his repertoire included human figures, genre and Orientalist subjects, animals and objects intended for fashionable domestic and automotive settings.\u003c\/p\u003e\n\u003cp\u003eBofill exhibited in France, including at the Paris Salons, and his sculpture reflects the flourishing international market for finely modelled bronzes and decorative casts around the turn of the twentieth century.\u003c\/p\u003e\n\u003cp\u003eHis work was especially well suited to the intimate scale demanded by mantelpiece sculpture, decorative objects and automobile mascots. The present signed pelican belongs to this tradition and demonstrates the strong modelling and instantly recognisable silhouette that made animal subjects so effective within early motoring design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProperty of a West Country collector.\u003c\/p\u003e\n\u003cp\u003eCharterhouse Auctioneers \u0026amp; Valuers, The Long Street Salerooms, Sherborne, Dorset, Automobilia \u0026amp; Enamel Signs, 2 April 2025, Lot 116.\u003c\/p\u003e\n\u003cp\u003eThe auction house catalogued the work as a brass Pelican mascot by Antoine Bofill, circa 1920s, signed Bofill, retaining traces of original plating and mounted upon a later base.\u003c\/p\u003e\n\u003cp\u003eAcquired at the above sale by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003eCheshire Antiques Consultant LTD® collection.\u003c\/p\u003e\n\u003cp\u003eThe accompanying auction documentation provides a valuable documentary link within the sculpture's modern provenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeight: approximately 18 cm\u003c\/p\u003e\n\u003cp\u003eWidth: approximately 13 cm across the base\u003c\/p\u003e\n\u003cp\u003eDepth: approximately 13 cm across the base\u003c\/p\u003e\n\u003cp\u003eCharterhouse recorded the mascot at 20.5 cm high in its April 2025 auction description; the dimensions given above are those subsequently recorded by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented in fine antique used condition, displaying the surface character expected of an automobile mascot dating from the early twentieth century.\u003c\/p\u003e\n\u003cp\u003eThere is an attractive and naturally developed patina throughout, together with general surface wear, rubbing, scuffs and scratches commensurate with age and historic use.\u003c\/p\u003e\n\u003cp\u003eTraces of the original plated surface survive. The lower resin display plinth is a later addition and allows the former automobile mascot to be presented as an independent decorative sculpture.\u003c\/p\u003e\n\u003cp\u003eThese signs of age and previous use contribute considerably to the historical character of the object.\u003c\/p\u003e\n\u003cp\u003ePlease refer closely to the accompanying photographs, which form an integral part of the condition assessment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eThis sculpture will be professionally and securely packed for transit, with particular care taken to protect the pelican's projecting beak and the associated mount and base.\u003c\/p\u003e\n\u003cp\u003eInternational buyers are responsible for customs duties, import taxes and other destination-country charges where applicable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":55286096527738,"sku":"CAC-SK-0361","price":3950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/Art_Deco_Majestic_Pelican_Mascot.jpg?v=1745247373"},{"product_id":"equine-oil-masterpiece-the-hunting-stud-after-john-frederick-herring-snr","title":"Equine Oil Masterpiece The Hunting Stud after John Frederick Herring Snr","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Hunting Stud — British Equestrian Stable Painting After John Frederick Herring Senior, Circa 1900 \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFour Hunters\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWorking Grooms and Scarlet-Coated Huntsmen in a Traditional Country Stable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Characterful late Victorian–Edwardian sporting oil painting.\u003c\/p\u003e\n\u003cp\u003e• Based upon John Frederick Herring Senior’s The Hunting Stud of 1845.\u003c\/p\u003e\n\u003cp\u003e• Four carefully observed horses comprising one grey and three bay hunters.\u003c\/p\u003e\n\u003cp\u003e• Working stable narrative with grooms examining hooves, bridles and tack.\u003c\/p\u003e\n\u003cp\u003e• Two scarlet-coated huntsmen introduce colour and aristocratic sporting character.\u003c\/p\u003e\n\u003cp\u003e• Beautifully mellowed palette with warm varnish and established surface patina.\u003c\/p\u003e\n\u003cp\u003e• Detailed treatment of horses, saddlery, timber beams and straw bedding.\u003c\/p\u003e\n\u003cp\u003e• Unsigned British School interpretation dating to approximately 1900.\u003c\/p\u003e\n\u003cp\u003e• Strong private, auction and exhibition history.\u003c\/p\u003e\n\u003cp\u003e• Recently presented in a decorative Larson-Juhl gilt frame.\u003c\/p\u003e\n\u003cp\u003e• AR70 anti-reflective glazing improves clarity and provides approximately 70% UV protection.\u003c\/p\u003e\n\u003cp\u003e• Ready to hang within a country-house, sporting or equestrian collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn Intimate View of the Hunting Stable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis richly atmospheric oil painting invites the viewer into the working heart of a traditional British hunting establishment.\u003c\/p\u003e\n\u003cp\u003eFour hunters stand beneath the stable’s substantial timber beams while their grooms carry out the careful preparations required before a day in the field. One horse quietly yields its hoof for inspection, another is attended around its tack, and a third is held steadily by the bridle.\u003c\/p\u003e\n\u003cp\u003eThe practical activity of the grooms is balanced by two scarlet-coated huntsmen conversing in the background. Their presence introduces the ceremonial world of the hunt into an otherwise intimate scene of equine care and preparation.\u003c\/p\u003e\n\u003cp\u003ePainted around 1900, the work belongs to the final years of the Victorian period or the opening of the Edwardian age—a moment when sporting traditions remained central to British country-house identity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Unidentified British School artist\u003c\/p\u003e\n\u003cp\u003eTitle: The Hunting Stud\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1900\u003c\/p\u003e\n\u003cp\u003eAttribution: After John Frederick Herring Senior\u003c\/p\u003e\n\u003cp\u003eMedium: Oil on canvas\u003c\/p\u003e\n\u003cp\u003eGenre: British sporting and equestrian painting\u003c\/p\u003e\n\u003cp\u003eSubject: Four hunters with grooms and huntsmen in a stable\u003c\/p\u003e\n\u003cp\u003eSignature: No visible signature\u003c\/p\u003e\n\u003cp\u003eOriginal design: The Hunting Stud, painted by Herring in 1845\u003c\/p\u003e\n\u003cp\u003eFrame: Larson-Juhl gilt moulded frame\u003c\/p\u003e\n\u003cp\u003eGlazing: AR70 low-reflection protective glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Stable Narrative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painter arranges the horses across the width of the canvas, creating a carefully balanced rhythm of heads, bodies and working figures.\u003c\/p\u003e\n\u003cp\u003eThe pale grey hunter immediately attracts the eye and provides a tonal counterpoint to the three richly coloured bays. Each horse is given an individual pose, yet all four remain connected through the activity of the surrounding grooms.\u003c\/p\u003e\n\u003cp\u003eRather than depicting the speed and drama of the hunt itself, the composition celebrates discipline, preparation and care. It recognises the knowledge of the stable staff and the close working relationship between people and horses.\u003c\/p\u003e\n\u003cp\u003eThe scene therefore possesses both sporting grandeur and an appealing sense of everyday country life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour, Light and Brushwork\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLight entering the stable falls gently across the horses’ coats, revealing the modelling of their shoulders, necks and hindquarters.\u003c\/p\u003e\n\u003cp\u003eWarm chestnuts, deep bays, ochres and siennas define the principal group. Soft cream highlights enliven the grey horse, manes, tails and straw, while the intense crimson of the hunting coats draws attention into the background.\u003c\/p\u003e\n\u003cp\u003eThe artist employs relatively precise brushwork for the horses’ anatomy and equipment, becoming broader and softer across the timber, bedding and shadowed stable interior.\u003c\/p\u003e\n\u003cp\u003eA mellow, evenly toned varnish has softened the colours over time and contributes to the painting’s established historic appearance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerring’s The Hunting Stud\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe composition derives from The Hunting Stud, painted by John Frederick Herring Senior in 1845 and now held in Tate’s collection.\u003c\/p\u003e\n\u003cp\u003eHerring’s design also became known through prints belonging to Fores’s Stable Scenes. These published versions enabled his compositions to reach a wide audience of sporting patrons and encouraged later artists to reproduce them in both paint and print.\u003c\/p\u003e\n\u003cp\u003eThis circa 1900 interpretation demonstrates the continuing popularity of Herring’s imagery more than half a century after the original was created.\u003c\/p\u003e\n\u003cp\u003eThe catalogue term “after John Frederick Herring Senior” means that the composition is derived from his recognised work. It does not claim that Herring painted, supervised or authorised the present canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Frederick Herring Senior\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Frederick Herring Senior, who lived from 1795 to 1865, was among the most successful equestrian painters working in Victorian Britain.\u003c\/p\u003e\n\u003cp\u003eHis early employment as a coach driver brought him into sustained contact with horses and earned him the familiar title “the artist coachman.” That practical experience informed the convincing anatomy, alert expressions and individual character found throughout his sporting paintings.\u003c\/p\u003e\n\u003cp\u003eHerring became especially admired for portraits of racehorses and hunters, as well as scenes involving coaching, farms, stables and rural animals.\u003c\/p\u003e\n\u003cp\u003eHis accessible narratives and technical understanding made his compositions highly desirable among sporting patrons. Their continued reproduction after his death demonstrates the enduring strength of his reputation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance and Exhibition History\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate equine collection in the Midlands, United Kingdom.\u003c\/p\u003e\n\u003cp\u003eMidlands auction-house Trevanion label attached verso.\u003c\/p\u003e\n\u003cp\u003eProfessionally researched and catalogued by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003ePrivately loaned and exhibited at the Famous Lord Hill Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Collect This Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• A classic British sporting subject associated with Herring’s most admired stable imagery.\u003c\/p\u003e\n\u003cp\u003e• Four individual horses create considerable equestrian and decorative interest.\u003c\/p\u003e\n\u003cp\u003e• Combines the ceremony of the hunt with the quieter working life of the stable.\u003c\/p\u003e\n\u003cp\u003e• Rich proportions suitable for display above a desk, console, fireplace or library cabinet.\u003c\/p\u003e\n\u003cp\u003e• Particularly appropriate for a country house, sporting lodge or equestrian interior.\u003c\/p\u003e\n\u003cp\u003e• Historical auction and exhibition associations support its catalogue record.\u003c\/p\u003e\n\u003cp\u003e• Recently reframed and ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFramed height: 59 cm\u003c\/p\u003e\n\u003cp\u003eFramed width: 80.5 cm\u003c\/p\u003e\n\u003cp\u003eFramed depth: 4.5 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe painting is in good overall condition for its age.\u003c\/p\u003e\n\u003cp\u003eThe original canvas is securely stretched and remains structurally stable. Fine craquelure is visible across parts of the painted surface, consistent with age and the natural behaviour of oil paint.\u003c\/p\u003e\n\u003cp\u003eMinor paint losses, historic touch-ups and localised overpainting are present, particularly around the outer background edges. Scattered foxing-type spotting or staining is also visible in places.\u003c\/p\u003e\n\u003cp\u003eThe varnish remains even but has mellowed with age, giving the composition its warm tonal character.\u003c\/p\u003e\n\u003cp\u003eThe recently fitted gilt Larson-Juhl frame is in excellent presentation condition and incorporates AR70 low-reflection glass. The painting is ready to hang.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessionally packaged and fully insured worldwide delivery is available.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for additional photographs, further condition information or a delivery quotation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":55989714649466,"sku":"CAC-SK-0407","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/TheHuntingStud.jpg?v=1759660390"},{"product_id":"grand-tour-bronze-call-of-the-triton-conch-sea-putti-manner-of-claude-michel-c-1820","title":"Grand Tour Bronze Call of the Triton Conch Sea Putti Manner of Claude Michel c.1820","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eClassical French Bronze Triton and Sea Putti Group, Circa 1820 \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eMonumental Grand Tour-Period Sculpture in the Manner of Claude Michel, Known as Clodion\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Impressive early 19th-century French bronze group dating to approximately 1820.\u003c\/p\u003e\n\u003cp\u003e• Depicts three animated sea putti, including a young Triton sounding a conch shell.\u003c\/p\u003e\n\u003cp\u003e• Modelled in the manner of Claude Michel, known as Clodion.\u003c\/p\u003e\n\u003cp\u003e• Stylistically associated with the Parisian bronze-casting tradition of Gonon Frères.\u003c\/p\u003e\n\u003cp\u003e• Rich brown patina with naturally developed verdigris and historic surface variation.\u003c\/p\u003e\n\u003cp\u003e• Finely chased detail throughout the hair, anatomy, drapery and rocky base.\u003c\/p\u003e\n\u003cp\u003e• Substantial integrated bronze base contributing to its exceptional weight.\u003c\/p\u003e\n\u003cp\u003e• Monumental scale and commanding three-dimensional presence.\u003c\/p\u003e\n\u003cp\u003e• Weighs approximately 35 kg or 77.16 lb.\u003c\/p\u003e\n\u003cp\u003e• From a private collection in Surrey, United Kingdom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA magnificent early 19th-century French bronze group depicting three lively sea putti gathered around a young Triton sounding a conch shell.\u003c\/p\u003e\n\u003cp\u003eDating to approximately 1820, this substantial sculptural group is modelled in the manner of Claude Michel, known as Clodion, and combines the playful sensuality of the French Rococo with the classical taste that remained fashionable during the Restoration period.\u003c\/p\u003e\n\u003cp\u003eThe central marine putto raises a conch shell to his lips while his companions twist, climb and embrace around him. Their interlocking poses create a dynamic composition intended to be appreciated from multiple viewpoints.\u003c\/p\u003e\n\u003cp\u003eFinely modelled anatomy, animated expressions and rhythmic movement give the sculpture remarkable vitality. The warm brown patina is enriched by areas of naturally developed verdigris and subtle surface variation, contributing to its authentic antique character.\u003c\/p\u003e\n\u003cp\u003eStanding 52.5 cm high and weighing approximately 35 kg, this is an exceptionally substantial bronze with the scale and presence required for display in an entrance hall, library, drawing room or important collection of European sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCountry of Origin: France\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1820\u003c\/p\u003e\n\u003cp\u003ePeriod: Early 19th century, French Restoration period\u003c\/p\u003e\n\u003cp\u003eMedium: Patinated cast bronze\u003c\/p\u003e\n\u003cp\u003eSubject: Triton with sea putti\u003c\/p\u003e\n\u003cp\u003eStyle: French Rococo Revival and Neoclassical\u003c\/p\u003e\n\u003cp\u003eArtist Attribution: In the manner of Claude Michel, known as Clodion\u003c\/p\u003e\n\u003cp\u003eFoundry Association: Stylistically associated with the bronze-casting tradition of Gonon Frères, Paris\u003c\/p\u003e\n\u003cp\u003eSignature: Unsigned\u003c\/p\u003e\n\u003cp\u003eFoundry Mark: No visible foundry mark\u003c\/p\u003e\n\u003cp\u003eConstruction: Cast bronze group with an integrated bronze base\u003c\/p\u003e\n\u003cp\u003eThe group is formed as an ambitious sculptural composition in which the figures, marine forms and supporting base are visually unified. Its exceptional weight and substantial construction contribute to its stability and commanding presence.\u003c\/p\u003e\n\u003cp\u003eFine chasing is visible throughout the hair, facial features, anatomy and drapery. The surface retains an attractive brown patina with naturally occurring green verdigris and warmer bronze tones across selected raised areas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe composition represents a youthful Triton sounding a conch shell while accompanied by two playful sea putti.\u003c\/p\u003e\n\u003cp\u003eIn classical mythology, Triton was the marine son of Poseidon and Amphitrite. His conch shell was traditionally used as a trumpet whose sound could summon or calm the waves. By presenting Triton as a child surrounded by putti, the sculptor transformed the mythological subject into a joyful and decorative celebration of the sea.\u003c\/p\u003e\n\u003cp\u003eThe energetic arrangement of the figures recalls the work of Claude Michel, known as Clodion, whose sculptures are celebrated for their fluid movement, playful mythological subjects and graceful combinations of putti, nymphs, satyrs and Bacchic figures.\u003c\/p\u003e\n\u003cp\u003eAlthough Claude Michel died in 1814, his models and artistic influence remained highly fashionable during the early 19th century. French sculptors, bronze founders and decorative artists continued to work in his manner for collectors attracted to classical subjects and animated Rococo compositions.\u003c\/p\u003e\n\u003cp\u003eThe bronze has also been stylistically associated with the Parisian casting tradition of Gonon Frères. Its considerable weight, refined surface finishing and carefully chased detail invite comparison with accomplished French bronze production connected with the Gonon name.\u003c\/p\u003e\n\u003cp\u003eHowever, the sculpture is unsigned and no foundry mark has been identified. The Gonon Frères association is therefore offered as a qualified stylistic and technical comparison rather than a definitive foundry attribution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClaude Michel, known as Clodion, was born in Nancy in 1738 and died in Paris in 1814. He became one of the most admired French sculptors of the later 18th century and was particularly celebrated for his intimate terracotta groups.\u003c\/p\u003e\n\u003cp\u003eClaude Michel developed a highly recognisable sculptural language combining classical mythology with the movement, elegance and sensuality of the Rococo. Putti, nymphs, satyrs, fauns and Bacchic figures frequently appeared within his animated compositions.\u003c\/p\u003e\n\u003cp\u003eHis work was especially admired for its softly modelled forms, rhythmic movement and joyful interpretation of antiquity. These qualities remained influential after his death, encouraging later French sculptors and bronze founders to produce works in his manner.\u003c\/p\u003e\n\u003cp\u003eThe present sculpture is catalogued as in the manner of Claude Michel, known as Clodion. This terminology describes its stylistic relationship with his work and does not assert that it was modelled, cast or otherwise executed by Claude Michel himself.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate collection, Surrey, United Kingdom.\u003c\/p\u003e\n\u003cp\u003eCurated by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeight: 52.5 cm or 20.67 inches\u003c\/p\u003e\n\u003cp\u003eWidth: 41.5 cm or 16.34 inches\u003c\/p\u003e\n\u003cp\u003eDepth: 39.5 cm or 15.55 inches\u003c\/p\u003e\n\u003cp\u003eWidest Span: 48 cm or 18.90 inches\u003c\/p\u003e\n\u003cp\u003eWeight: Approximately 35 kg or 77.16 lb\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented in good original antique condition with a rich brown patina, areas of naturally developed verdigris and surface variation consistent with age.\u003c\/p\u003e\n\u003cp\u003eThe bronze displays historic wear, rubbing and tonal variation across the raised areas. These characteristics form part of its naturally aged appearance and contribute to its individual character.\u003c\/p\u003e\n\u003cp\u003eThe sculpture is unsigned, and no foundry mark has been identified. No apparent structural problems have been observed.\u003c\/p\u003e\n\u003cp\u003eThere are some losses and tears to the protective fabric lining on the underside. The lining could be replaced if desired, although it has been retained as part of the sculpture’s existing presentation.\u003c\/p\u003e\n\u003cp\u003eDue to the sculpture’s considerable weight, careful professional handling is recommended.\u003c\/p\u003e\n\u003cp\u003ePlease examine all listing photographs carefully, as they form an important part of the condition report. Further photographs and information are available upon request.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eDue to the sculpture’s substantial size and approximate weight of 35 kg, specialist packing and delivery arrangements will be required. It will be professionally packaged using appropriate protective materials and dispatched fully insured for safe delivery.\u003c\/p\u003e\n\u003cp\u003ePlease contact Cheshire Antiques Consultant LTD® before purchasing for an accurate shipping quotation to your destination. Collection by appointment may also be arranged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":56192235110778,"sku":"CAC-SK-0452","price":18000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/ClassicalGrandTourFrenchBronzeGroup_CalloftheTritonConch_SeaPutti_ee45b943-04b1-4a8a-9ba0-d8861b1a73e4.jpg?v=1763456124"},{"product_id":"rare-french-antique-bronze-crocodile-fountain-head-water-feature-in-the-manner-of-antoine-louis-barye-c-1920","title":"Bronze Crocodile Fountain Head Water Feature In the manner of Antoine-Louis Barye, c.1920","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFrench School, Early 20th Century \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Water-Spitting Crocodile\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAntique Bronze Animalier Fountain Sculpture, Circa 1920\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Striking bronze garden sculpture formed as a naturalistic crocodile.\u003c\/p\u003e\n\u003cp\u003e• Conceived as a working fountain head with water emerging from the open jaws.\u003c\/p\u003e\n\u003cp\u003e• Impressive 59 cm length with strong sculptural presence.\u003c\/p\u003e\n\u003cp\u003e• Detailed scales, webbed feet, curved tail and animated expression.\u003c\/p\u003e\n\u003cp\u003e• Attractive brown, green and verdigris surface tones.\u003c\/p\u003e\n\u003cp\u003e• Stylistically related to the French animalier tradition of Antoine-Louis Barye.\u003c\/p\u003e\n\u003cp\u003e• Uncommon alternative to conventional lion, dolphin and mask fountain spouts.\u003c\/p\u003e\n\u003cp\u003e• Equally effective as a water feature or standalone sculpture.\u003c\/p\u003e\n\u003cp\u003e• Private Welsh collection and auction-house provenance.\u003c\/p\u003e\n\u003cp\u003e• Internal pipework remains present for specialist inspection and adaptation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDramatic, unusual and filled with character, this circa 1920 bronze crocodile was created to bring movement and a touch of exotic theatre to an ornamental garden.\u003c\/p\u003e\n\u003cp\u003eThe animal lies low upon its splayed feet, its head raised and jaws opened to form a water outlet. A long tail curves away from the body, giving the sculpture an energetic silhouette despite its grounded pose.\u003c\/p\u003e\n\u003cp\u003eInternal pipework allowed water to travel from the rear of the casting and emerge through the mouth. Positioned beside a pond or basin, the crocodile would appear to spit a stream of water into its surroundings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrigin: Probably French\u003c\/p\u003e\n\u003cp\u003eSchool: French School\u003c\/p\u003e\n\u003cp\u003eDate: Circa 1920\u003c\/p\u003e\n\u003cp\u003eObject: Crocodile fountain head and garden sculpture\u003c\/p\u003e\n\u003cp\u003eMaterial: Cast bronze\u003c\/p\u003e\n\u003cp\u003eStyle: European animalier\u003c\/p\u003e\n\u003cp\u003eAttribution: In the manner of Antoine-Louis Barye\u003c\/p\u003e\n\u003cp\u003eSignature: Unsigned\u003c\/p\u003e\n\u003cp\u003eFoundry Mark: None presently identified\u003c\/p\u003e\n\u003cp\u003eFountain Fittings: Internal metal pipework retained\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe sculptor has concentrated upon the crocodile’s most distinctive physical features.\u003c\/p\u003e\n\u003cp\u003eIndividual scales and ridges articulate the length of the back and tail. The eyes are raised and alert, while the sharply defined jawline draws attention towards the open mouth and concealed water outlet.\u003c\/p\u003e\n\u003cp\u003eFour planted feet support the elongated body. Their broad toes and webbed appearance give the figure stability and reinforce its aquatic character.\u003c\/p\u003e\n\u003cp\u003eThe tail provides the principal movement within the design. Curving away from the body, it breaks the otherwise straight profile and enables the sculpture to be viewed effectively from several angles.\u003c\/p\u003e\n\u003cp\u003eIts hollow cast construction allowed practical fountain pipework to be incorporated without disrupting the external modelling. Although the internal pipe remains present, the system requires professional examination before being returned to use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSurface And Patina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYears of outdoor exposure have created an attractive, varied patina.\u003c\/p\u003e\n\u003cp\u003eRaised details retain warmer bronze tones, while greens, darker deposits and verdigris have developed within the scales, joints and recessed passages. Gentle rubbing across the snout, feet and tail records the sculpture’s long practical history.\u003c\/p\u003e\n\u003cp\u003eThis naturally developed surface gives the crocodile a depth and visual complexity that would be difficult to reproduce artificially. It also enables the sculpture to settle naturally into a historic garden, courtyard or conservatory.\u003c\/p\u003e\n\u003cp\u003eCollectors who prefer a more uniform surface may wish to seek professional conservation advice. No aggressive polishing is recommended, as this would remove much of the object’s established character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Influence Of Antoine-Louis Barye\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAntoine-Louis Barye (1795–1875) was a leading French animalier sculptor whose work transformed the status of animal subjects within European art.\u003c\/p\u003e\n\u003cp\u003eHe studied animals closely and became particularly admired for bronzes that combined anatomical observation with movement, tension and emotional drama.\u003c\/p\u003e\n\u003cp\u003eBarye’s subjects included lions, tigers, elephants, serpents and crocodilians. Among his recognised compositions are Crocodile Devouring an Antelope, Python Crushing a Crocodile and several groups showing large cats confronting gavials or crocodiles.\u003c\/p\u003e\n\u003cp\u003eThe present fountain sculpture is not a cast of a known Barye model. Its carefully worked reptilian surface and animated naturalism nevertheless belong to the artistic tradition he established.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarden And Interior Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs a functioning water feature, the crocodile would make an arresting focal point beside a pond, stone basin or formal pool.\u003c\/p\u003e\n\u003cp\u003eIts scale also allows it to be displayed independently on a terrace, within a garden room or as an unconventional interior sculpture.\u003c\/p\u003e\n\u003cp\u003eThe open jaws, sweeping tail and textured surface create visual interest from a distance, while the natural patina rewards closer inspection.\u003c\/p\u003e\n\u003cp\u003eThe sculpture combines historical garden character with an element of wit, making it particularly well suited to interiors and landscapes where a conventional fountain mask would feel too formal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate collection, Vale of Glamorgan.\u003c\/p\u003e\n\u003cp\u003eSubsequently offered through a notable auction house Roger Jones \u0026amp; Co in Wales.\u003c\/p\u003e\n\u003cp\u003eCurated by Cheshire Antiques Consultant LTD®.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLength: 59 cm\u003c\/p\u003e\n\u003cp\u003eWidth: 25 cm\u003c\/p\u003e\n\u003cp\u003eHeight: 18.5 cm\u003c\/p\u003e\n\u003cp\u003eUnpacked weight: Approximately 3.5 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGood overall decorative condition with wear resulting from age, weather and historic outdoor use.\u003c\/p\u003e\n\u003cp\u003eThe surface displays brown patination, green oxidation, verdigris, rubbing and darker accretions. Minor knocks, marks, small weathering holes and localised losses are visible.\u003c\/p\u003e\n\u003cp\u003eA later drilled hole is present at the rear. This appears to have been introduced for servicing, plumbing or securing the fountain during its working life.\u003c\/p\u003e\n\u003cp\u003eThe casting appears sound under ordinary visual inspection, with no major structural cracks identified.\u003c\/p\u003e\n\u003cp\u003eInternal metal pipework remains in position but has not been connected to a water supply or pressure-tested. Cleaning, adaptation, sealing or replacement components may be required before operation.\u003c\/p\u003e\n\u003cp\u003eInstallation and testing should be undertaken by a suitably experienced professional. Please examine the photographs carefully, as they form part of the condition description.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessional insured delivery is available throughout the United Kingdom and internationally.\u003c\/p\u003e\n\u003cp\u003eThe sculpture will be carefully protected and securely packaged for transit. Delivery will be tracked and insured wherever available.\u003c\/p\u003e\n\u003cp\u003ePlease contact us for further delivery information or an international quotation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":56250782155130,"sku":"CAC-SK-0410","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/crocodile.jpg?v=1786892368"},{"product_id":"grisette-grey-important-british-sporting-oil-painting-by-herbert-st-john-jones","title":"Grisette Grey Important British Sporting Oil Painting by Herbert St. John Jones","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eHerbert St. John Jones (1872–1939)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eGrisette (1925)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal Signed British Sporting Oil on Canvas | Painted from Life at Nantwich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e• Original signed oil on canvas by Herbert St. John Jones (1872–1939).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Painted from life at Nantwich and dated 19 February 1925.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Depicts the celebrated hunter mare Grisette in full profile.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Retains the artist's original handwritten inscription to the reverse.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Original \"The Windsor Canvas – Made in England\" manufacturer's stamp.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extensive documented provenance with corrected historical identification.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Strong historical associations with the Cheshire Hunt and the Grosvenor sporting sphere.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• A museum-quality example of early twentieth-century British sporting art.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAn exceptional original British sporting oil on canvas by the renowned Cheshire equestrian painter Herbert St. John Jones, depicting the hunter mare Grisette standing proudly in full profile.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePainted from life at Nantwich on 19 February 1925, the work represents one of the finest surviving examples of Jones's accomplished equestrian portraiture. Executed with remarkable anatomical precision and a refined understanding of equine movement, balance and conformation, the painting beautifully captures both the physical elegance and quiet intelligence of this accomplished hunter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe mare's distinctive flea-bitten grey coat is rendered through subtle layers of silver, cream and charcoal, while the restrained landscape background allows the animal to command the composition with dignity and presence. Jones's sensitive handling of light and colour reflects the observational skill that established him amongst the leading sporting artists of North-West England during the early twentieth century.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eParticularly significant is the original inscription preserved on the reverse of the canvas:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Painted from Life at Nantwich — H. Herbert St. John Jones — Feb. 19th, 1925.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis rare documentary evidence confirms that the portrait was executed directly from observation rather than produced later in the studio, greatly enhancing both its historical and scholarly importance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFurther research has restored the painting's correct title following a later cataloguing error. Earlier auction records identify the horse correctly as Grisette, rather than Griselle, reuniting the painting with its documented auction history and strengthening its provenance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtist: Herbert St. John Jones (1872–1939)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTitle: Grisette\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDate: 19 February 1925\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMedium: Oil on canvas\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSchool: British Sporting School\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSubject: Portrait of the hunter mare Grisette\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSignature: Signed lower left\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInscription: Titled lower right and fully inscribed verso\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCanvas Stamp: Original \"The Windsor Canvas – Made in England\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrame: Later giltwood gallery frame\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDisplay: Ready for display\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHerbert St. John Jones portrays Grisette with all the qualities expected of an accomplished British hunter. The mare possesses a deep chest suggesting stamina, powerful hindquarters for athletic performance, clean well-defined limbs suited to demanding hunting country and a refined, intelligent head that conveys both alertness and character. Her traditionally docked tail reflects accepted sporting presentation during the period.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe artist's careful study of equine anatomy is matched by his subtle treatment of colour, with the distinctive flea-bitten grey coat built through delicate tonal transitions rather than heavy impasto. This restrained technique gives the portrait exceptional realism while preserving an elegance entirely appropriate to a commissioned sporting portrait.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCompleted during the height of the 1925 Cheshire hunting season, the painting belongs to one of Britain's most distinguished equestrian traditions. During this period, Eaton Hall, seat of the Grosvenor family, stood at the centre of Cheshire's hunting culture and was recognised nationally for its horse breeding and sporting excellence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHistorical records confirm Herbert St. John Jones enjoyed patronage from the Duke and Duchess of Westminster, firmly placing him within the artistic circle surrounding one of Britain's foremost sporting families. Whilst no surviving documentary evidence presently confirms Grisette as a Grosvenor-owned horse, the painting's date, location, quality of commission and Jones's documented association with the Westminster family position it convincingly within the wider Grosvenor sporting sphere and the historic Cheshire Hunt.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe restoration of the correct title, supported by comparison with earlier auction records and the artist's original copperplate inscription, further enhances the painting's documentary significance and provides an important contribution to the artist's catalogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHerbert St. John Jones (1872–1939) worked from his respected studio on Hospital Street, Nantwich, where he established himself as one of North-West England's foremost painters of horses, livestock and rural sporting life.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWorking almost exclusively from direct observation, Jones earned an outstanding reputation for his faithful portrayals of horses belonging to Cheshire's leading landowners and sporting families. Historical records confirm commissions from the Duke and Duchess of Westminster at Eaton Hall, reinforcing his position amongst the most respected provincial sporting artists of the early twentieth century.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday his paintings are admired for their technical accuracy, refined draughtsmanship and remarkable ability to capture the individual character and presence of each animal. Works by Jones remain highly desirable amongst collectors of British sporting art, equestrian portraiture and regional Cheshire history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePrivate Collection.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDreweatts Neate, 29 May 2002.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginally catalogued correctly as Grisette and offered together with its companion portrait, Silverbank.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSubsequently re-entered the market under the transcription error Griselle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComparative examination of the artist's original inscription confirms the correct reading as Grisette, reuniting the painting with its documented auction history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCurated by Cheshire Antiques Consultant LTD®.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCanvas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight: 27.7 cm (10.9 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 33.3 cm (13.1 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrame\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHeight: 42 cm (16.5 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 49.7 cm (19.6 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDepth: 4.5 cm (1.8 inches)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePresented in good overall exhibition condition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe original canvas remains structurally sound with stable age-related craquelure and scattered foxing consistent with a work over one hundred years old. There is evidence of a historic professionally executed reverse canvas repair which is secure and does not materially affect the painted surface or overall presentation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe later giltwood gallery frame displays light age-related wear and minor losses commensurate with age and handling.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePlease study all photographs carefully, as they form an important part of the description and condition report.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWorldwide shipping is available. The painting will be professionally packaged using high-quality conservation materials and dispatched fully insured for secure international delivery.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlease contact us for a personalised shipping quotation where required.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":57026210398586,"sku":"CAC-SK-0503","price":9000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/XcRCav6BOrDEpMYPvaLGoAo_0_gps_generated.png?v=1782760557"},{"product_id":"17th-century-period-oil-portrait-of-elizabeth-cavendish-countess-of-devonshire","title":"17th Century Period Oil Portrait of Elizabeth Cavendish Countess of Devonshire","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePortrait of Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eEnglish School, Mid-17th Century In the Manner of Sir Peter Lely (1618–1680)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOil on Original Oak Panel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Mid-17th century English cabinet portrait painted on its original oak panel.\u003cbr\u003e• Traditionally identified as Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689).\u003cbr\u003e• Painted in the manner of Sir Peter Lely (1618–1680).\u003cbr\u003e• Richly painted cobalt-blue silk drapery with finely rendered pearl jewellery.\u003cbr\u003e• Excellent provenance, including Lindsay Burns \u0026amp; Company, Perth.\u003cbr\u003e• Privately exhibited at the Famous Lord Hill Museum, Shropshire.\u003cbr\u003e• Ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn English School cabinet portrait dating from the mid-seventeenth century, painted in the manner of Sir Peter Lely (1618–1680), traditionally identified as Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689), wife of William Cavendish, 3rd Earl of Devonshire.\u003c\/p\u003e\n\u003cp\u003ePainted in oil on its original oak panel, the sitter is portrayed in an elegant three-quarter pose wearing a sumptuous cobalt-blue silk mantle secured with an ornate jewelled clasp. A necklace and matching pearl earrings quietly proclaim her aristocratic status, while her composed expression conveys dignity, intelligence and refinement.\u003c\/p\u003e\n\u003cp\u003eThe portrait survives as a distinguished example of English cabinet portraiture from one of the most important periods in British art. Combining refined technique with intimate scale, it reflects the elegance and sophistication associated with portraits commissioned for England's highest-ranking noble families during the seventeenth century.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: English School\u003c\/p\u003e\n\u003cp\u003eTitle: Portrait of Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689)\u003c\/p\u003e\n\u003cp\u003eDate: Mid-17th Century\u003c\/p\u003e\n\u003cp\u003eAttribution: In the Manner of Sir Peter Lely (1618–1680)\u003c\/p\u003e\n\u003cp\u003eMedium: Oil on panel\u003c\/p\u003e\n\u003cp\u003eSupport: Original oak panel\u003c\/p\u003e\n\u003cp\u003eSchool: English School\u003c\/p\u003e\n\u003cp\u003eSignature: Unsigned\u003c\/p\u003e\n\u003cp\u003eFrame: Carved and gilded frame\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition\u003c\/p\u003e\n\u003cp\u003eDisplay: Ready to hang\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalogue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecuted with considerable refinement, this portrait exemplifies the sophisticated naturalism associated with English court portraiture during the middle decades of the seventeenth century. Delicate translucent glazes create remarkable luminosity across the sitter's complexion, while carefully placed highlights animate the pearls, silk drapery and jewelled ornament with understated brilliance.\u003c\/p\u003e\n\u003cp\u003eThe sitter's abundant chestnut ringlets, broad aristocratic forehead, almond-shaped hazel eyes and finely modelled features reflect the ideals of feminine beauty cultivated during the Caroline and early Restoration periods. The restrained palette of warm flesh tones, rich cobalt blue and softly illuminated pearls demonstrates an accomplished understanding of colour and tonal harmony associated with the portrait tradition established by Sir Anthony van Dyck and later perfected by Sir Peter Lely.\u003c\/p\u003e\n\u003cp\u003eAlthough the identification remains traditional rather than documentary, the sitter's costume, physiognomy, apparent age and noble presentation are broadly consistent with contemporary representations of Elizabeth Cavendish, Countess of Devonshire. As with many seventeenth-century portraits, the proposed identification should therefore be regarded as a well-supported scholarly opinion rather than a definitive conclusion.\u003c\/p\u003e\n\u003cp\u003ePainted on its original oak panel, the work remains an engaging example of English cabinet portraiture, combining decorative appeal with considerable historical significance and reflecting the enduring elegance of seventeenth-century aristocratic portraiture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis portrait is offered as the work of an accomplished English School artist working in the manner of Sir Peter Lely (1618–1680).\u003c\/p\u003e\n\u003cp\u003eFollowing the death of Sir Anthony van Dyck, Lely became Principal Painter to the English Crown and the leading portraitist of the Restoration Court. His graceful compositions, luminous flesh tones and refined treatment of silk, satin and jewellery established a style that profoundly influenced English portraiture throughout the second half of the seventeenth century.\u003c\/p\u003e\n\u003cp\u003eThe present work reflects many of these celebrated qualities through its poised composition, harmonious palette and restrained psychological presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePrivate Scottish Collection\u003c\/p\u003e\n\u003cp\u003eLindsay Burns \u0026amp; Company, Perth, Scotland\u003c\/p\u003e\n\u003cp\u003eLot 735 — Catalogued as:\u003cbr\u003e\"Manner of Peter Lely – Half-Length Portrait of a Lady\"\u003c\/p\u003e\n\u003cp\u003eCurated by Cheshire Antiques Consultant LTD\u003c\/p\u003e\n\u003cp\u003ePrivately exhibited at the Famous Lord Hill Museum, Shropshire\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePanel\u003c\/p\u003e\n\u003cp\u003eHeight: 38 cm (14.96 inches)\u003c\/p\u003e\n\u003cp\u003eWidth: 28.5 cm (11.22 inches)\u003c\/p\u003e\n\u003cp\u003eFramed\u003c\/p\u003e\n\u003cp\u003eHeight: 51 cm (20.08 inches)\u003c\/p\u003e\n\u003cp\u003eWidth: 42 cm (16.54 inches)\u003c\/p\u003e\n\u003cp\u003eDepth: 5.5 cm (2.17 inches)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented in good antique condition, commensurate with its considerable age.\u003c\/p\u003e\n\u003cp\u003eThe original oak panel remains structurally sound and displays the naturally developed craquelure and mellow surface patination expected of a seventeenth-century painting. The paint surface exhibits age-related varnish crackle together with areas of historic overpainting and minor paint losses, principally affecting the mid to lower area of the sitter's face. A layer of surface dirt together with historic varnish layers and scattered white paint specks are visible under close inspection.\u003c\/p\u003e\n\u003cp\u003eDespite these age-related characteristics, the colours remain rich and vibrant, particularly within the striking cobalt-blue drapery, while the sitter's features retain impressive clarity, elegance and refinement. The carved and gilded frame displays age-related wear, minor losses and historic repairs consistent with its age, complementing the historic character of the painting.\u003c\/p\u003e\n\u003cp\u003eOverall, this is a highly decorative and historically significant example of seventeenth-century English portraiture that presents beautifully and is ready for immediate display.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be professionally packed using quality packing materials and dispatched fully insured for safe worldwide delivery.\u003c\/p\u003e\n\u003cp\u003eInternational buyers are welcome. Please contact us for a personalised shipping quotation where required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertificate of Sale \u0026amp; Dealer Attribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe artwork will be supplied with a Certificate of Sale \u0026amp; Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttribution and Research Notice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.\u003c\/p\u003e\n\u003cp\u003eThese observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheshire Antiques Consultant LTD®\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecialising in carefully curated British and European fine art, antiques and historic works of art.\u003c\/p\u003e\n\u003cp\u003eEvery artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.\u003c\/p\u003e\n\u003cp\u003eAdditional photographs and further information are available upon request.\u003c\/p\u003e","brand":"Cheshire Antiques Consultant LTD","offers":[{"title":"Default Title","offer_id":57054713348474,"sku":"CAK-SK-0505","price":9500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/files\/FaJPasrrO7uHpMYP57DhoAk_0_gps_generated.png?v=1783603753"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0201\/2227\/1808\/collections\/RenaissanceKnightEquestrianOilPainting_CircleofSirJohnGilbertRA.jpg?v=1785573154","url":"https:\/\/cheshireantiquesconsultantltd.com\/en-pl\/collections\/featured-fine-art.oembed","provider":"Cheshire Antiques Consultant LTD","version":"1.0","type":"link"}