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Collector's Journal

Oliver Clare: Blossom, Blue Eggs and the Victorian Bird’s Nest

19th Century Art Art Provenance Art Research Bird's Nest Painting British Art British Artists Collecting Fine Art Floral Still Life George Clare Haynes Fine Art Oliver Clare Still Life Painting Victorian Art Victorian Painting Vincent Clare

Oliver Clare: Blossom, Blue Eggs and the Victorian Bird’s Nest

Explore the remarkable natural world of Victorian painter Oliver Clare through Still Life of Blossom and a Bird’s Nest, c.1880–1890 — a signed oil with four mysterious blue eggs, characteristic mossy-bank detail and historic Haynes Fine Art provenance.

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Napoleon in Uniform: Researching a 19th-Century Imperial Portrait After Robert Lefèvre

19th Century Art 19th Century Paintings Antique Oil Paintings Art Attribution Art Collectors Art History Art Provenance Cheshire Antiques Consultant LTD Collectors Journal Design Trade European Fine Art Film and Television Fine Art Collecting Fine Art Research French Art French History French School Historic Interiors Historical Portraits Imperial Guard Imperial Portraiture Interior Designers Jacques-Louis David Légion d’honneur Military Portraits Napoleon Bonaparte Napoleon I Napoleon Portrait Napoleonic Art Napoleonic Era Portrait Paintings Private Collectors Production Design Robert Lefèvre

Napoleon in Uniform: Researching a 19th-Century Imperial Portrait After Robert Lefèvre

New research into a commanding c.1870 portrait of Napoleon I reveals a compelling connection with Robert Lefèvre's official Imperial portrait tradition.

 

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Sir James Campbell of Lawers: A Georgian Military Portrait and the William Aikman Connection

18th Century Art 18th Century Paintings Antique Oil Paintings Art Attribution Art Collectors Art History Art Provenance Battle of Dettingen Battle of Fontenoy British Fine Art British Military History Cheshire Antiques Consultant LTD Collectors Journal Design Trade Early Georgian Art Edinburgh Castle Film and Television Fine Art Collecting Fine Art Research Georgian Art Georgian Portraits Historic Interiors Historical Portraits Interior Designers Military Portraits National Galleries of Scotland Old Master Paintings Order of the Bath Portrait Paintings Private Collectors Production Design Royal North British Dragoons Scots Greys Scottish Art Scottish Military History Scottish Portraits Sir James Campbell Sir James Campbell of Lawers William Aikman

Sir James Campbell of Lawers: A Georgian Military Portrait and the William Aikman Connection

Explore new research into an early Georgian Scottish portrait of Sir James Campbell of Lawers, its historic William Aikman attribution and remarkable military history.

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Captain Gamaliel Nightingale: A Georgian Naval Portrait by John Simmons

18th Century Painting Art Research & Provenance Bonhams British Art British Portraiture Famous Lord Hill Museum Gamaliel Nightingale Georgian Art John Simmons Maritime Art Naval Portrait Provenance Research Royal Navy

Captain Gamaliel Nightingale: A Georgian Naval Portrait by John Simmons

With Labor Day approaching in the United States, discover the remarkable history behind John Simmons's circa 1760 portrait of Royal Navy Captain Gamaliel Nightingale, from his Georgian naval career to Bonhams provenance, surviving historic labels and later private exhibition history.

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The Victorian Shorthorn Bull: A British Livestock Portrait with a Bourgeois Aîné Paris Connection

Agricultural Art Art Research and Provenance Bourgeois Aine British Animal Painting British Naive Art Fine Art Conservation Golding Young and Mawer Livestock Painting Rural Art Shorthorn Bull The Collectors Journal Victorian Art William Ward

The Victorian Shorthorn Bull: A British Livestock Portrait with a Bourgeois Aîné Paris Connection

Discover the remarkable story behind a late-Victorian British Shorthorn bull painting, circa 1890. From its Bourgeois Aîné, Paris F8 artist’s support and Golding Young & Mawer provenance to professional conservation and its private loan and exhibition with the Famous Lord Hill Museum, the reverse reveals almost as much history as the painting itself.

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