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Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s
Cheshire Antiques Consultant LTD

Sculpture of Joan of Arc in the Manner of Eric Gill circa 1920s

Normalpris £4,500.00 £0.00
Levering bliver beregnet ved kassen.

🏛️ Art Deco Lead Sculpture of Joan of Arc, the Maid of Orléans, in the Manner of Eric Gill (1882–1940), England, circa 1920–1935

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🎨 Subject & Medium

A compelling and highly atmospheric antique hollow-cast lead sculpture dating from the inter-war period, depicting a seated female figure widely interpreted as Joan of Arc (Jeanne d'Arc), the legendary Maid of Orléans. Executed in a sophisticated Art Deco and early Modernist style, the sculpture presents a thoughtful and deeply symbolic interpretation of one of Europe's most revered historical and religious figures.

Unlike traditional nineteenth-century depictions that often emphasised Joan's military role through armour, banners and battlefield imagery, this work focuses instead upon her spirituality, contemplation and inner conviction. The sculptor has distilled the figure into a series of elegant, simplified forms that convey emotional depth and quiet strength, creating a timeless representation that transcends conventional portraiture.

The result is a sculpture that functions simultaneously as a decorative object, a work of religious symbolism and an example of the modern artistic movements that transformed British and European sculpture during the first half of the twentieth century.

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🛠️ Composition & Technique

The figure is portrayed seated in a calm, reflective pose upon an integrated geometric plinth, her upward gaze suggesting prayer, revelation or divine inspiration. Every element of the composition has been carefully considered to create an impression of serenity and spiritual purpose.

The sculptor has deliberately abandoned naturalistic detailing in favour of broad planes and simplified volumes. The elongated neck, softly modelled shoulders and stylised facial features draw the viewer's attention to the emotional essence of the subject rather than physical realism. This approach was central to many of the most progressive sculptural movements of the period.

Particularly striking is the treatment of the head and face. The upward inclination creates a powerful sense of aspiration and transcendence, suggesting the heavenly visions that Joan famously claimed guided her actions. The simplified hair and restrained modelling contribute to the sculpture's distinctly modern character while maintaining a strong emotional presence.

Cast in lead using a hollow-cast process, the sculpture possesses impressive weight and solidity while retaining the proportions associated with cabinet sculpture, sculptor's models and exhibition maquettes. The surface displays decades of natural oxidation and patination, producing rich tonal variations that enhance every contour and emphasise the quality of the modelling.

Viewed from different angles, the sculpture reveals a constantly changing interplay of light and shadow, demonstrating the sculptor's understanding of mass, volume and form.

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⚜️ Joan of Arc – Warrior, Visionary & Saint

Joan of Arc (c.1412–1431) remains one of the most extraordinary figures in European history. Born into a peasant family in Domrémy, France, she claimed from a young age to receive divine visions from saints and angels instructing her to aid France during the Hundred Years' War.

At a time when France faced political turmoil and military defeat, Joan persuaded Charles VII to allow her to accompany French forces. Her leadership and unwavering faith inspired troops and contributed significantly to lifting the Siege of Orléans in 1429, one of the most pivotal events of the conflict.

Despite her achievements, Joan was captured by Burgundian forces allied with England and subjected to a politically motivated ecclesiastical trial. Found guilty of heresy, she was burned at the stake in Rouen in 1431 at only nineteen years of age.

In later centuries she became a powerful symbol of courage, patriotism and religious devotion. Following a lengthy process of rehabilitation and recognition by the Catholic Church, she was canonised by Pope Benedict XV in 1920, becoming Saint Joan of Arc.

Her canonisation generated enormous interest throughout Europe and North America, inspiring painters, sculptors, writers and architects. Numerous public monuments and private devotional works were produced during the 1920s and 1930s, making the present sculpture especially representative of its era.

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📜 Historical Context

This sculpture was created during one of the most innovative periods in British and European artistic history. The aftermath of the First World War encouraged many artists to reject the highly detailed realism of the Victorian era and embrace more abstract, symbolic and emotionally expressive forms.

Art Deco emerged as an international movement characterised by elegant geometry, stylised design and a fascination with modernity. At the same time, sculptors influenced by Modernism sought to simplify form and focus on essential shapes rather than decorative detail.

Religious and symbolic subjects proved particularly suitable for these new approaches. Rather than depicting saints and historical figures with strict historical accuracy, artists increasingly aimed to communicate spiritual ideas through composition, proportion and mood.

The present sculpture reflects this transition beautifully. The balance between abstraction and representation, spirituality and modernity, places it firmly within the broader tradition of British inter-war sculpture. Today, works from this period are increasingly sought after for their artistic significance and their compatibility with both traditional and contemporary interiors.

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👨🎨 In the Manner of Eric Gill (1882–1940)

Although no definitive attribution is currently proposed, the sculpture displays notable stylistic similarities to the work of Eric Gill, one of Britain's most influential sculptors, engravers and designers of the twentieth century.

Gill's work frequently explored religious and symbolic themes through highly simplified forms and a powerful sense of monumentality. His sculptures often combined spiritual subject matter with a modern visual language that emphasised purity of line and economy of detail.

The present sculpture shares many of these characteristics. The restrained modelling, contemplative expression, elongated proportions and emphasis on spiritual presence rather than narrative detail all recall the artistic principles associated with Gill and his circle.

It should therefore be appreciated as being offered in the manner of Eric Gill, reflecting the broader influence of British inter-war religious modernism. Whether intended as a devotional object, exhibition model or decorative sculpture, the work embodies many of the qualities that made this period one of the most important chapters in British sculptural history.

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🏺 Material & Surface

Lead has been employed as a sculptural material for centuries, valued for its density, durability and ability to capture subtle modelling. By the early twentieth century it remained popular for architectural ornament, garden statuary, commemorative sculpture and artistic maquettes.

The surface of the present example has matured beautifully over many decades. Natural oxidation has produced a varied patina with attractive tonal shifts ranging from soft silvery-grey to deeper charcoal hues. These age-related characteristics enhance the sculpture's authenticity and contribute significantly to its visual appeal.

The tactile quality of the material, combined with the understated elegance of the modelling, creates a sculpture that rewards close examination.

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✍️ Signed

No visible signature, foundry mark, artist's monogram or inscription has been observed.

The absence of a signature is entirely consistent with privately commissioned works, studio models, maquettes and smaller production sculptures from the period.

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📏 Dimensions

Height: 38.5 cm (15.15 inches)

Width: 18.5 cm (7.28 inches)

Depth: 22.5 cm (8.86 inches)

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⚖️ Weight

Approximately 8.35 kg

The substantial weight is entirely consistent with a hollow-cast lead sculpture of this scale and contributes greatly to its sense of quality, permanence and presence.

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📚 Provenance

Private Collection, United Kingdom.

Acquired through an antiques dealer in Lancashire.

Curated by Cheshire Antiques Consultant LTD.

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Why You'll Love It

✔ A rare and highly evocative inter-war lead sculpture.

✔ Beautifully captures the spiritual essence of Joan of Arc.

✔ Strong Art Deco and Modernist aesthetic.

✔ In the manner of renowned British sculptor Eric Gill.

✔ Rich naturally developed patina accumulated over many decades.

✔ Excellent scale for display within a home, office or gallery setting.

✔ Impressive visual presence despite its relatively compact dimensions.

✔ Combines religious symbolism with twentieth-century design.

✔ Increasingly sought-after category of British decorative art.

✔ Displays beautifully from every viewing angle.

✔ An exceptional addition to any serious sculpture collection.

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🔍 Condition Report

Presented in good antique condition commensurate with age and use.

The sculpture displays expected age-related wear including surface oxidation, minor abrasions, casting imperfections, small losses and areas of naturally developed patination. Such characteristics are entirely consistent with an authentic lead sculpture of this age and contribute positively to its character and historical integrity.

The surface exhibits attractive variations in colour and texture resulting from decades of natural ageing. Structurally sound and stable throughout, the sculpture remains highly decorative and displays exceptionally well.

Please examine all photographs carefully as they form an important part of the description and condition report.


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