British 19th Century Sporting Game Bird Painting Partridge Signed Frank Paton

Frank Paton – “Partridge, A Study” 🪶
19th Century Victorian Sporting Game Bird Watercolour Painting, ex-Leggatt Brothers & Museum Collection

Subject & Medium 🎨

A late 19th-century British ornithological study of a grey partridge, shown in profile and painted in watercolour heightened with white on paper. Dating from the Victorian period, the bird is depicted life-size and stretched elegantly across the sheet – a refined blend of country-house charm and serious collector interest.

Composition & Technique 🖌️

Paton sets the partridge against a soft, neutral ground so the bird dominates the image. Over delicate washes of warm browns and greys he builds the plumage with countless fine strokes and curved marks, then accents feather, beak and eye with crisp touches of white bodycolour.

Viewed closely, the surface is alive with intricate mark-making; from a normal viewing distance it resolves into a convincingly natural, three-dimensional bird – exactly the kind of quiet technical skill that rewards repeated viewing.

About the Bird 🐦

The subject is the grey (English) partridge, a classic British game bird long associated with traditional country estates and driven shooting. Once a familiar sight across farmland, its numbers have declined sharply, making Victorian images such as this a particularly evocative record of a rural world that has largely disappeared.

For lovers of the countryside, field sports and natural history, this painting instantly conjures autumn fields, hedgerows and old sporting traditions.

About the Artist 👨🎨

Frank Paton (1855–1909) was one of the leading British animal painters and etchers of the Victorian and Edwardian periods, admired for his dogs, horses, game birds and humorous Christmas prints. He:

• Exhibited regularly at the Royal Academy

• Enjoyed a long publishing partnership with London dealer Edward Ernest Leggatt

• Attracted distinguished admirers, including Queen Victoria

His work remains highly sought after today, with strong auction results for his better animal and sporting subjects. This focused partridge study is a textbook example of the quality that keeps Paton in demand among collectors.

Signed ✒️

The watercolour is clearly signed “Frank Paton” on the right-hand side, confirming authorship and providing added reassurance for collectors and investors.

Historical Significance 📜

This is quintessential Victorian sporting and natural-history art:

• A favoured British game bird

• Painted by a recognised animal specialist

• Supplied through a major London printseller

• Later preserved in an English museum collection

It speaks to the heritage of British field sports, the Victorian fascination with detailed observation of nature, and the enduring appeal of finely painted animal subjects.

Dimensions Framed 🖼️

Presented in its original traditional gilt frame with glass and original backboard, ready to hang:

• Framed size: 47 cm high x 35 cm wide x 5 cm deep

• Warm, softly aged gilding that flatters the natural tones of the bird

• Fitted with hanging thread/wire to the reverse for instant wall display

The frame has a lovely country-house character and sets the picture off beautifully.

Provenance 🧾

Documented provenance:
Leggatt Brothers, London (dealer’s label verso); thereafter in a private UK collection; subsequently sold at Dreweatts as “Partridge, A Study” by Frank Paton, watercolour heightened with white, provenance recorded as Leggatt Brothers; later in the collection of the Famous Lord Hill Museum, Shropshire (museum label verso); more recently with Cheshire Antiques Consultant LTD.

Likely early history (by repute):
Almost certainly acquired new from Leggatt Brothers by a late-Victorian sporting or country-house collector and retained in the family for generations, probably in or around London, before entering the auction and museum circuit. The original frame, subject matter and labels all support this quiet, well-kept family ownership story.

Why You’ll Love It ❤️

✅ A beautifully painted, very British image with instant atmosphere
✅ Strong country-house feel – ideal for a study, library, hallway or office
✅ Excellent provenance with dealer, auction and museum connections
✅ Perfect for lovers of sporting art, natural history and Victorian animal painting
✅ A genuine conversation piece that brings warmth, history and character to any wall

This is a serious collector’s piece that still feels intimate and homely – exactly the sort of picture one expects to find in a good gun room, library or country-house corridor.

Condition 🧾

Offered in fine used condition. The front painting surface is in acceptable overall order, with some craquelure and scattered foxing in places, together with a small round mark to the right of the bird’s beak. The original gilt frame shows general wear with some losses, cracking, chips and areas of overpainting, all commensurate with usage and age.