Equine Masterpiece The Hunting Stud, circa 1900 In the Manner of John Frederick Herring Snr

The Hunting Stud, circa 1900

In the Manner of John Frederick Herring Snr (1795–1865)
Early 20th-Century English School | Oil on Canvas

🐎 Subject & Medium

An evocative late Victorian equestrian masterpiece oil painting executed circa 1900, painted in the manner of John Frederick Herring Snr and inspired by his celebrated 1845 composition The Hunting Stud (Tate Britain).

Set within a timber-beamed stable — the heart of British sporting life — four hunting horses, one grey and three bays, stand gleaming under soft interior light. Their grooms work quietly: one inspects a hoof, another adjusts the tack, and a third steadies a bridle. In the background, two huntsmen in scarlet coats and black riding hats confer before the day’s ride, lending an aristocratic note to the rustic setting.

Over time, the surface has developed a mellow patina and subtle softening of colours, enriching its authenticity and period warmth — qualities prized by collectors of Victorian equestrian art.

🎨 Composition & Technique

The artist’s attention to equine musculature, texture, and sheen reflects deep study of Herring’s techniques. Light filters gently through the stable, illuminating the horses against the rich tones of straw and timber.

Colour palette:

• Chestnuts, bays, and greys lend depth and variation.

• Crimson hunting jackets provide bold focal accents.

• Warm ochres, siennas, and umbers evoke the stable’s rustic charm.

• Cream highlights enhance the manes, tails, and harness.

The brushwork balances fine draughtsmanship with softer impressionistic strokes for atmosphere. This composition captures the timeless allure of country sport, where tradition, refinement, and craftsmanship meet.

👨🎨 About the Artist

John Frederick Herring Snr (1795–1865) rose from coachman to become one of Victorian England’s foremost painters of horses and sporting scenes. Nicknamed “The Artist Coachman,” he was patronised by the Duke of Orléans and Queen Victoria, who appointed him Animal Painter to HRH the Duchess of Kent.

Though unsigned, this work is clearly executed by a skilled Victorian era hand deeply influenced by Herring’s equestrian legacy — a tribute to his enduring influence on sporting art well into the 20th century.

✍️ Signature

Unsigned, consistent with many English School works produced in homage to Herring during the Edwardian era.

🖼️ Frame

Presented in a richly ornamented Larson Juhl gilt frame with moulded detailing and warm patina, fitted with museum-quality AR70 glass for protection and display excellence.

📏 Framed Dimensions

59 cm (H) × 80.5 cm (W) × 4.5 cm (D)

📜 Provenance

• Private equine collection, Midlands (Shire County), UK

• With label from a notable Middle Shire auction house verso

• Curated by Cheshire Antiques Consultant LTD

• Exhibited at The Famous Lord Hill Museum

❤️ Why You’ll Love It

✅ Timeless equestrian subject — hunters, grooms, and huntsmen in a golden stable interior.
✅ Painted in the tradition of Herring’s The Hunting Stud (Tate Britain, 1845).
✅ Warm Edwardian palette with natural patina and atmosphere.
✅ Presented in an elegant giltwood frame — ready to display.
✅ Perfect for collectors of British sporting art or as a statement piece for a country house or equestrian home.

✅ Condition

• Canvas: Original, securely stretched, stable with fine craquelure. 

• Paint Surface: Strong colour and clarity; minor touch-ups to background and edges; some light foxing.

• Varnish: Evenly toned, providing depth and age.

• Reverse: Linen weave intact and sound.

• Frame: Recently fitted gilt frame in excellent condition.

• Overall: Good — stable, well-preserved, and ready to hang.