🎨 18th-Century Baroque Oil Painting – Apollo and Marsyas (After Filippo Lauri)

🖼️ Subject & Medium

A dramatic 18th-century oil on canvas depicting this mythological version music contest duel between Apollo 🎻, god of music, and Marsyas 🐐, the bold Phrygian satyr.

This powerful narrative, rooted in Greek mythology, explores the fine line between artistic pride and divine punishment. Painted in the Italian Old Master tradition, it follows the style of Filippo Lauri, a prominent Baroque painter from Rome.

🎼 Lyre vs. Aulos – The Myth

Marsyas found a double-reed flute (aulos), once discarded by Athena 🎭, and soon declared himself more skilled than Apollo. Whether Apollo issued the challenge or Marsyas did, the result was a high-stakes musical duel.

Apollo played the lyre (or cithara) and eventually added vocals—something Marsyas, with only his wind instrument, could not match. Apollo was declared the victor.

⚠️ The Cost of Hubris

As punishment, Apollo flayed Marsyas alive and nailed his skin to a tree 🌳. Some stories say the skin was made into a wine flask 🍷—a haunting symbol of overreaching ambition.

🔁 A Familiar Pattern in Myth

Greek mythology is rich with cautionary tales:

• Arachne 🕷️ claimed to out-weave Athena—she became the first spider.

• Niobe 👩👧👦 mocked Leto—so Apollo and Artemis destroyed her children.

The message: challenging the divine carries consequences ⚡.

📜 Enduring Legacy

Told by Ovid, Plutarch, and Apollodorus, this myth has inspired countless artists and thinkers. It remains a symbol of artistic rivalry and the price of pride.

🖌️ Composition & Technique

Set in a wooded glade beneath expressive skies, the scene captures a charged moment:

• Marsyas sits poised, confident.

• Apollo grips his instrument & plays his stringed cithara undeterred.

Executed with fine Baroque drama, the artist uses chiaroscuro, soft movement, and classical proportions to bring the moment to life—clearly influenced by Lauri's Roman school.

🖼️ Frame Details

Framed in an antique gilt gesso Baroque frame with ornate foliate scrollwork.

• Frame Size: H: 72 cm | W: 97.5 cm | D: 4.5 cm

• Weight (unwrapped): Approx. 9 kg

A regal, gallery-ready presentation.

✍️ Signature & Attribution

Unsigned, as is typical for many studio or follower pieces from the era. Attributed to an Italian School artist, working after Filippo Lauri (1623–1694).

👤 About Filippo Lauri

A major figure in Roman Baroque art, Lauri trained under his Flemish father and later studied with prominent Italian artists. He contributed figures to works by Claude Lorraine and was known for mythological and elegant compositions.

His style, dramatic yet refined, is echoed throughout this piece.

📜 Provenance

• Private Northern UK collection

• Formerly sold via Tennants Auctioneers

• Now in the curated holdings of Cheshire Antiques Consultant LTD

🔍 Condition Report

Presented in good antique condition, with expected age-related wear:

• Craquelure across canvas

• Some paint loss and touch-ups

• Foxing and age darkening on reverse

• Historical repairs and minor frame scuffs

Still a visually captivating and highly decorative piece.

💡 Why Add to Your Collection?

✅ Authentic 18th-century Italian Baroque painting
✅ Mythological subject with timeless narrative
✅ After Filippo Lauri—sought-after Roman master
✅ Decorative, collectible, and investment-worthy
✅ Curated by experienced antique professionals

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Professionally packaged and fully insured for safe international delivery.

🖼️ Available exclusively through Cheshire Antiques Consultant LTD

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