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Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Edwardian Elegance: Persian Kittens at Tea Signed by Agnes Augusta Talboys RWA British, 1863โ€“1940
Edwardian Elegance: Persian Kittens at Tea Signed by Agnes Augusta Talboys RWA British, 1863โ€“1940
Edwardian Elegance: Persian Kittens at Tea Signed by Agnes Augusta Talboys RWA British, 1863โ€“1940
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Edwardian Elegance: Persian Kittens at Tea Signed by Agnes Augusta Talboys RWA British, 1863โ€“1940
Oil Painting Group 6 Persian Kittens Tea Party by Agnes Augusta Tallboys RWA - Cheshire Antiques Consultant LTD
Cheshire Antiques Consultant LTD

Edwardian Elegance: Persian Kittens at Tea Signed by Agnes Augusta Talboys RWA British, 1863โ€“1940

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๐Ÿซ– Edwardian Masterpiece: Persian Kittens Playing Tea Party ๐Ÿพ Signed by Agnes Augusta Talboys RWA (British, 1863โ€“1940)

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Subject & Medium ๐ŸŽจ

Oil on canvas.
Title: Persian Kittens Playing Tea Party

A refined and charming Edwardian animal painting depicting six Persian kittens gathered around an elegant tea service. The work combines gentle humour, narrative warmth, and accomplished early 20th-century technique, firmly dating to circa 1910.

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Composition & Technique ๐Ÿซ–

The composition unfolds across a green-draped tabletop, where six Persian kittens are arranged in a carefully balanced and engaging group. On the left, two grey kittens playfully tussle within a wicker basket, their lively movement offset by a third kitten that pauses and looks outward, directly engaging the viewer. At centre, a white kitten reclines inquisitively beside a finely rendered cup and saucer, while another white kitten sits upright behind, adding vertical emphasis and depth. On the right, a grey kitten peeks coyly from behind the teapot, its gently tilted head forming a focal point of irresistible charm.

Talboysโ€™ brushwork is soft yet confident, particularly in the rendering of fur, where layered strokes and subtle tonal transitions create convincing volume and texture. The porcelain tea service is handled with greater precision, introducing crisp edges and decorative detail that contrast beautifully with the kittensโ€™ plush coats.

Colour is a particular strength of the work: luminous silvery greys and soft whites glow against a darker, atmospheric background, anchored by the rich green tablecloth and enlivened by blue-and-white porcelain with delicate warm floral accents, adding sparkle without overwhelming the composition.

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Historical Significance ๐Ÿ›๏ธ

This painting dates from Talboysโ€™ most admired Edwardian period, when her Persian cat compositions achieved their greatest refinement and popularity. Persian cats were highly fashionable in Britain at the turn of the 20th century, closely associated with taste, domestic elegance, and refined interiors. Works such as this reflect both the eraโ€™s affection for companion animals and the elevation of animal painting into a respected and collectible genre.

The canvas retains the original Winsor & Newton, London supplierโ€™s stamp verso, confirming the use of professional-grade materials and supporting an authentic early 20th-century execution.

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

About the Artist ๐Ÿ‘ฉ๐ŸŽจ

Agnes Augusta Talboys RWA was born in Bristol in 1863 and became one of Britainโ€™s most accomplished painters of cats and kittens. Closely associated with the Royal West of England Academy (RWA), she exhibited regularly and developed a strong reputation for combining technical skill with characterful observation.

Talboys flourished from the late Victorian through the Edwardian era, producing her most desirable works before 1920. Today, her paintings are held in private collections worldwide, with her Persian cat compositions enjoying sustained international collector demand.

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Signed โœ๏ธ

Signed by Agnes Augusta Talboys RWA, executed in a confident, period-consistent hand that sits naturally within the painted surface. The presence of an original artistโ€™s signature strengthens attribution and enhances collector desirabilityโ€”particularly for Talboysโ€™ most sought-after Persian kitten subjects from the Edwardian period (c.1910).

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Size ๐Ÿ“

Canvas: 46.5 ร— 73 cm
Overall framed size: 64 ร— 89.5 cm
Depth: 4 cm

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Framed ๐Ÿ–ผ๏ธ

Presented in a recently fitted Larson Juhl LJS Prague moulded decorative gilt wood frame. The frame complements the paintingโ€™s period character and enhances its strong wall presence, making it ideal for refined interiors.

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Provenance ๐Ÿ“œ

  • Painted on the artistโ€™s original Winsor & Newton, London, prepared canvas

  • Private collection

  • Clevedon Salerooms, Bristol, Interiors Sale, January 2025

  • Curated by Cheshire Antiques Consultant LTD

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Why Youโ€™ll Love It ๐Ÿ’š

โœ… Prime Talboys subject from her sought-after early 20th-century period
โœ… Elegant colour harmony of silvery greys, soft whites, rich greens, and refined porcelain blues
โœ… Strong painterly quality, particularly in the rendering of fur and atmospheric depth
โœ… Period authenticity confirmed by the original Winsor & Newton canvas stamp
โœ… Excellent display scaleโ€”balanced, engaging, and sophisticated
โœ… collector appeal with sustained international demand for Talboysโ€™ Persian cat works

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Condition Report ๐Ÿ”

Fine used condition. The original unlined canvas shows age-related foxing, staining, and craquelure consistent with period and materials. Minor historic touch-ups are present in background areas. The paint surface remains stable and visually pleasing. The frame is recent, with small handmade imperfections commensurate with its craftsmanship.

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