Victorian 1895 English Gilt Bronze Portrait Plaque Medallion – Charles C. Hopkins – In the Manner of Sir George Frampton

🏛️ Victorian 1895 English Gilt Bronze Portrait Plaque Medallion – Charles C. Hopkins – In the Manner of Sir George Frampton – 12cm

✨ Overview

A rare English Victorian gilt bronze circular portrait plaquette / medallion plaque, dated 1895, depicting Charles C. Hopkins in crisp side profile facing left. The sitter is shown half-length in formal attire with a traditional moustache, composed in a classical commemorative manner that feels scholarly and architectural—perfect for library walls, studies, and curated cabinets. 🇬🇧✨
This format is prized by collectors for its elegant profile treatment and its ability to display beautifully in smaller spaces while still presenting strong visual presence.

🟡 Craftsmanship & Materials

Cast in bronze with a gilt finish, the modelling is notably refined for its scale: clean facial planes, confident moustache definition, and sharply described collar and lapel lines. The relief has a pleasing depth—enough to catch raking light without appearing heavy—while the surface remains smooth to the touch with an authentic antique patina. ✨
The gilt tone has mellowed attractively with age, giving the plaque a warm decorative richness that photographs well and reads particularly well against dark wood, leather-bound books, or neutral wall tones.

👤 Subject & Portrait Character

The portrait presents Hopkins with a confident Victorian profile—formal, composed, and emblematic of late-19th-century commemorative portraiture. 🏛️ The moustache, tailoring, and restrained pose are strongly period-correct and give the piece a refined “gentleman’s study” aesthetic.
Portrait plaquettes of this type were often commissioned to mark professional standing, civic pride, or personal legacy—making them especially appealing to collectors who enjoy objects with narrative and presence.

⭐ Attribution (Stylistic)

Offered in the manner of Sir George Frampton (British, 1860–1928)—a stylistic attribution indicating the work closely follows the late-Victorian portrait relief tradition associated with Frampton and his circle. ⭐
Frampton is admired for sensitive portrait characterisation and accomplished relief work; collectors value objects in this tradition for crisp modelling, classical profile language, and a “commemorative/institutional” finish.
(As best practice for collecting, this is presented as a stylistic association rather than a guaranteed autograph work.)

📅 Date, Origin & Inscriptions

The rim is dated in Roman numerals MDCCCXCV, translating to 1895, and the sitter is identified around the rim as Charles C. Hopkins.
Origin: England, United Kingdom 🇬🇧
The Roman numeral date and formal legend contribute to the plaque’s authentic Victorian character and enhance display appeal for collectors of British portraiture and sculpture.

🖼️ Display & Interior Placement

A versatile collector’s piece suited to:

• library / study walls 📚

• desk, bookshelf, or vitrine display on a small stand (not included) 🏛️

• gallery wall groupings with bronzes, prints, intaglios, and Grand Tour–style objects 🖼️

To wall-hang, you would need to attach a suitable screw fitting/hanger to the reverse (not supplied). The back is plain, as commonly found on plaques of this type. 🔩
It also works exceptionally well in a curated arrangement—paired with framed engravings, portrait miniatures, or dark-toned antiques.

📜 Provenance

From a private seller’s collection; curated by Cheshire Antiques Consultant LTD ✅

✅ Condition

Charming antique condition with authentic aged patina. 🕰️ There is noticeable surface wear and scratches consistent with age, handling, and display over time. The patina and wear are in keeping with a genuine Victorian object and contribute to its character and decorative appeal. Please review all images carefully as they form part of the description. ✨

📏 Dimensions (cm)

Height 12 | Width 12 | Depth/Thickness 0.5