Collector's Journal — British Landscape Painting
Golden Hour on Lake Windermere: Alfred de Breanski Jr and the Art of the British Landscape
A Fontville Alfred de Breanski Jr Alfred Fontville de Breanski British Art British Landscape Art British Landscape Painting Collectors Journal English Landscape Fine Art Collecting Lake Windermere Mountain Landscape Signed Painting Victorian and Edwardian Art
Discover Alfred Fontville de Breanski Jr.’s atmospheric Lake Windermere, a signed early 20th-century British landscape capturing cattle, mountains and the fleeting golden light of the Lake District. Explore the “A. Fontville” signature, the artist’s career and the story behind this evocative painting.
Charles Neal’s 1989 Banks of the Wye: Coppett Hill and the English Impressionist Landscape
1989 Banks of the Wye British Impressionism British Landscape Painting Charles Neal Coppett Hill English Landscape Art Herefordshire The Collectors Journal Wye Valley
A signed 1989 landscape by British Impressionist Charles Neal depicting the Banks of the Wye at Coppett Hill, Herefordshire, with original handwritten and John Campbell Master Framers documentation preserved on the reverse.
William Taylor Longmire and Windermere: A 1903 View Towards the Langdale Pikes
Antique Watercolour British Landscape Painting British Watercolours Cheshire Antiques Consultant LTD® Collectors Journal Cumbria Edwardian Art Fine Art Lake District Paintings Langdale Pikes Orrest Head William Taylor Longmire Windermere
A closer look at William Taylor Longmire's signed 1903 watercolour of Windermere, exploring its Lake District setting, possible Orrest Head viewpoint and the distant landscape considered to include the Langdale Pikes.
Alfred de Breanski Jr at Lake Windermere: Light, Landscape and the A. Fontville Signature
Alfred de Breanski Jr Alfred Fontville Art Provenance Art Research British Art British Landscape Painting Collecting Fine Art Fine Art Lake District Lake Windermere
Signed “A. FONTVILLE” and titled Lake Windermere verso, this atmospheric early twentieth-century landscape leads into the story of Alfred Fontville de Breanski Jr., his exhibition career, alternative signature and fascination with changing natural light.
