Cheshire Antiques Consultant LTD

Early Victorian Oil Painting Architectural Historic Arundel Castle After James Canter

£4,000.00

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This oil painting depicts the historic Arundel Castle in intricate architectural detail, following in the style of renowned artist James Canter from the early Victorian era. A stunning and accurate portrayal of the castle, it serves as a beautiful addition to any art collection or a valuable insight into architectural history.
Subject historical known architectural view of Arundel castle with cattle grazing below on lush green vegetation. With rows of thick round bushy trees in the distance just below the castle. Views of the castle turrets highernup with all of the windows can be viewed. Above a mix of blue and white cloudy sky.
In the style of after James Canter.
Unsigned.
British school artist.
Oil on canvas laid onto board.
A nice easy display size with the frame being 42 cm wide and 34.5 cm high.
Circa mid 19th century early Victorian era.
Title “Historic Arundel Castle In West Sussex” After James Canter.
James Canter was an artist of topographical views, architecture and ruins he exhibited SA 1771, RA 1773-74, also at the FS 1774-83 in Spain he portrayed views of Madrid and Escorial, also painted views of seats of Roman Catjolic peers: Duke of Norfolk, Lord Arundel of Wardour.
History of Arundel Castle is a restored and remodelled medieval castle in Arundel, West Sussex, England. It was established by Roger de Montgomery in the 11th century. The castle was damaged in the English Civil War and then restored in the 18th and early 19th centuries by Charles Howard, 11th Duke of Norfolk. Further restoration and embellishment was undertaken from the 1890s by Charles Alban Buckler for the 15th Duke. Since the 11th century, the castle has been the seat of the Earls of Arundel and the Dukes of Norfolk. It is a Grade I listed building. The original structure was a motte-and-bailey castle.
Roger de Montgomery was declared the first Earl of Arundel as the King granted him the property as part of a much larger package of hundreds of manors. Roger, who was a cousin of William the Conqueror, had stayed in Normandy to keep the peace there while William was away in England. He was rewarded for his loyalty with extensive lands in the Welsh Marches and across the country, together with one fifth of Sussex (Arundel Rape). He began work on Arundel Castle in around 1067. Between 1101 and 1102 the castle was besieged by the forces of Henry I after its holder Robert of Bellême rebelled. The siege ended with the castle surrendering to the king. The castle then passed to Adeliza of Louvain (who had previously been married to Henry I) and her husband William d'Aubigny. Empress Matilda stayed in the castle, in 1139. It then passed down the d'Aubigny line until the death of Hugh d'Aubigny, 5th Earl of Arundel in 1243.
John Fitzalan then inherited jure matris the castle and honour of Arundel, by which, according to Henry VI's "admission" of 1433, he was later retrospectively held to have become de jure Earl of Arundel. The FitzAlan male line ceased on the death of Henry Fitzalan, 12th Earl of Arundel, whose daughter and heiress Mary FitzAlan married Thomas Howard, 4th Duke of Norfolk in 1555, to whose descendants the castle and earldom passed. In 1643, during the First English Civil War, the castle was besieged. The 800 royalists inside surrendered after 18 days. Afterwards in 1653 Parliament ordered the slighting of the castle; however "weather probably destroyed more". Although the castle remained in the hands of the Howard family over the succeeding centuries, it was not their favourite residence, and the various Dukes of Norfolk invested their time and energy into improving other ducal estates, including Norfolk House in London.
Provenance from a Surrey Stately home, Surrey antiques dealer & in collection of Cheshire Antiques Consultant LTD.
With hanging thread on the back ready for immediate home wall display.
Incredible conversation piece for your guests.
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Condition report.
Offered in fine used condition.
Front painting surface is in acceptable overall order. Having various foxing staining, craquelure & some scuffs to the surface in places. Frame which has general wear, scuffs, stains some chips losses commensurate with usage & old age.
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Dimensions in centimetres of the frame

High (34.5 cm)
Wide (42 cm)
Depth thickness of frame (2 cm)